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Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image [Kõva köide]

  • Formaat: Hardback, 196 pages, kõrgus x laius: 229x229 mm, kaal: 840 g
  • Ilmumisaeg: 12-Sep-2019
  • Kirjastus: Routledge
  • ISBN-10: 0367266032
  • ISBN-13: 9780367266035
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  • Formaat: Hardback, 196 pages, kõrgus x laius: 229x229 mm, kaal: 840 g
  • Ilmumisaeg: 12-Sep-2019
  • Kirjastus: Routledge
  • ISBN-10: 0367266032
  • ISBN-13: 9780367266035

The Language of the Lens explores the expressive power of the camera lens and the storytelling contributions that this critical tool can make to a film project. This book offers a unique approach to learning how lenses can produce aesthetically and narratively compelling images in movies, through a close examination of the various ways lens techniques control the look of space, movement, focus, flares, distortion, and the "optical personality" of your story’s visual landscape.

Loaded with vivid examples from commercial, independent, and world cinema, The Language of the Lens presents dozens of insightful case studies examining their conceptual, narrative, and technical approaches to reveal how master filmmakers have harnessed the power of lenses to express the entire range of emotions, themes, tone, atmosphere, subtexts, moods, and abstract concepts.

The Language of the Lens provides filmmakers, at any level or experience, with a wealth of knowledge to unleash the full expressive power of any lens at their disposal, whether they are shooting with state-of-the-art cinema lenses or a smartphone, and everything in between.

Arvustused

For the new moviemaking generation, Language of the Lens can serve as a reference point of how some of cinemas greatest auteurs make use of the lens, as well as a key for how to use the tool. After reading Language of the Lens, moviemakers will be equipped with the ultimate knowledge to command any lens, from an iPhone to the most expensive glass money can buy.

- Sophie Jonsson, MovieMaker Magazine

The Language of the Lens is a truly illuminating book, inspiring for emerging filmmakers as well as veteran directors and cinematographers. Mr. Mercado elevates our understanding of the expressive power of artistic lensing and the incredible force of creative filmmaking.

- John Inwood, Emmy nominated cinematographer of Scrubs and The Unbreakable Kimmy Schmidt

"The Language of the Lens combines beautiful visual examples from a wide range of films to explain the aesthetic and emotional connotations of lens language. Understanding the technical and creative aspects of the lens is essential for cinematographers and directors to punctuate the thematic essence of the scene. A very useful visual reference, this book is a must read for any aspiring filmmaker."

- Jacqueline B. Frost, Author of Cinematography for Directors and Professor, California State University, Fullerton For the new moviemaking generation, Language of the Lens can serve as a reference point of how some of cinemas greatest auteurs make use of the lens, as well as a key for how to use the tool. After reading Language of the Lens, moviemakers will be equipped with the ultimate knowledge to command any lens, from an iPhone to the most expensive glass money can buy.

- Sophie Jonsson, MovieMaker Magazine

"The Language of the Lens is a truly illuminating book, inspiring for emerging filmmakers as well as veteran directors and cinematographers. Mr. Mercado elevates our understanding of the expressive power of artistic lensing and the incredible force of creative filmmaking.

- John Inwood, Emmy nominated cinematographer of Scrubs and The Unbreakable Kimmy Schmidt

"The Language of the Lens combines beautiful visual examples from a wide range of films to explain the aesthetic and emotional connotations of lens language. Understanding the technical and creative aspects of the lens is essential for cinematographers and directors to punctuate the thematic essence of the scene. A very useful visual reference, this book is a must read for any aspiring filmmaker."

- Jacqueline B. Frost, Author of Cinematography for Directors and Professor, California State University, Fullerton

Acknowledgments xi
The lens revolution
1(6)
A lens language
7(6)
Lenses & image systems
13(8)
Technical concepts
21(34)
SPACE
55(28)
Confinement
57(2)
Vastness
59(2)
Awkwardness
61(2)
Exasperation
63(2)
Connection
65(2)
Bewilderment
67(2)
Subtext
69(2)
Apprehension
71(2)
Rage
73(2)
Allegory
75(2)
Peril
77(2)
Order
79(2)
Symbolism
81(2)
MOVEMENT
83(16)
Urgency
85(2)
Speed
87(2)
Suspense
89(2)
Desperation
91(2)
Haste
93(2)
Angst
95(2)
Resolve
97(2)
FOCUS
99(36)
Attraction
101(2)
Context
103(2)
Significance
105(2)
Shock
107(2)
Denial
109(2)
Foreboding
111(2)
Tension
113(2)
Concentration
115(2)
Rebirth
117(2)
Impairment
119(2)
Turmoil
121(2)
Anxiety
123(2)
Loneliness
125(2)
Vision
127(2)
Malevolence
129(2)
Wistfulness
131(2)
Clarity
133(2)
FLARES
135(16)
Prowess
137(2)
Atmosphere
139(2)
Ambiguity
141(2)
Theme
143(2)
Mystery
145(2)
Physicality
147(2)
Attachment
149(2)
DISTORTION
151(14)
Surreality
153(2)
Whimsy
155(2)
Intimidation
157(2)
Intoxication
159(2)
Entrancement
161(2)
Disorientation
163(2)
INTANGIBLES
165(14)
Naturalism
167(2)
Authenticity
169(2)
Similitude
171(2)
Spontaneity
173(2)
Texture
175(2)
Uniqueness
177(2)
References 179(2)
Filmography 181(4)
Image credits 185(2)
Index 187
Gustavo Mercado is an award-winning independent filmmaker with well over a decade of experience as a writer, director, and cinematographer of narrative films. His first book in the Filmmakers Eye series, "The Filmmakers Eye: Learning and Breaking the Rules of Cinematic Composition", has been translated into French, Spanish, Chinese, Polish, Turkish, Portuguese, Japanese, and Korean, and is used by film programs at colleges and universities worldwide. He teaches cinematography, editing, screenwriting, and film production at Hunter Colleges Film & Media Studies Department in New York City.