The Facet Preservation Collection includes eight books written by leading academics and practitioners containing cutting-edge information and practical guidance on preservation for libraries, archives and museums. The books included in the Collection are: Practical Digital Preservation A how-to guide for organizations of any size Adrian Brown Winner of the 2014 Digital Preservation Award for Teaching and Communications "Comprehensive and accessible ... The greatest strength of Browns work is his ability to break complex processes down in such a way as they can be easily understood and accomplished. This is further aided by his providing readers with numerous exemplars that fit institutions of a variety of sizes and missions. Likewise, his helping his readers take a close look at their own needs, experience, and context before they move forward into digital preservation establishes a strong foundation for their own preservation work." - Journal of Library Innovation Preserving Our Heritage Perspectives from antiquity to the digital age Edited by Michele V Cloonan "There is a good balance between the historic roots of preservation and contemporary challenges surrounding digital preservation ... A sound investment for anyone seeking an overview of the field of preservation." - Library Journal Preserving Archives, 2nd edition Helen Forde and Jonathan Rhys-Lewis "a welcome updateThe vast practical experience of the two authors clearly enriches the text. Archivists and librarians will find it a great tool to turn to for high level preservation advice, and for students it will provide a good broad overview of the varied issues facing collections." - Business Archives Preservation Management for Libraries, Archives and Museums Edited by G E Gorman and Sydney J Shep "the book is an interesting and worthwhile read for, as it said on its cover, "anyone working in the library, archive, museum and heritage sectors." - Journal of Documentation Digital Curation A how-to-do-it manual Ross Harvey "Harvey shares his wealth of knowledge in a simple-to-read text and provides ample resources for those who want to learn more... Digital Curation is an extremely useful work that should be read by multiple audiences. It will help archivists and librarians understand digital curation; it can be used by educators to explain digital curation to aspiring archivists and librarians; and it provides a strong framework for archivists and librarians who are responsible for curating digital materials. Harvey's manual provides an important reference resource to archival and library communities and should be mandated reading for professionals tasked with curating digital content."- Archival Issues Digital Preservation Edited by Marilyn Deegan and Simon Tanner "The editors can be praised for bringing together essays highlighting the economic decisions on which preservation is basedThe book provides ample guidance to choosing a strategic approach to technology and metadata, and offers more than 60 case studies for reference."- Information World Review Preparing Collections for Digitization Anna E Bülow and Jess Ahmon "A practical approach is at the heart of this publication. How to evaluate the nature and extent of physical damage of collection items? What are the possible ways to deal with document formats and fastenings to achieve good imaging quality without compromising preservation objectives? What equipment should be selected to reach both digital imaging and preservation goals? How a digital imaging workflow should be organised to accommodate document preparation and conservation tasks? These are just several examples of questions addressed in different chapters. The extensive experience of both authors in digitising and preserving heritage collections at the National Archives of the United Kingdom and the case studies presented in all chapters add more value to this publication."- The Electronic Library Preserving Complex Digital Objects Edited by Janet Delve and David Anderson "Ensuring long term access and usability of complex digital objects is of critical importance to the future of nearly every area of arts, culture, the humanities and the sciences. With that noted, to date there is a surprisingly small amount of basic and applied research and scholarship that explicitly engages with issues in this area. To this end, the 25 essays in Preserving Complex Digital Objects are invaluable as documentation and presentation work on this topic."- Journal of Academic Librarianship
Practical Digital Preservation
1. Making the case for digital preservation
2. Understanding your
requirements
3. Models for implementing a digital preservation service
4.
Selecting and acquiring digital objects
5. Accessioning and ingesting digital
objects
6. Describing digital objects 7.Preserving digital objects
8.
Providing access to users
9. Future trends
Preserving Our Heritage
1. Early Perspectives on Preservation
2. Perspectives on Cultural Heritage
3. Preservation in Context: Libraries, Archives, Museums, and the Built
Environment
4. Collections: Development and Management
5. Risks to Cultural
Heritage: Time, Nature, and Humans
6. Conservation
7. Frameworks for Digital
Preservation
8. Preservation Policy
9. Ethics and Values
10. Multicultural
Perspectives
11. Sustainability
12. Epilogue
Preserving Archives, 2nd edition
1. Introducing archive preservation
2. Understanding archive materials and
their characteristics
3. Managing digital preservation
4. Archive buildings
and their characteristics
5. Safeguarding the building and its contents
6.
Managing archival storage
7. Managing risks and avoiding disaster
8. Creating
and using surrogates
9. Moving the records
10. Exhibiting archives
11.
Handling the records
12. Managing a pest control programme
13. Training and
the use of volunteers
14. Putting preservation into practice
Preservation Management for Libraries, Archives and Museums
1. Managing the documentary heritage: issues for the present and future -
John Feather
2. Preservation policy and planning - Mirjam Foot
3.
Intangible heritage: museums and preservation - David Grattan and John Moses
4. Surrogacy and the artefact - Marilyn Deegan
5. Moving with the times in
search of permanence - Yola de Lusenet
6. Valuation model for paper
conservation research: a new approach for setting research priorities - Henk
J. Porck, Frank J. Ligterink, Gerrit de Bruin and Steph Scholten
7.
Preservation of audiovisual media: traditional to interactive formats - Bob
Pymm
8. Challenges of managing the digitally born artefact - Barbara Reed
9. Preserving cultural heritage in times of conflict - René Teijgeler
10.
Access and the social contract in memory institutions - Helen Forde
11.
Redefining the collection in the 21st century - G. E. Gorman and Sydney J.
ShepDigital Curation
PART 1: DIGITAL CURATION: SCOPE AND INCENTIVES
1. Introduction
2. The
changing landscape
3. Conceptual models
4. Defining data PART 2: KEY
REQUIREMENTS FOR DIGITAL CURATION
5. Curation and curators
6. Description and
representation information
7. Preservation planning and policy
8. Sharing
knowledge and collaborating PART 3: THE DIGITAL CURATION LIFECYCLE IN ACTION
9. Designing data
10. Creating data
11. Deciding what data to keep
12.
Ingesting data
13. Preserving data
14. Storing data
15. Using and reusing
data
Digital Preservation
1. Key issues in digital preservation - Marilyn Deegan and Simon Tanner
2.
Strategies for digital preservation - David Holdsworth
3. The status of
preservation metadata in the digital library community - Robin Wendler
4.
Web archiving - Julien Masanès
5. Web archiving activities: case studies -
Elisa Mason
6. The costs of digital preservation - Brian F. Lavoie
7. Its
money that matters in long-term preservation - Stephen Chapman
8. Some
European approaches to digital preservation - Peter McKinney
9. Digital
preservation projects: some brief case studies - Jasmine Kelly and Elisa
Mason
Preparing Collections for Digitization
1. Digitization in the context of collection management
2. Before you
digitize: resources, suppliers and surrogates
3. The digital image
4. The
process of selection
5. Surveying collections
6. Equipment for image capture
7. Preparation of document formats and fastenings
8. Preparation of damaged
documents
9. Setting up the imaging operation
10. Conclusion
Preserving Complex Digital Objects Foreword - Adam Farquhar Preface - Neil
Grindley Introduction - Janet Delve and David Anderson PART 1: WHY AND WHAT
TO PRESERVE: CREATIVITY VERSUS PRESERVATION
1. Standing on the shoulders of
heavily armed giants why history matters for game development - Dan
Pinchbeck
2. Archaeology versus anthropology: what can truly be preserved? -
Richard A. Bartle
3. Make or break? Concerning the value of redundancy as a
creative strategy - Simon Biggs
4. Between code and space: the challenges of
preserving complex digital creativity in contemporary arts practice - Michael
Takeo Magruder PART 2: THE MEMORY INSTITUTION/DATA ARCHIVAL PERSPECTIVE
5.
Preservation of digital objects at the Archaeology Data Service - Jenny
Mitcham
6. Preserving games for museum collections and public display: the
National Videogame Archive - Tom Woolley, James Newman and Iain Simons
7.
Bridging the gap in digital art preservation: interdisciplinary reflections
on authenticity, longevity and potential collaborations - Perla Innocenti
8.
Laying a trail of breadcrumbs preparing the path for preservation - Drew
Baker and David Anderson PART 3: DIGITAL PRESERVATION APPROACHES, PRACTICE
AND TOOLS Part 3.1: A good place to start: software preservation
9. Digital
preservation and curation: the danger of overlooking software - Neil Chue
Hong
10. How do I know that I have preserved software? - Brian Matthews,
Arif Shaon and Esther Conway Part 3.2: Tools and techniques
11. Digital
preservation strategies for visualizations and simulations - Janet Delve,
Hugh Denard and William Kilbride
12. The ISDA tools: preserving 3D digital
content - Kenton McHenry, Rob Kooper, Luigi Marini and Michael Ondrejcek
Part 3.3: Metadata, paradata and documentation
13. Ecologies of research and
performance: preservation challenges in the London Charter - Hugh Denard
14.
A tangled web: metadata and problems in game preservation - Jerome McDonough
15. Metadata for preserving computing environments - Angela Dappert
16.
Preserving games environments via TOTEM, KEEP and Bletchley Park - Janet
Delve, Dan Pinchbeck and Winfried Bergmeyer
17. Documenting the context of
software art works through social theory: towards a vocabulary for context
classification - Leo Konstantelos PART 4: CASE STUDIES
18. The Villa of
Oplontis: a born-digital project - John R. Clarke
19. Preservation of
complex cultural heritage objects a practical Implementation - Daniel
Pletinckx
Adrian Brown is the Director of the Parliamentary Archives and has lectured and published widely on all aspects of digital preservation. He was previously Head of Digital Preservation at the National Archives where his team won the International Digital Preservation Award in 2007. Michelle Valerie Cloonan is Dean Emerita and Professor at the Graduate School of Library & Information Science, Simmons College. Helen Forde is a professional archivist who has worked in local authority, private and national archives. Until 2001 she was Head of Preservation Services at the UK national Archives, where she had previously been in charge of both the library and the Museum. She has taught preservation management and worked as an independent consultant on archives. Jonathan Rhys-Lewis is preservation and collections management consultant with over 25 years experience within local government and as an independent consultant. He trains, lectures and publishes on preservation and preservation management. G.E. Gorman BA(Hons) MDiv STB GradDipLib MA ThD FCLIP FRSA is Professor of Library and Information Management at the School of Information Management, Victoria University of Wellington, and Editor of Online Information Review. Sydney J. Shep BA(Hons) MA MA PhD is Senior Lecturer in Print and Book Culture at Victoria University of Wellington, and the Printer at Wai-te-ata Press, a letterpress teaching laboratory, research facility and fine press printing house. Ross Harvey is Visiting Professor in the Graduate School of Library and Information Science, Simmons College, Boston, a position he has held since 2008. Before joining Simmons he was the inaugural Professor of Library and Information Studies at Charles Sturt University, Australia, from 1999 to 2008, and he has held positions at other universities in Australia, Singapore, and New Zealand. Visiting Professorships at the University of British Columbia (2008) and the University of Glasgow (2007-2008) allowed him to observe first hand current digital preservation and digital curation practice and research. Marilyn Deegan PhD is Director of Research Development, Centre for Computing in the Humanities, King's College London. Simon Tanner BA(Hons) MCLIP is Director of Kings Digital Consultancy Services, King's College London. Dr Anna E. Bulow is Head of Preservation at The National Archives. She is editor of the Journal of Paper Conservation and has written and presented on a wide range of subjects including degradation mechanisms of paper, environmental monitoring and control, risk assessment and digitization. Jess Ahmon MA MSc is Preservation Officer at The National Archives. She has given a number of presentations on the challenges of digitization of original documents, most recently at the Digital Futures training programme run by King's College London. Janet Delve is co-leader of the interdisciplinary Future Proof Computing Group in the School of Creative Technologies at the University of Portsmouth. She is a member of the Digital Preservation Coalition Technology Watch Editorial Board. David Anderson is co-leader of the interdisciplinary Future Proof Computing Group at the University of Portsmouth. He is the Director of CiTECH (the Centre for Cultural and Industrial Technologies Research) in the Faculty of Creative and Cultural Industries.
