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EVA London 2017: Electronic Visualisation and the Arts [Pehme köide]

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  • Formaat: Paperback / softback, 466 pages, kõrgus x laius: 297x210 mm, Illustrations, black and white
  • Ilmumisaeg: 10-Jul-2017
  • Kirjastus: BCS, The Chartered Institute for IT
  • ISBN-10: 1780173997
  • ISBN-13: 9781780173993
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EVA London 2017: Electronic Visualisation and the ArtsSuurem pilt
  • Formaat: Paperback / softback, 466 pages, kõrgus x laius: 297x210 mm, Illustrations, black and white
  • Ilmumisaeg: 10-Jul-2017
  • Kirjastus: BCS, The Chartered Institute for IT
  • ISBN-10: 1780173997
  • ISBN-13: 9781780173993
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781780173993.html
Märksõnad:
EVA London 2017 has established itself as one of the most innovative and interdisciplinary conferences in the field of digital visualisation, The papers in this volume touch on music, performance, electronic art, imaging technology, medical visualisation, museums and their collections, virtual communities, landscape visualisation, augmented reality, 3D imaging, interfaces, enhanced reality as well as other areas.
V & A Digital Futures meets EVA London


Music and Performing Arts


Visualisation


Arts


Interdisciplinarity


Animation & Visualisation


Mathematics and the arts


Education and museums


Arts and photography


Music and dance


Exhibition and digital futures
Prof. Jonathan P. Bowen is Emeritus Professor of Computing at London South Bank University and Chair of Museophile Limited, a museum and IT consultancy company that he founded in 2002. His research interests range from computer science, especially software engineering, through to the history of computing and museum informatics. He contributes to Wikipedia on cultural and computing-related topics.

Graham Diprose is a photographer and author. In the 1980s to 1990s he became a full-time lecturer at London College of Communication and later Lead Tutor in Photography in the Faculty of Design.

Dr Nick Lambert is Head of Research at Ravensbourne in North Greenwich, London. Previously he was Lecturer in Digital Art and Culture at the School of Arts, Birkbeck, University of London. His research interests include art and technology, contemporary digital art and the use of digital technologies in the history of art.