Introduction |
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Chapter 1 What is Exposure? |
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1 | (16) |
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2 | (2) |
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4 | (2) |
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6 | (4) |
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How Is Exposure Calculated? |
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10 | (2) |
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12 | (1) |
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What Is a Proper Exposure? |
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13 | (4) |
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17 | (20) |
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How Your Camera Determines Exposure...and More |
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18 | (2) |
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20 | (2) |
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22 | (2) |
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24 | (4) |
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The Value of the Histogram |
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28 | (2) |
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30 | (1) |
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Setting the Correct White Balance |
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30 | (2) |
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Using the Right Format: RAW vs. JPEG |
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32 | (5) |
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37 | (26) |
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Picking the Right Shooting Mode for the Job |
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38 | (2) |
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40 | (2) |
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42 | (2) |
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44 | (3) |
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47 | (2) |
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49 | (2) |
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A Few Words About Automatic Modes |
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51 | (12) |
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63 | (20) |
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Understanding the Properties of Light and How to Use It |
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64 | (2) |
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66 | (2) |
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68 | (7) |
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75 | (2) |
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77 | (6) |
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83 | (26) |
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The Tricks to Shooting Sports and More |
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84 | (2) |
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86 | (2) |
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88 | (3) |
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Using Shutter Priority Mode to Stop Motion |
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91 | (3) |
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Using Aperture Priority Mode to Isolate Your Subject |
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94 | (1) |
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Using Auto ISO the Right Way |
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95 | (2) |
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Keep Them in Focus with Continuous Focus and Focus Point Selection |
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97 | (2) |
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Manual Focus for Anticipated Action |
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99 | (1) |
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Keeping Up with the Continuous Shooting Mode |
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100 | (2) |
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102 | (2) |
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104 | (5) |
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109 | (28) |
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Settings and Features to Make Great Portraits |
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110 | (2) |
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112 | (2) |
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114 | (1) |
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Using Aperture Priority Mode |
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115 | (3) |
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Metering Modes for Portraits |
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118 | (1) |
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Using the Exposure Lock Feature |
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119 | (1) |
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Focusing: The Eyes Have It |
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120 | (2) |
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Classic Black and White Portraits |
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122 | (1) |
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The Portrait Preset for Better Skin Tones |
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123 | (1) |
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Use Fill Flash for Reducing Shadows |
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124 | (2) |
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126 | (1) |
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Tips for Shooting Better Portraits |
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126 | (11) |
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Chapter 7 Landscape Photography |
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137 | (40) |
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Tips, Tools, and Techniques to Get the Most Out of Your Landscape Photography |
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138 | (2) |
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140 | (2) |
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Sharp and In Focus: Using Tripods |
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142 | (2) |
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144 | (1) |
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Selecting a White Balance |
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145 | (2) |
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Using the Landscape Picture Enhancement |
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147 | (1) |
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Taming Bright Skies with Exposure Compensation |
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148 | (2) |
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Shooting Beautiful Black and White Landscapes |
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150 | (3) |
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153 | (1) |
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154 | (2) |
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156 | (1) |
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157 | (3) |
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Directing the Viewer: A Word about Composition |
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160 | (5) |
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Advanced Techniques to Explore |
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165 | (12) |
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177 | (26) |
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Shooting When the Lights Get Low |
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179 | (1) |
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180 | (2) |
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Raising the ISO: The Simple Solution |
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182 | (2) |
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184 | (1) |
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Stabilizing the Situation |
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185 | (2) |
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187 | (2) |
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189 | (1) |
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190 | (2) |
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Compensating for the Flash Exposure |
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192 | (2) |
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194 | (1) |
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195 | (3) |
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198 | (1) |
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A Few Words About External Flash |
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198 | (5) |
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Chapter 9 Creative Compositions |
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203 | (22) |
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Improve Your Pictures with Sound Compositional Elements |
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204 | (2) |
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206 | (2) |
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208 | (3) |
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211 | (2) |
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213 | (1) |
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214 | (1) |
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214 | (3) |
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217 | (1) |
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218 | (1) |
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218 | (2) |
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220 | (5) |
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Chapter 10 Advanced Techniques |
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225 | (20) |
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Impress Your Family and Friends |
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226 | (2) |
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228 | (2) |
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Spot Meter for More Exposure Control |
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230 | (1) |
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Metering for Sunrise or Sunset |
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231 | (2) |
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233 | (3) |
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236 | (1) |
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237 | (1) |
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238 | (1) |
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Customize Your White Balance |
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239 | (1) |
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Shoot in Bursts for Steadier Images |
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239 | (1) |
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Shooting Through Obstructions |
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240 | (1) |
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241 | (4) |
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245 | (18) |
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Upgrades and Accessories to Expand Your Camera's Creative Potential |
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246 | (4) |
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250 | (3) |
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253 | (1) |
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Macro Photography Accessories |
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253 | (2) |
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255 | (1) |
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256 | (1) |
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256 | (2) |
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258 | (2) |
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260 | (3) |
Index |
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