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Filmmaker's Guide to Final Cut Pro Workflow [Kõva köide]

4.33/5 (3 hinnangut Goodreads-ist)
  • Formaat: Hardback, 266 pages, kõrgus x laius: 235x191 mm, kaal: 650 g
  • Ilmumisaeg: 22-Feb-2017
  • Kirjastus: Routledge
  • ISBN-10: 1138167355
  • ISBN-13: 9781138167353
Teised raamatud teemal:
Filmmaker's Guide to Final Cut Pro WorkflowSuurem pilt
  • Formaat: Hardback, 266 pages, kõrgus x laius: 235x191 mm, kaal: 650 g
  • Ilmumisaeg: 22-Feb-2017
  • Kirjastus: Routledge
  • ISBN-10: 1138167355
  • ISBN-13: 9781138167353
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781138167353.html
Märksõnad:
The Filmmaker's Guide to Final Cut Pro Workflow is the comprehensive roadmap to affordable postproduction workflow using Final Cut Pro, Cinema Tools, and Pro Tools. Illuminating workflow and the interrelationship of these software applications, it also focuses on cost saving and efficiency, aiding low-budget, independent moviemakers as well as students trying to take their skills to the professional level.

Author Dale Angell offers a practical guide to complete film postproduction workflow, describing low-cost workflow that can be used for 35mm film, High Definition digital video, or DV/Red Camera.

The Filmmaker's Guide to Final Cut Pro Workflow will help the independent filmmaker working on a tight budget:
. Understand capturing picture when shooting on film or digital video
. Finishing the project on either film or video
. Audio edit workflows for both film and video
. Comprehend NTSC and PAL video as well as modern digital video formats
. Understand timecode and the file architecture in Final Cut Pro, Cinema Tools, and Pro Tools

Arvustused

"Dale Angell's Filmmaker's Guide to Final Cut Pro Workflow is the postproduction supervisor's equivalent to The Hitchhiker's Guide to the Galaxy. It provides a babelfish to translate Geek speak into plain English. His wealth of experience in editing and sound makes the book an invaluable aid to navigating the plethora of HD codecs and finishing workflows now available to editors. Don't leave home without it." --Lois Freeman-Fox, A.C.E.

A Letter from the Author vii
Introduction ix
The Kodak 35 mm Project xv
1 When Shooting on Film
1(22)
2 When Shooting Digital Video
23(12)
3 Initial Audio Workflow, Importing Production Audio, and Syncing
35(16)
4 Editing Picture to Lock
51(6)
5 Finishing on Film
57(24)
6 Finishing on Digital Video, the Online Edit
81(12)
7 Sound Edit Workflows
93(26)
8 Titles for Digital Video and Film
119(14)
9 Color Timing and Color Grading
133(10)
10 After the Film Is Finished: Distribution
143(8)
Appendix 1 Understanding the NTSC Video Format and Digital Video 151(12)
Appendix 2 Understanding the PAL Video Format Jaime Estrada-Torres 163(4)
Appendix 3 Current Video Formats 167(10)
Appendix 4 Current Film Formats 177(4)
Appendix 5 Understanding Time Code 181(2)
Appendix 6 Aspect Ratios, Anamorphic Image, and Wide-screen 183(6)
Appendix 7 Understanding File Architecture 189(8)
Appendix 8 Conforming Negative 197(12)
Appendix 9 Deconstructing Several Films' Workflows 209(16)
Appendix 10 Example Workflows 225(16)
Index 241
Dale Angell