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Ferdinand Hodler: A Symbolist Vision [Kõva köide]

  • Formaat: Hardback, 416 pages, kõrgus x laius: 297x255 mm
  • Ilmumisaeg: 09-Sep-2008
  • Kirjastus: Hatje Cantz
  • ISBN-10: 3775720634
  • ISBN-13: 9783775720632
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  • Formaat: Hardback, 416 pages, kõrgus x laius: 297x255 mm
  • Ilmumisaeg: 09-Sep-2008
  • Kirjastus: Hatje Cantz
  • ISBN-10: 3775720634
  • ISBN-13: 9783775720632
Swiss painter Ferdinand Hodler (18531918) is one of Europes most influential artistic personalities, whose work bridged the styles of Realism, Symbolism, and the modern period. Despite initial praise, his extensive oeuvre has not always been an object of admiration; its diversity and originality, however, deserve international re-evaluation. Hodlers symbolist vision of a large, harmonious union of man and nature is expressed both in unique and monumental figurative compositions, and in stylized landscapes of sheer mountain peaks and glinting lakes. Twenty-five years since the last retrospective, this fresh and extensive assessment of Hodlers paintings invites the viewer to explore his work anew; on the one hand it represents a unique view of turn-of-the-century art and Symbolism, on the other it demonstrates a powerful and genuine interest in the depiction of man. (German edition ISBN 978-3-7757-2062-5) Exhibition schedule: Kunstmuseum Bern April 9August 10, 2008 Szépmüvészeti Múzeum, Budapest, September 9December 14, 2008 With support by Pro Helvetia, Swiss Arts Council
Hodler in Bern and Budapest- Preface and Acknowledgements
9(4)
Matthias Frehner
Laszlo Baan
Ferdinand Hodler: A Symbolist Vision
13(6)
Katharina Schmidt
Realism in Ornamentation: Ferdinand Hodler's Idea of Unity
19(15)
Oskar Batschmann
The Painter's Decalogue
34(1)
Hodler and Romanticism
35(12)
Werner Busch
The Structure of Eternal Recurrence: On the Landscape Painting of Ferdinand Hodler
47(5)
Laszlo Foldenyi
Commentaries I: From Realism to Symbolism: 1874 to 1890
52(64)
The ``Honorable Hodlers'': The Main Symbolist Works at the Kunstmuseum Bern
91(25)
Matthias Frehner
Commentaries II: Landscapes near Geneva around 1890
116(14)
Commentaries III: Symbolist Figure Paintings and Landscapes of the 1890s
130(43)
Ferdinand Hodler and the Salon de la Rose+Croix
155(12)
Sharon Latchaw Hirsh
The Body in Rhythmic Motion: Ferdinand Hodler's Figure Painting in the Context of the Revival of Dance around 1900
167(6)
Verena Senti-Schmidlin
Commentaries IV: Art Nouveau Compositions in the New Century
173(27)
Commentaries V: At Lake Thun and Lake Geneva around 1905
200(28)
Ferdinand Hodler's ``Decorative'' Landscapes: A Conversation before Paintings
217(11)
Gottfried Boehm
Commentaries VI: Peaks and Lakes, 1907-12
228(36)
Aspects of Landscape in the Work of Ferdinand Hodler
255(9)
Paul Muller
Commentaries VII: Compositions and Portraits, 1911/12
264(34)
Ferdinand Hodler's Portrait Series of the Sick, Dying, and Dead Valentine Gode-Darel
275(23)
Katharina Schmidt
Commentaries VIII: Self-Portraits 1914/15
298(12)
On Hodler's View into Infinity
302(8)
Gabriela Christen
Commentaries IX: Late Landscapes and Self-Portraits
310(55)
Light in the Art of Ferdinand Hodler
325(22)
Christian Klemm
Hodler's Historical Paintings (Marignano, Jena, Hanover)
347(18)
Katharina Schmidt
Biography 365(14)
Bernadette Walter
Notes 379(14)
Bibliography 393(12)
List of Exhibited Works 405(8)
Photo Credits 413