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Expertise in Jazz Guitar Improvisation: A Cognitive Approach [Kõva köide]

(Volda University College, Norway)
  • Formaat: Hardback, 224 pages, kõrgus x laius: 234x156 mm, kaal: 610 g, 29 Tables, black and white; 70 Halftones, black and white; 99 Illustrations, black and white
  • Sari: SEMPRE Studies in The Psychology of Music
  • Ilmumisaeg: 04-May-2020
  • Kirjastus: Routledge
  • ISBN-10: 0367077663
  • ISBN-13: 9780367077662
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  • Kõva köide
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  • Formaat: Hardback, 224 pages, kõrgus x laius: 234x156 mm, kaal: 610 g, 29 Tables, black and white; 70 Halftones, black and white; 99 Illustrations, black and white
  • Sari: SEMPRE Studies in The Psychology of Music
  • Ilmumisaeg: 04-May-2020
  • Kirjastus: Routledge
  • ISBN-10: 0367077663
  • ISBN-13: 9780367077662
Teised raamatud teemal:

Expertise in Jazz Guitar Improvisation is an examination of musical interplay and the ways implicit (sub-conscious) and explicit (conscious) knowledge appear during improvisation. The practice-based research inquiry includes: interviews and interplay with five world-class jazz guitarists, Lage Lund, Jack Wilkins, Ben Monder, Rez Abbasi and Adam Rogers; a modal matrix for analyzing structure, time and form in jazz guitar improvisation, and musical analysis based on cognitive theories.

By explaining the cognitive and musical foundations for expertise in jazz guitar improvisation, this book illuminates how jazz guitarists' strategies are crucially dependent on context, style and type of interplay. With accompanying video provided as an e-resource, this material will be of interest to anyone fascinated in Jazz and Psychology of Music.

List of figures
xi
List of tables
xiii
Foreword xiv
Preface xvi
1 Introduction
1(10)
A practice-based inquiry
2(1)
Challenges
3(1)
Inspiration
4(2)
Scope
6(2)
Personal and professional context
8(1)
Overview of the book
9(1)
References
9(2)
2 The researching jazz guitarist
11(22)
Practice as research
11(2)
Research strategies
13(3)
Methods for generating empirical material
16(16)
References
32(1)
3 The jazz guitarists' perspectives on practising and performing
33(27)
The sessions
33(1)
Practising
34(14)
Performing
48(9)
In sum -- the jazz guitarists `perspectives on practise and performance'
57(2)
References
59(1)
4 Expertise in improvisation
60(21)
Chunking: basic coding
60(2)
Schemas: extended coding
62(2)
Templates: altered coding
64(4)
Action-based chunking
68(9)
In sum -- schemas, chunks and templates
77(1)
References
78(3)
5 Aspects of time
81(21)
Swing
82(4)
Meso timing
86(6)
Macro timing
92(7)
In sum -- improvisation and time
99(1)
References
100(2)
6 Form
102(27)
Harmonic rules
103(19)
Fret board patterns
122(4)
In sum -- improvisation and form
126(1)
References
127(2)
7 Musical analysis
129(46)
Musical transcriptions in a modal matrix
129(5)
The five jazz guitarists' solos
134(40)
Reference
174(1)
8 Final reflections
175(4)
Coda
177(2)
Appendices: introduction 179(1)
Appendix 4 Tension schema 180(5)
Appendix 5 Tension notes in measures 185(3)
Appendix 6 Tension notes related to tonal areas 188(2)
Appendix 7 Tonal areas, tension notes, peak of solo, interplay and style 190(5)
Appendix 8 Participant biographies 195(3)
Appendix 9 The modal matrix, full version 198(19)
Index 217
Stein Helge Solstad is Associate Professor in Music at Volda University College, Norway.