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Field Guide to Student Teaching in Music: Second Edition 2nd edition [Pehme köide]

, (Pennsylvania State University, USA),
  • Formaat: Paperback / softback, 150 pages, kõrgus x laius: 229x152 mm, kaal: 240 g, 1 Tables, black and white; 1 Line drawings, black and white; 13 Halftones, black and white; 14 Illustrations, black and white
  • Ilmumisaeg: 28-Jun-2021
  • Kirjastus: Routledge
  • ISBN-10: 0367428512
  • ISBN-13: 9780367428518
Teised raamatud teemal:
  • Formaat: Paperback / softback, 150 pages, kõrgus x laius: 229x152 mm, kaal: 240 g, 1 Tables, black and white; 1 Line drawings, black and white; 13 Halftones, black and white; 14 Illustrations, black and white
  • Ilmumisaeg: 28-Jun-2021
  • Kirjastus: Routledge
  • ISBN-10: 0367428512
  • ISBN-13: 9780367428518
Teised raamatud teemal:
A Field Guide to Student Teaching in Music, Second Edition, serves as a practical guide for the music education student, one that recognizes the importance of effective coursework while addressing the unique field-based aspects of the music classroom. Student teaching in music is a singular experience, presenting challenges beyond those encountered in general education classroom settings: educators must plan for singing and movement, performances and rehearsals, intensive parent involvement, uniforms, community outreach, and much more. This guide explores such topics common to all music placements as well as those specific to general, choral, and instrumental music classrooms, building on theoretical materials often covered in music methods courses and yet not beholden to any one pedagogy, thus allowing for a dynamic and flexible approach for various classroom settings.

New to the second edition:





Companion website featuring downloadable worksheets, résumé support, a cooperating teacher guide, and more: www.musicstudentteaching.com A new chapter on the transition from student to student teacher Expanded discussions on the interview process, including mock interviews, interviewing techniques, and online interview prep Updated content throughout to reflect current practices in the field.

Leading readers through the transition from student to teacher, A Field Guide to Student Teaching in Music, Second Edition, represents a necessary update to the first edition text published a decade ago, an indispensable resource that provides the insights and skillsets students need to launch successful careers as music educators.
Preface xi
To the Student xi
Textbook Structure xii
New to this Edition xiii
To the University Supervisor or Instructor xiii
Acknowledgments xv
Introduction 1(11)
Preparing to Student Teach in Music
1(1)
Preparing for Your First Day and Communication with Your Cooperating Teacher
2(2)
Cooperating Teachers and the University Supervisor
4(5)
Adjusting to New Environments
9(1)
Professional Responsibilities
10(2)
1 New Schools, New Environments 12(26)
School Music Communities
15(1)
School Communities
15(2)
School Culture
17(1)
Social and Interpersonal Characteristics
17(1)
The Student-Centered Student Teacher
18(3)
New Classrooms Equal New Ways of Teaching
21(3)
Professional and Practical: Building Positive Relationships
24(1)
Transforming from Student to Student Teacher
24(3)
Code of Ethics
27(3)
Student Boundaries
30(1)
Student Teaching Dispositions
31(3)
Relocating
34(2)
Conclusion
36(1)
References
36(2)
2 Observation 38(15)
Why Observe?
39(1)
Meaningful Observation
40(7)
Approaches to Observation
47(2)
Specific Elements to Watch in an Observation
49(1)
Reflecting on Your Observations
50(1)
Conclusion
51(2)
3 Curriculum and Lesson Planning 53(13)
Philosophy of Music Teaching
54(3)
To Plan or Not to Plan: That Is the Question
57(2)
Planning with (and without) Your Cooperating Teacher
59(2)
Teaching without a Plan
61(1)
Long Term Planning
62(1)
Assessment and Grading
62(2)
Collaboration
64(1)
Conclusion
64(2)
4 Effective Teaching and Rehearsal Techniques 66(12)
The Highly Effective Music Classroom
67(3)
Gaining and Maintaining Attention and Interest
70(2)
Personal Musicianship
72(1)
Monitoring Student Progress and Providing Feedback
72(2)
Pacing and Time Management
74(3)
Conclusion
77(1)
References
77(1)
5 Creating a Positive Learning Environment 78(14)
Organizing the Music Classroom
79(3)
Building Positive Relationships
82(2)
Knowing Your Students
84(3)
Creating a Management Plan
87(2)
Dangerous Behaviors
89(2)
Conclusion
91(1)
6 Program Organization 92(14)
Budgeting
93(2)
Inventory and Library
95(2)
Performance Planning
97(1)
Publicity, Advocacy, and Recruitment
98(1)
Retention and Student Leadership
99(1)
Parent Involvement
99(1)
Field Trips
100(4)
Conclusion
104(1)
References
105(1)
7 Ethics, Professionalism, and Legal Issues 106(17)
Personal Ethics
107(2)
Ethical Decision Making
109(1)
Professional Responsibilities
109(9)
Disability Legislation
118(3)
Conclusion
121(1)
Reference
122(1)
8 Seeking Employment 123(14)
Professionalism
124(1)
Resumes
125(1)
Professional Portfolio
126(2)
Finding Employment Opportunities
128(1)
Selecting References
129(1)
Applications and Supporting Materials
130(2)
Interviews
132(4)
Conclusion
136(1)
9 Continued Professional Growth 137(8)
Building Local Relationships
138(2)
Building Professional Relationships
140(3)
Maintaining Certification or Licensure
143(2)
Conclusion 145(1)
Index 146
Ann C. Clements is Professor of Music Education and Director of the Center for Pedagogy in Arts and Design at the Pennsylvania State University.



Sarah H. Watts is Assistant Professor of Music Education at the Pennsylvania State University.

Douglas C. McCall is a doctoral candidate at the Pennsylvania State University. He has spent two decades as a public-school choral music educator, researcher, church musician, and teacher mentor.