Provides insight into the world of the Carolingian monks and clerics who created the Liturgy of the Hours.
Filling in the Gap recounts the creative process behind a specific part of the Gregorian Office repertoire that has not been addressed so far. By linking historical and liturgical evidence with musical analysis, the study opens new avenues for grouping manuscripts and interpreting their interrelationships. The catalogue of melodies included in this volume contains transcriptions of the post-Pentecost antiphon repertoire from twenty-four manuscripts across Western Europe.
I Study
1 Introduction
2 Seasons of the church year and selected repertoire
3 Catalogue and sources
3.1 Catalogue
3.2 Sources
3.2.1 Northern French group (f)
3.2.2 Aquitanian group (a)
3.2.3 Italian group (i)
3.2.4 German and Central European group (g)
4 Antiphons in Evangelio for the time after Pentecost
4.1 Layers of the repertoire: the oldest core of the series?
4.2 The oldest notated record of the post Pentecosten series: Chartres,
Bibliothèque municipale
4.3 Antiphons with more than one melody
4.4 Conclusion
5 Epistle antiphons
6 Source groupings for post Pentecosten antiphons
6.1 Source groupings by antiphon text
6.2 Source groupings and melodic tradition
Conclusion
A) Description of the Calculations for Figure
B) Table of Concordances
Bibliography
II Catalogue
Editorial Preface
Abbreviations
Antiphons post Pentecosten
Index of antiphons
David Eben is professor of Gregorian chant at the Institute of Musicology of Charles University and the artistic director of Schola Gregoriana Pragensis.
