Introduction |
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xv | |
1 Getting Started |
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1 | (22) |
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1 | (4) |
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1 | (1) |
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2 | (1) |
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2 | (1) |
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Your Finale 2005 Power! Online Resource |
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3 | (1) |
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4 | (1) |
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Installation and MIDI Setup |
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5 | (3) |
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5 | (1) |
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6 | (2) |
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8 | (10) |
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8 | (3) |
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11 | (1) |
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12 | (1) |
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13 | (1) |
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13 | (1) |
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13 | (1) |
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14 | (1) |
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15 | (1) |
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Document and Program Options |
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16 | (2) |
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18 | (5) |
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18 | (1) |
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Enigma Transportable Files (.ETF) |
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19 | (1) |
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19 | (1) |
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20 | (1) |
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20 | (1) |
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20 | (1) |
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SmartMusic Accompaniment Files (.SMP) |
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20 | (1) |
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Finale Performance Assessment Files (.FPA) |
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21 | (2) |
2 Beginning a New Score |
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23 | (214) |
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23 | (6) |
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Starting a Score with the Document Setup Wizard |
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24 | (4) |
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28 | (1) |
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28 | (1) |
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Document without Libraries |
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28 | (1) |
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28 | (1) |
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29 | (1) |
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29 | (5) |
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Add, Remove, or Insert Measures |
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29 | (1) |
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Changing the Key Signature |
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30 | (1) |
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Changing or Hiding the Time Signature |
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30 | (1) |
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Changing or Entering a Staff Name |
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31 | (1) |
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Configuring a Staff for a Transposing Instrument |
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31 | (1) |
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31 | (1) |
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Changing the Tempo Marking |
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31 | (1) |
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Adding or Removing a Pickup Measure |
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32 | (1) |
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Showing or Hiding Measure Numbers |
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33 | (1) |
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Define a Staff for Playback with the Instrument List |
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33 | (1) |
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Enter and Modify Text (Title, Composer, Copyright) |
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34 | (4) |
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34 | (1) |
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35 | (1) |
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36 | (1) |
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37 | (1) |
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Introduction to the Mass Edit Tool |
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38 | (2) |
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38 | (1) |
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39 | (1) |
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Introduction to Page Layout |
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40 | (7) |
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Page Layout Icons and Margins |
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41 | (1) |
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Editing Staff and System Spacing |
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42 | (1) |
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Moving Measures across Systems |
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43 | (1) |
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44 | (1) |
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Redefining Pages and Page Format for Score |
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44 | (1) |
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Page Size, Orientation, and Printing |
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45 | (2) |
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3 Basic Note Entry, Articulations, and Expressions |
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47 | (36) |
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48 | (9) |
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Entering Notes in Simple Entry with a Mouse |
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48 | (3) |
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Editing Notes in Simple Entry |
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51 | (1) |
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Entering Notes in Simple Entry with Your Computer Keyboard |
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52 | (4) |
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Entering More Than One Voice-Layers |
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56 | (1) |
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Entering Notes and Rests with Speedy Entry |
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57 | (8) |
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Navigation in Speedy Entry |
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58 | (1) |
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Speedy Entry without a MIDI Keyboard |
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59 | (3) |
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Speedy Entry with a MIDI Keyboard |
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62 | (3) |
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65 | (6) |
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65 | (1) |
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66 | (1) |
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66 | (1) |
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Entering an Articulation on Several Notes at Once |
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66 | (1) |
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Adding New Articulations to the library |
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67 | (1) |
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67 | (1) |
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Using Articulations from Other Documents |
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68 | (1) |
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69 | (1) |
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Defining Articulations for Playback |
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69 | (1) |
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Copying Articulations within Your Score |
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70 | (1) |
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Automatically Copy Articulations to Similar Rhythmic Passages |
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70 | (1) |
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71 | (12) |
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71 | (1) |
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72 | (1) |
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72 | (1) |
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73 | (1) |
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Programming an Expression Metatool |
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73 | (1) |
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Creating a Text Expression |
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73 | (1) |
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Editing and Creating Similar Text Expressions |
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74 | (1) |
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75 | (1) |
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Creating a Shape Expression |
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75 | (1) |
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Creating Your Own Custom Shape |
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76 | (1) |
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Aligning and Positioning Expressions |
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77 | (1) |
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Defining an Expression for Playback |
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78 | (1) |
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Using Expressions from Other Documents |
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79 | (1) |
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Creating a Simple Arrangement |
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80 | (3) |
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4 Advanced Note Entry, Chords, and Lyrics |
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83 | (26) |
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Real-Time Entry: HyperScribe |
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83 | (10) |
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Playing into the Score along with a Metronome Click |
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84 | (3) |
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Playing into the Score while Tapping the Tempo |
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87 | (2) |
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Recording into Two Staves at Once |
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89 | (1) |
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Using HyperScribe with a MIDI Guitar |
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89 | (1) |
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90 | (1) |
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91 | (1) |
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92 | (1) |
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The Auto-Dynamic Placement Plug-In |
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93 | (1) |
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Working with Chord Symbols |
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93 | (6) |
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93 | (3) |
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Creating and Editing Chord Suffixes |
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96 | (1) |
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97 | (1) |
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97 | (1) |
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97 | (1) |
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98 | (1) |
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Transferring Custom Chord libraries between Documents |
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99 | (1) |
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99 | (6) |
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Type Lyrics into the Score |
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99 | (1) |
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100 | (1) |
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Setting or Changing the Font for Lyrics |
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101 | (1) |
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102 | (1) |
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102 | (2) |
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104 | (1) |
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104 | (1) |
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105 | (1) |
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105 | (4) |
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5 Clefs, Key Signatures, and Time Signatures |
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109 | (24) |
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109 | (8) |
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Changing the Clef at the Beginning of a Measure |
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110 | (1) |
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Entering Mid-Measure Clefs |
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111 | (2) |
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113 | (1) |
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Clef Spacing and Placement |
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113 | (1) |
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Showing or Hiding Clefs and Courtesy Clefs |
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114 | (1) |
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Creating a Custom Clef (the Clef Designer) |
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115 | (1) |
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Transferring Custom Clefs between Documents |
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116 | (1) |
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117 | (6) |
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Entering and Changing the Key Signature |
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117 | (3) |
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120 | (1) |
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Showing or Hiding a Key Signature in Staves and Measures |
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121 | (1) |
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Showing or Hiding Courtesy Key Signatures |
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121 | (1) |
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122 | (1) |
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Nonstandard Key Signatures |
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122 | (1) |
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123 | (10) |
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Entering and Changing the Time Signature |
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123 | (3) |
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126 | (1) |
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Showing or Hiding Time Signatures in Staves or Measures |
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126 | (1) |
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Showing or Hiding Courtesy Time Signatures |
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127 | (1) |
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127 | (1) |
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Large Time Signatures Placed above the Staff |
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128 | (1) |
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Pickup Measures within a Score |
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129 | (1) |
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130 | (3) |
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6 Slurs, Hairpins, Other Smart Shapes, and Repeats |
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133 | (26) |
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Introduction to Smart Shapes |
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133 | (10) |
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General Smart Shape Editing |
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135 | (1) |
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The Smart Shape Context Menu |
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136 | (1) |
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137 | (3) |
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140 | (1) |
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Hairpins (Crescendos and Decrescendos) |
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141 | (2) |
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143 | (8) |
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Trills and Trill Extensions |
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143 | (1) |
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Ottavas (8va/8vb) and 15va/15vb |
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144 | (1) |
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145 | (1) |
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Bend Hats and Guitar Bends |
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146 | (1) |
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147 | (1) |
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147 | (1) |
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Creating Custom Smart Shapes |
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148 | (2) |
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150 | (1) |
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Automatically Copy Smart Shapes to Rhythmically Identical Passages |
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150 | (1) |
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151 | (8) |
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Basic Repeat Creation and Editing |
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151 | (3) |
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154 | (2) |
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156 | (1) |
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156 | (3) |
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7 Creating and Working with Multiple-Staff Scores |
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159 | (24) |
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Working with Multiple Staves |
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159 | (7) |
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Adding, Removing, and Positioning Staves 16o |
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163 | (2) |
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Customizing Staff Viewing: Staff Sets |
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165 | (1) |
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166 | (3) |
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167 | (2) |
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Removing Barlines between Staves |
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169 | (1) |
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Expressions and Text Repeats in Multiple-Stave Documents |
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169 | (3) |
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Assigning Measure Expressions |
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169 | (1) |
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Assigning Measure Expressions to Specific Staves Using Staff Lists |
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169 | (2) |
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Assigning Text Repeats and Repeat Endings to Specific Staves |
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171 | (1) |
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Measure Expression Positioning |
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171 | (1) |
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Copying Measure Expressions |
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171 | (1) |
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172 | (2) |
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Removing Empty Staves in a System |
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172 | (1) |
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173 | (1) |
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Groups in Optimized Systems |
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174 | (1) |
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174 | (1) |
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Other Tricks for Multiple-Stave Scores |
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174 | (3) |
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Selecting Specific Playback Staves |
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175 | (1) |
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Viewing Several Regions of Your Score on the Screen |
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175 | (1) |
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176 | (1) |
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Adding Cue Notes Automatically |
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176 | (1) |
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Global Staff Attributes Plug-In |
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177 | (2) |
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Generating a Piano Reduction Automatically |
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179 | (1) |
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Customizing the Document Setup Wizard |
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179 | (4) |
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8 Alternate Notation, Staff Styles, and Guitar Tablature |
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183 | (30) |
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Staff Setup for Slash, Rhythmic, and Other Notation Styles |
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183 | (4) |
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Slash and Rhythmic Notation |
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183 | (3) |
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186 | (1) |
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Applying Staff Attributes to Part of a Staff Only: Staff Styles |
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187 | (4) |
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187 | (2) |
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Defining a New Staff Style |
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189 | (1) |
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190 | (1) |
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Tablature, Percussion, and Other Notation Styles |
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191 | (6) |
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191 | (5) |
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196 | (1) |
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Guitar Notation and Tablature |
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197 | (11) |
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Setting up a Tablature Staff |
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197 | (1) |
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198 | (2) |
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Adding Tablature Markings |
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200 | (5) |
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205 | (3) |
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Creating a Guitar Part with TAB |
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208 | (5) |
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213 | (24) |
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Copying and Clearing Music |
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213 | (4) |
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213 | (4) |
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217 | (1) |
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217 | (9) |
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Changing Notes: Search and Replace |
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217 | (2) |
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Changing Entry Items En Mass |
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219 | (2) |
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Changing Note Durations and Appearance |
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221 | (4) |
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225 | (1) |
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226 | (6) |
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Automatic Music Spacing and Music Spacing Libraries |
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226 | (2) |
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228 | (1) |
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Spacing with the Mass Edit Tool |
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229 | (1) |
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Spacing Notes Individually |
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229 | (1) |
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The Beat Chart and Spacing with the Measure Tool |
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229 | (3) |
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Changing and Managing Fonts |
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232 | (5) |
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232 | (1) |
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Swapping and Checking Fonts |
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233 | (4) |
10 Fine Tuning: the Details |
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237 | (32) |
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Alignment and Positioning Techniques |
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237 | (6) |
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238 | (1) |
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239 | (1) |
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239 | (3) |
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242 | (1) |
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243 | (12) |
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Beaming Patterns and Time Signatures |
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244 | (2) |
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Rebeaming a Selected Region |
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246 | (2) |
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Editing Beams Individually |
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248 | (6) |
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254 | (1) |
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255 | (5) |
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255 | (2) |
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Editing Stems for a Selected Region |
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257 | (2) |
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Editing Stems Individually |
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259 | (1) |
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Editing Notes and Noteheads |
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260 | (2) |
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The Edit Frame Dialog Box |
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260 | (1) |
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Editing Noteheads and Note Positioning with the Special Tools |
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261 | (1) |
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262 | (3) |
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Changing the Default Enharmonic Spelling |
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263 | (2) |
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Positioning Accidentals Individually |
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265 | (1) |
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Editing Augmentation Dots and Ties |
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265 | (4) |
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267 | (1) |
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267 | (2) |
11 Measure Numbers, Graphics, Part Extraction, and Printing |
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269 | (24) |
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269 | (6) |
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Editing Measure Numbers in the Score |
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270 | (1) |
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Creating and Editing Measure Number Regions |
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271 | (4) |
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275 | (4) |
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275 | (1) |
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276 | (3) |
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279 | (7) |
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Editing the Overall Page Format for Your Score or Extracted Parts |
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279 | (2) |
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281 | (1) |
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281 | (1) |
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Customizing Systems and Pages |
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282 | (4) |
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286 | (3) |
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288 | (1) |
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289 | (1) |
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289 | (4) |
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289 | (1) |
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Fitting a Score on Two Pages: Tile Pages |
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290 | (1) |
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Batch Printing and Booklets |
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291 | (2) |
12 Tricks for Specific Projects and Composing with Finale |
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293 | (32) |
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Tricks for Specific Projects |
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293 | (10) |
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Cross Staff Notation and Tricks for Piano Scores |
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294 | (2) |
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296 | (1) |
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297 | (2) |
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299 | (1) |
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299 | (1) |
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300 | (1) |
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301 | (1) |
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302 | (1) |
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303 | (7) |
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303 | (2) |
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305 | (1) |
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The Piano Reduction Plug-In |
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306 | (2) |
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308 | (1) |
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309 | (1) |
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310 | (15) |
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Composer's Assistant Plug-Ins |
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310 | (8) |
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Band-in-a-Box Auto Harmonizing |
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318 | (2) |
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The MiBAC Jazz Rhythm Generator Plug-In |
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320 | (2) |
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Inversions, Retrogrades, and More: The Canonic Utilities |
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322 | (3) |
13 Customizing Finale, Scanning, and Tricks for Music Educators |
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325 | (28) |
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Creating Custom Documents |
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325 | (4) |
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Customizing the Default Document |
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325 | (2) |
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Resetting or Transporting All Document Settings |
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327 | (1) |
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Creating Your Own Templates |
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328 | (1) |
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329 | (10) |
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Customizing Finale via Program Options |
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329 | (5) |
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Customizing Finale's General Appearance |
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334 | (1) |
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Customizing the Tool Palettes |
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335 | (2) |
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Menu Shortcuts (Windows only) |
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337 | (2) |
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Working with Scanned Files |
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339 | (4) |
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339 | (2) |
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Scanning TIFF Files for Finale Import Manually |
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341 | (1) |
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Using SharpEye Scanning with Finale (Windows Only) |
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342 | (1) |
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Tricks for Music Educators |
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343 | (10) |
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Finale's Educational Templates |
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343 | (3) |
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346 | (7) |
14 Playback and the MIDI Tool |
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353 | (32) |
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How to Use Human Playback |
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353 | (7) |
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Applying Human Playback to a Region |
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355 | (2) |
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Creating a Custom Human Playback Style |
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357 | (1) |
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Human Playback Preferences |
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358 | (2) |
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360 | (1) |
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General Playback Techniques |
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360 | (5) |
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361 | (2) |
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Defining Regions for Faster Playback |
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363 | (1) |
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Recorded versus Notated Playback |
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364 | (1) |
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Using the Instrument List |
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365 | (2) |
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Creating Non-General MIDI Instruments |
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366 | (1) |
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366 | (1) |
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Defining Playback with Expressions |
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367 | (3) |
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367 | (2) |
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369 | (1) |
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Changing a Staff's Playback Instrument Mid-Score |
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369 | (1) |
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370 | (6) |
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Key Velocity, Note Durations, and Continuous Data |
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370 | (3) |
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The MIDI Tool (Split) Window |
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373 | (2) |
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375 | (1) |
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Defining Other Markings for Playback |
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376 | (9) |
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Defining Ritardandi and Accelerandi with Executable Shapes |
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376 | (2) |
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The TGTools Smart Playback Plug-In |
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378 | (5) |
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383 | (1) |
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384 | (1) |
15 Integrating Finale with the Web and Other Programs |
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385 | (24) |
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385 | (2) |
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385 | (1) |
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386 | (1) |
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Transferring Music between Programs |
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387 | (10) |
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387 | (1) |
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Copying Music between Programs with the MIDI Clipboard |
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388 | (2) |
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Backwards Compatibility and MusicXML (Windows Only) |
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390 | (2) |
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Saving As an MP3 or WAV File |
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392 | (1) |
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Saving a Finale File as a SmartMusic Accompaniment |
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393 | (2) |
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Creating a File for Finale Performance Assessment |
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395 | (2) |
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Supplementing Finale with Third-Party Plug-Ins and FinaleScript |
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397 | (12) |
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398 | (4) |
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The Patterson Plug-In Collection |
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402 | (2) |
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404 | (1) |
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405 | (4) |
Index |
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409 | |