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Figures of the Pre-Freudian Unconscious from Flaubert to Proust [Kõva köide]

  • Formaat: Hardback, 250 pages, kõrgus x laius x paksus: 235x158x18 mm, kaal: 490 g, Worked examples or Exercises
  • Ilmumisaeg: 25-Jul-2017
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1107184568
  • ISBN-13: 9781107184565
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  • Formaat: Hardback, 250 pages, kõrgus x laius x paksus: 235x158x18 mm, kaal: 490 g, Worked examples or Exercises
  • Ilmumisaeg: 25-Jul-2017
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1107184568
  • ISBN-13: 9781107184565
This book represents a major contribution to scholarship about the links between literature, medicine and psychology through a wide-ranging examination of the pre-Freudian unconscious in the works of nineteenth- and early twentieth-century French writers including Flaubert, Maupassant and Proust.

An original, wide-ranging contribution to the study of French writing in the nineteenth and early twentieth centuries, this book examines the ways in which the unconscious was understood in literature in the years before Freud. Exploring the influence of medical and psychological discourse over the existence and/or potential nature of the unconscious, Michael R. Finn discusses the resistance of feminists opposing medical diagnoses of the female brain as the seat of the unconscious, the hypnotism craze of the 1880s and the fascination, in fiction, with dual personality and posthypnotic crimes. The heart of the study explores how the unconscious inserts itself into the writing practice of Flaubert, Maupassant and Proust. Through the presentation of scientific evidence and quarrels about the psyche, Michael R. Finn is able to show the work of such writers in a completely new light.

Arvustused

'Clear and precise in its arguments, Finn's book draws illuminatingly on an impressive range of late nineteenth- and early twentieth-century sources, from medical treatises and theses, medical and cultural history to writers' correspondence, biography, literary fiction, reception studies and literary criticism. Finn has produced a book that enlivens our thinking and enriches our understanding of the place of pre-Freudian unconscious during a period when developments in medicine, psychology and psychiatry in France were informing and being reflected in creative writing of various sorts.' Adam Watt, University of Exeter ' an excellent and important project This detailed rereading of scientific discourse is in turn enriched by literary deployments of psychic phenomena. The research is thorough. The claims made are original and insightful.' Janell Watson, Virginia Polytechnic Institute and State University 'Finn charts the quarrels that took place in the second half of the nineteenth century over the very existence of the unconscious, and, later, the debates over the creative potential of the unconscious, all in anticipation of Freudian contributions and discoveries, and of Proustian thought. The scope of the study is illuminating ' Kate Rees, French Studies

Muu info

This book examines nineteenth-century debates over the existence of the unconscious, demonstrating how they influence the writing of Flaubert, Proust and others.
Acknowledgements ix
Introduction 1(10)
1 Before Freud: The Quarrel of the Unconscious in Late Nineteenth-Century France
11(32)
1.1 Reflex Action, Unconscious Cerebration, Subliminal Self
13(5)
1.2 The Double Brain and Cerebral Topography
18(4)
1.3 Hallucination and Hypnotism
22(2)
1.4 The Quarrel of the Unconscious
24(12)
1.5 The French Unconscious, Janet and Freud
36(7)
2 Flaubert: Hysterical Duality, Hallucination and Writing
43(31)
2.1 The Divided Writer
46(1)
2.2 Flaubert Bi-Gendered
47(5)
2.3 Hector Landouzy, Salammbo and Hysteria
52(4)
2.4 The Critics and Flaubert's Divided Self
56(6)
2.5 Absorption, Hallucination, Writing Stance
62(12)
3 Maupassant, Charcot and the Paranormal
74(24)
3.1 Charcot, Le Horla and Ambient Psychic Research
75(10)
3.2 `Les Magnetiseurs': Pickmann versus Donato
85(6)
3.3 Dualities and Doubles
91(4)
3.4 Figuring the Maupassantian Unconscious
95(3)
4 The Unconscious Female/The Female Unconscious
98(26)
4.1 Fictions of Female Physiology
100(3)
4.2 The Late-Century Female Brain and Education
103(7)
4.3 Four Female Writers on the Female Brain
110(11)
4.4 Femme Fatale, Femme Inconsciente
121(3)
5 Hypnotism, Dual Personalities and the Popular Novel
124(30)
5.1 Experimental Crimes, Real Crimes
126(8)
5.2 Dual Personality, Hypnotism and the French Fin-de-Siecle Novel
134(10)
5.3 Sex, Hypnotism and the Unconscious
144(3)
5.4 A More Sophisticated Unconscious?
147(7)
6 Proust, the Intellect and the Unconscious
154(33)
6.1 Trials of the Intellect
155(6)
6.2 The Unconscious and Creativity: 1900
161(5)
6.3 The `Natural' Unconscious: Proust and Maeterlinck
166(10)
6.4 Towards the Proustian Unconscious
176(11)
6.4.1 Willpower and the Creative
177(3)
6.4.2 Unconscious Anticipation
180(2)
6.4.3 Deep, behind, within: Articulating the Unconscious
182(5)
Postscript 187(3)
Notes 190(31)
Bibliography 221(16)
Index 237
Michael Finn is Emeritus Professor of French in the Department of Languages, Literatures and Cultures at Ryerson University in Toronto. He has written widely on the connection between literature and medicine including the books Proust, the Body and Literary Form (Cambridge, 1999) and Hysteria, Hypnotism, the Spirits and Pornography (2009), as well as an extensive range of articles.