Prelude -- the essence of architecture |
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3 | (12) |
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The origin of architecture-place-making |
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5 | (1) |
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Selling apples -- a girl `architects' her world |
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6 | (1) |
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Degas' vitrine -- making frames |
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7 | (1) |
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La Bajouliere -- a place enclosed |
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8 | (1) |
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9 | (1) |
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10 | (1) |
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Studying the architectural mind at work |
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10 | (2) |
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Drawing (and its limitations) |
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12 | (1) |
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12 | (1) |
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Interludes and observations |
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12 | (1) |
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12 | (1) |
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12 | (1) |
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13 | (2) |
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15 | (38) |
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16 | (1) |
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Exercise 1 The substance without substance |
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17 | (6) |
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17 | (1) |
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18 | (1) |
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1c Identification of place (by object) |
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18 | (1) |
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1d Introducing the person |
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18 | (1) |
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19 | (1) |
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1f Identification of place (by person) |
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19 | (1) |
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19 | (1) |
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20 | (3) |
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In Your Notebook: Circles of place |
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21 | (1) |
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22 | (1) |
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Exercise 2 Flipping perceptions |
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23 | (6) |
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2a Container for a dead person |
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23 | (1) |
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24 | (1) |
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25 | (4) |
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In Your Notebook: Examples of flipping |
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26 | (1) |
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27 | (1) |
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28 | (1) |
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Exercise 3 Axis (and its denial) |
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29 | (18) |
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29 | (1) |
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30 | (1) |
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3c Relating to the remote |
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30 | (1) |
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31 | (6) |
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A timeless syntax -- `The Artist is Present' |
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32 | (1) |
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Axis in use-Woodland Chapel |
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33 | (1) |
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In Your Notebook: Exploring axis |
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34 | (2) |
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36 | (1) |
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3e Lines of doorways (enfilade) |
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37 | (4) |
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Enfilade -- lines of doorways |
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38 | (3) |
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41 | (3) |
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Denying the axis -- a few historical examples |
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43 | (1) |
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3g Senseless doorway axis arrangements |
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44 | (3) |
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In Your Notebook: Denying or avoiding axis |
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45 | (2) |
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Exercise 4 Doorway places |
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47 | (6) |
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47 | (4) |
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In Your Notebook: Doorway places |
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49 | (2) |
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4b Hierarchies of transition |
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51 | (2) |
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In Your Notebook: Hierarchies of transition |
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52 | (1) |
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53 | (110) |
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55 | (4) |
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5a Geometries of the world and person |
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55 | (1) |
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56 | (3) |
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In Your Notebook: Alignment |
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57 | (2) |
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59 | (5) |
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6a The `Goldilocks' principle |
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59 | (2) |
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60 | (1) |
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6b Some key points of measure |
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61 | (3) |
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In Your Notebook: Human measure |
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62 | (2) |
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Exercise 7 Social geometry |
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64 | (6) |
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64 | (2) |
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7b Other situations framing social geometry |
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66 | (4) |
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A choir stall -- personal and social geometry |
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68 | (1) |
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In Your Notebook: Social Geometry |
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69 | (1) |
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Exercise 8 Geometry of making |
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70 | (28) |
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70 | (2) |
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72 | (1) |
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72 | (2) |
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Geometry of making -- Welsh house |
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73 | (1) |
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74 | (6) |
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Geometry of making -- building materials |
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75 | (1) |
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In Your Notebook: Geometry of a house |
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76 | (3) |
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Geometries of being -- regarding the circle |
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79 | (1) |
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80 | (4) |
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Geometry -- Korowai house |
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81 | (1) |
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Geometry -- Farnsworth House |
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82 | (1) |
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Classic form -- megaron variations |
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83 | (1) |
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84 | (12) |
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84 | (1) |
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Geometry of making -- corbel dome |
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85 | (1) |
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86 | (1) |
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87 | (1) |
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In Your Notebook: Structural geometry |
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88 | (1) |
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Conflict in geometry -- for a poetic reason |
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89 | (1) |
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90 | (1) |
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91 | (1) |
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92 | (1) |
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Stretching the geometry of making |
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93 | (1) |
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Disregarding the geometry of making |
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94 | (1) |
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94 | (1) |
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95 | (1) |
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8g Transcending the geometry of making |
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96 | (2) |
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In Your Notebook: Attitudes to the geometry of making |
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97 | (1) |
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Exercise 9 Geometry of planning |
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98 | (18) |
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98 | (1) |
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99 | (1) |
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100 | (2) |
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9d Relations with places open to the sky |
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102 | (9) |
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In Your Notebook: Enclosed places open to the sky |
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104 | (2) |
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106 | (1) |
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107 | (3) |
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In Your Notebook: Modifying geometry |
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110 | (1) |
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9e Columned spaces/free plan |
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111 | (5) |
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In Your Notebook: `Free' plan |
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113 | (3) |
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Exercise 10 Ideal geometry |
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116 | (17) |
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10a A (perfectly) square space |
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116 | (1) |
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117 | (2) |
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119 | (1) |
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10d Problems with ideal geometry |
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120 | (13) |
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121 | (2) |
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123 | (1) |
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124 | (1) |
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125 | (1) |
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126 | (1) |
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In Your Notebook: Ideal geometry |
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127 | (4) |
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131 | (2) |
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Exercise 11 Axial symmetry |
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133 | (10) |
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133 | (3) |
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Is perfect axial symmetry possible? |
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135 | (1) |
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11b Subverting axial symmetry |
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136 | (7) |
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In Your Notebook: Symmetry and asymmetry |
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140 | (2) |
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142 | (1) |
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Exercise 12 Playing with geometry |
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143 | (20) |
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143 | (3) |
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146 | (1) |
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12c Breaking ideal geometry |
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147 | (6) |
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Forces beyond your control |
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149 | (1) |
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In Your Notebook: Forces beyond control |
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150 | (1) |
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Artificial ruin -- broken geometry |
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151 | (1) |
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Geometry challenged by conditions |
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152 | (1) |
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12d More complex geometry |
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153 | (4) |
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153 | (1) |
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154 | (2) |
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156 | (1) |
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157 | (6) |
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In Your Notebook: Distorted geometry |
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159 | (2) |
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161 | (1) |
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162 | (1) |
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SECTION THREE Out into the real world |
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163 | (54) |
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Exercise 13 Making places in the landscape |
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165 | (12) |
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165 | (3) |
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166 | (1) |
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167 | (1) |
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13b Identify place by choice and occupation |
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168 | (7) |
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In Your Notebook: Place-making by recognition |
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169 | (1) |
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170 | (1) |
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Prospect and refuge; refuge and arena |
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171 | (1) |
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Relationship with the horizon |
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172 | (1) |
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173 | (1) |
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174 | (1) |
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13c Begin to make your place better |
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175 | (2) |
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176 | (1) |
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Exercise 14 Making places just by being |
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177 | (13) |
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178 | (1) |
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179 | (1) |
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14b Modifying your circle of place |
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180 | (3) |
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180 | (1) |
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181 | (1) |
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182 | (1) |
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182 | (1) |
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14c Making places with people |
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183 | (6) |
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Australian aborigine place-making |
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186 | (2) |
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188 | (1) |
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189 | (1) |
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Exercise 15 Geometry of making |
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190 | (4) |
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192 | (1) |
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Ray Mears -- places in the landscape |
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193 | (1) |
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Exercise 16 Responding to conditions |
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194 | (6) |
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In Your Notebook: Responding to conditions |
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198 | (2) |
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Exercise 17 Framing atmosphere |
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200 | (8) |
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In Your Notebook: Draw your places |
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202 | (4) |
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Drawing plans and sections |
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206 | (2) |
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Exercise 18 Measured drawing |
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208 | (2) |
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Exercise 19 Setting down space-time rules |
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210 | (7) |
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19a Make up your own spatial rules |
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212 | (2) |
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19b Experiment with time as an element |
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214 | (3) |
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In Your Notebook: Space-time rules |
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216 | (1) |
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SECTION FOUR Additional exercises |
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217 | (7) |
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Exercise 20 Place descriptions in literature |
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219 | (1) |
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Exercise 21 Architecture without sight |
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220 | (1) |
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Exercise 22 Eliciting an emotional response |
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221 | (1) |
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222 | (2) |
Acknowledgements |
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224 | (1) |
Bibliography |
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224 | (2) |
Index |
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226 | |