An ambitious, absorbing achievement that will make your brain hum, like going on a funfair ride with a very clever friend * Evening Standard * Laings gift for weaving big ideas together with lyrical prose sets her alongside the likes of Arundhati Roy, John Berger and James Baldwin. In other words, she is among the most significant voices of our time * Financial Times * This is an astonishing project, written with equal parts stirring passion and capable intellect. Laing puts into words experiences I had never before seen in print, and the world is better for it. I love this book -- Esmé Weijun Wang, author of The Collected Schizophrenias Laings impassioned commitment to the promise of bodily freedom, of every bodys right to move and feel and love without harming or being harmed, shines through every sentence of the book . . . The theme is amplified by reflective vignettes of her own bodily experiences, woven into the book with a deftness, candour and generosity that readers of The Lonely City and The Trip to Echo Spring will immediately recognise . . . Yet Laings Reichian utopianism, with its ultimate horizon of a body without fear, coexists with a clear-eyed sense, at work in all its granular explorations of sexual politics, art and ideas, of how and why that horizon seems always to be vanishing. And this tension, between defiant hope and sober realism, only enriches her intensely moving, vital and artful book -- Josh Cohen * Guardian * Laing is a truly thrilling thinker, with an impressively roving intellectual eye * Telegraph * Radically subversive * The Times Literary Supplement * [ Everybody] brims with empathy . . . Laing has written a piercing book. That she has no final answer to the problem of freedom does not detract from her achievement. Indeed, she encourages us all to ask new questions to discover how it feels, and what it means, to be free queries that are as vital as they are resistant to any single answer -- Aziz Huq * Washington Post * Andrea Dworkin, Sontag, Malcolm X, Freud they speak to us and come alive again, but we arent asked to decide if they are good or bad; we can listen to their thoughts and ideas. Its a revelation in an age when we seem endlessly to judge and condemn our artists and thinkers -- Chantal Joffe * Guardian * Olivia Laing has a genius for juxtaposing ideas and lives - of artists, writers, thinkers, her own too so that they illuminate each other in fresh, sometimes startling ways. This new book is a triumph. It bristles with energy and understanding as it charts the bodys pleasures and pains, its fragilities, and endurance in the long 20th century. Above all, through illness, sex, the markers of gender and race, it tangles with the ways in which the body is always enmeshed with mind and psyche, society and politics. This really is a book for everybody. -- Lisa Appignanesi, author of Mad, Bad and Sad A quintessential book for the precarious moment weve found ourselves in * Washington Post * Olivia Laing writes so well and engagingly -- Philippa Perry, author of How to Stay Sane Even as she glides between subjects and themes, Laing remains anchored by the bond between the body and personhood. In a standout chapter, she claims that the harm of violence is not the work it does to transform subjects into objects, but the incompletion of that work: the soul becomes a ruin with a human face * New Yorker * Through [ Laings] incisive lens, the bodythat knot of mind, matter, culture, and society that we dwell inescapably withinbecomes almost impossibly fascinating -- Alexandra Kleeman, author of You Too Can Have a Body Like Mine Reading Everybody felt like hanging out with my absolute smartest friend having, somehow, the precise conversation I need to have in this historical moment. Olivia Laings mind is a thrill to watch . . . Rare is the book that makes you feel more alive just in reading it, but Everybody does just that -- Alex Marzano-Lesnevich, author of The Fact of a Body A new book by Olivia Laing is always cause for celebration and Everybody: A Book About Freedom is no exception * Frieze * A provocative inquiry into the bodys power and vulnerability . . . casting fresh light on the unending struggles for freedom and autonomy -- Jenn Shapland, author of My Autobiography of Carson McCullers Everybody is a riveting and fascinating innovative historiography of 20th century Euro-American radical thought . . . Brainy, open-hearted and bold -- Sarah Schulman, author of Conflict Is Not Abuse and Let the Record Show Laing is radically empathetic, a writer-activist * Vulture * A free-wheeling and joyful exploration . . . Laings particular gift lies in her unique ability to line up unlikely juxtapositionsof artists, ideas and worksand then draw clear and illuminating insights from such constellations. What her earlier work did for loneliness, this book does for liberation -- Jack Halberstam, author of Gaga Feminism In this brilliant and curiously gentle book, Olivia Laing tells of the brave people of the twentieth century who fought for sexual freedom, while also telling her own story of learning to inhabit one particular body. At a time in which all of our bodies have made us so strangely isolated and dangerous to each other, Everybody is especially resonant; and shows us just how important it is to explore our sexual identity in order to know who we really are -- Julia Blackburn, author of Time Songs Impassioned and provocative . . . This lucid foray into some of lifes deepest questions astonishes * Publishers Weekly, starred review * Reflecting on her fraught sense of embodiment, Laing creates a penetrating examination of the political and cultural meanings ascribed to bodies as well as the relationships of bodies to power and freedom . . . Intellectually vigorous and emotionally stirring * Kirkus, Starred Review * Framed as an extended conversation between the author and her sources, in which De Sade blurs into Reich, who blurs into Sontag, and back again . . . the key to all this movement is that it also invites us to participate in the conversation a conversation that changes as Everybody progresses, reflecting the fluidity Laing investigates. * LA Times *
