Introduction
1 Towards an ecology of sound
PART I: Music, nature, sounds, the living
2 Music and nature
3 Acoustic ecology and soundscape compositions
4 Philosophies of place and field recording
5 Ecology and environmental sonic artivisms
PART II: Mental ecology
6 Listening as a construction of the commons
7 Subjectivation, affect, and empowerment
8 Music, sound, and extreme violence
PART III: Social ecology
9 Music, society, politics
10 Social and ecosophical artivisms
By way of conclusion: Lockdown and music: the artist as producer