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Factual Television Producing: A Hands On Approach From Concept to Delivery [Kõva köide]

  • Formaat: Hardback, 306 pages, kõrgus x laius: 229x152 mm, kaal: 750 g, 10 Line drawings, black and white; 15 Halftones, black and white; 25 Illustrations, black and white
  • Ilmumisaeg: 27-Dec-2022
  • Kirjastus: Routledge
  • ISBN-10: 1032273240
  • ISBN-13: 9781032273242
Teised raamatud teemal:
Factual Television Producing: A Hands On Approach From Concept to DeliverySuurem pilt
  • Formaat: Hardback, 306 pages, kõrgus x laius: 229x152 mm, kaal: 750 g, 10 Line drawings, black and white; 15 Halftones, black and white; 25 Illustrations, black and white
  • Ilmumisaeg: 27-Dec-2022
  • Kirjastus: Routledge
  • ISBN-10: 1032273240
  • ISBN-13: 9781032273242
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781032273242.html
Märksõnad:
This book is an unvarnished look at how to originate, pitch, sell, and produce factual television programming for global broadcast television networks and streaming services.

Grounded in firsthand experience, this essential "how to guide" walks readers through the crucial steps in the factual television process while unpacking valuable insights to successfully producing and delivering projects on time and on budget. With over 20 years of experience in the TV documentary arena, Executive Producer Dylan Weiss shares how to break into the industry, originate your own documentary ideas, forge a path forward through the creative process, prepare your concepts for commissioners, and then pitch them to networks, broadcasters, streamers, and distributors around the world. Industry voices are layered throughout sharing their experiences from each stage of the process. These interviews include top executives from Disney, Investigation Discovery, National Geographic, and many more.

This is an ideal resource for independent documentary producers looking to create and pitch their work to top television networks and streaming services.
Introduction xi
Chapter One Breaking In and Getting Started
1(24)
Why We Create Factual Television
2(1)
The First Rule Is There Are No Rules
3(1)
There's No One Way to Do Anything
4(1)
Always Be Creating Content
5(2)
Don't Settle for No
7(3)
Nobody Is an Overnight Sensation
10(2)
Fast-Tracking Your Knowledge
12(1)
Creativity and the Process
13(1)
A Dearth of Content
14(2)
The Evolution of Nonfiction Programming
16(3)
A Multitude of Platforms
19(2)
Two Factual Routes
21(1)
Inside the Industry With Matt Taylor, The Walt Disney Company
22(3)
Chapter Two The Eight Factual Steps
25(4)
Love the Process
27(2)
Chapter Three Idea Creation
29(16)
Ideas Are Everywhere
29(2)
Don't Self-Reject
31(1)
An Eye Toward Accessibility
32(1)
One-Offs versus Mini-Series versus Series
33(2)
Ideas Are Everywhere, Talent Is Not
35(3)
Access Docs
38(2)
Inside the Industry with Winona Meringolo, Investigation Discovery
40(5)
Chapter Four Crafting a Presentation
45(16)
Presentation Materials
46(1)
It All Starts With the Pen
47(1)
Creating a Treatment
48(1)
Don't Self-Limit
49(2)
What Goes in a Treatment?
51(2)
Brevity Is Its Own Reward
53(1)
Crafting a Deck
54(1)
Cutting a Sizzle Reel
55(1)
Importance of Titles
56(1)
Inside the Industry With Michael Welsh, Executive Producer
57(4)
Chapter Five Pitching Your Idea
61(26)
So What Is a Pitch?
62(2)
The Gift of Conversation
64(1)
The Right Person to Pitch
65(2)
A Fragmented Playing Field
67(3)
Development Discussions
70(2)
Do I Need an Agent?
72(1)
Successfully Making the Pitch
73(3)
Whiffing a Pitch
76(1)
The Follow-Up
77(2)
The Sting of Rejection
79(1)
Power of a Deadline
80(1)
The Middle Ground -- A Development Deal
81(1)
Win, Lose, Next
82(2)
Inside the Industry with Babette Perry, Innovative Artists
84(3)
Chapter Six Selling Your Idea
87(54)
Budgeting
88(1)
Good, Cheap, Fast
88(1)
Creativity With Numbers
89(1)
Two Ways to Budget
90(1)
Crafting a Preliminary Schedule
91(2)
Budget Assumptions
93(1)
Building Your Budget
94(1)
Networks Crunch Numbers Differently
94(1)
Right Tool for the Right Job
95(2)
Put the $ Into the Show
97(1)
Inside the Industry With Marjolaine Souquet, National Geographic Channel
98(4)
Negotiating the Deal
102(1)
Price and Terms
103(4)
A Fair Price for a Fair Project
107(1)
Types of Deals
107(1)
Full Commission
107(1)
Co-production
108(2)
Acquisitions and Pre-sales
110(1)
Top-Off Funding
110(1)
Deficit Financing
110(1)
Sponsored Programs
111(1)
Other Types of Funding
112(1)
Streaming Services
113(1)
Intellectual Property
114(2)
Inside the Industry With Adam Jacobs, Quintus Studios
116(6)
Distributors
122(2)
Finding a Distributor
124(1)
What to Look for in a Distributor
125(1)
Inside the Industry With Roger Vanderspikken, Fred Distribution
126(6)
Inside the Industry With Ludo Dofour, Blue Ant International
132(4)
Closing the Deal
136(1)
Tenacity
136(1)
Ethics
137(1)
Be Clear and Constructive
137(1)
Etiquette
138(3)
Chapter Seven Pre-Production
141(42)
Every Minute Counts
142(1)
Engaging With the Network
143(1)
The Executive Producer
143(1)
The Production Manager
143(1)
The Unit Manager
143(1)
The Good, the Bad, and the Ugly
144(1)
The Kickoff Call
145(1)
Protect Your EP's Interest
146(1)
The Big Boss
146(2)
Inside the Industry With Dan Korn, A+E Networks UK
148(4)
Turning Pitches Into Reality
152(2)
Building a Shooting Outline
154(2)
Shooting Schedules
156(4)
Getting Subjects to Agree
160(1)
You Have What They Want
161(1)
Persuasive and Professional Emails
162(2)
The Follow-Up Chat
164(1)
Shooting Binder versus Shooting Bible
165(2)
Finding Great Crew
167(3)
Retaining Great Crew
170(1)
Landing a Dream Crew at a Budget-Friendly Rate
171(2)
Tightening Budgets
173(1)
Prepping for the Shoot
174(1)
Insurance
174(1)
Picking Your Kit
175(1)
Owning Gear versus Renting It
175(1)
Gear Checklists
176(1)
What Is a Carnet?
177(1)
Passport Check
177(1)
Equipment Shipping
178(1)
Choosing the Right Airline
179(1)
Kindness
179(1)
Inside the Industry With John Hart, MFE Insurance
180(3)
Chapter Eight Field-Production
183(42)
Great Shoots Need Great Leaders
184(3)
The Crew Pyramid
187(2)
Importance of A+ Travelers
189(1)
Upgrade Your Crew
190(1)
Crew Buy-In
191(1)
Per Diem and Meals
192(1)
Crew Conflict
193(1)
The Power of Delegation
194(1)
Jettison Bad Apples
195(1)
Another Country, Another Job
196(1)
Shot Lists
197(1)
Technical Specs Are Boring
198(1)
Get Some Rest
199(1)
Inside the Industry With Stephen Harrison, Director of Photography
200(9)
Principal Photography
209(1)
Filming Locations
209(1)
How to Interview
209(4)
When to Break the Rules
213(1)
Kill Them With Kindness
213(1)
Indecision Is an Assassin
214(1)
Always Stay Curious
215(1)
Staying Out of Harm's Way
215(1)
Focus on the Important Stuff
215(1)
Sharing Bad News
216(1)
Production Proverbs
217(1)
Getting a Jump on Post
218(1)
Post-Shoot TRT Outline
219(1)
Milestones and Cost Reporting
220(2)
Inside the Industry With Robert Angelo, Executive Producer
222(3)
Chapter Nine The Post-Production Process
225(36)
Scripting
226(1)
The Broadcast Clock
227(1)
Writing Voice-over Narration
228(2)
Scripting to Time
230(1)
The Frankenbite
231(1)
Paper Edit Reviews
231(1)
Editing
232(1)
Editors Are Rockstars
232(1)
Choosing the Correct NLE
233(1)
Finding Great Editors
233(1)
Post-Production Playbook
234(1)
The Importance of Systems
235(2)
The Power of Checklists
237(1)
Creating Selects Reels
238(2)
Timeline Layout
240(1)
Editing to a Broadcast Clock
241(1)
Finding Amazing Collaborators
241(2)
Archival and Stock Footage
243(3)
Staying on Schedule
246(3)
Inside the Industry With Jacinda Davis, Executive Producer
249(3)
Types of Edits
252(1)
The Assembly Edit
252(1)
The Rough Cut
253(2)
The Fine Cut
255(1)
Picture Lock
256(1)
Uploading Cuts and Review Tools
257(1)
Inside the Industry With Terren Lin, Founding Partner at Snacktime Creative
258(3)
Chapter Ten Delivery and Exhibition
261(14)
The Annotated Script
262(2)
Final Narration Record
264(1)
Audio Mixing
265(1)
Color Correction and Mastering
266(2)
The Network QC
268(1)
Inside the Industry With Tom Maydeck, Sound Mixer C.A.S.
269(2)
The Final Legal Binder
271(1)
Releases
271(1)
Acquired Material Logs
271(1)
Graphics Log and Contract
272(1)
Appearance Releases and Log
272(1)
Talent Agreements
272(1)
Voice-over Agreement
272(1)
Music Cue Sheets and Contract
272(1)
End Credits
273(1)
Airdates
274(1)
Chapter Eleven Forging a Factual Career
275(24)
Get Comfortable With Being Uncomfortable
276(1)
Selling the Next One
277(1)
Figure Out Your Superpower
278(1)
Art of Self-Promotion
279(1)
Circle of Competence
280(1)
Prepare to Pivot
281(1)
The Measure of Success
282(2)
The Business of Business
284(1)
Reels, Revenues, and Relationships
285(1)
Keep a Balanced Outlook
286(1)
Loving the Life
287(1)
Importance of Mentors
288(5)
Specialized Factual
293(1)
Appreciating the Wins
294(1)
What I'd Do Differently
295(2)
Go Tell Your Story!
297(2)
Chapter Twelve Appendix
299(2)
Index 301
Dylan Weiss is a documentary filmmaker and President of Cry Havoc Productions, where he has overseen over 100 hours of factual programming for a wide range of pan-regional and global networks, including the National Geographic Channel, National Geographic International, Discovery Networks International, Smithsonian Channel, Science Channel, and Animal Planet.