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Flow: Interior, Landscape and Architecture in the Era of Liquid Modernity [Pehme köide]

Edited by (Swinburne University of Technology, Australia), Edited by (Kingston University, UK), Edited by , Edited by (University of Melbourne, Australia), Edited by (Kingston University, UK)
  • Formaat: Paperback / softback, 312 pages, kõrgus x laius x paksus: 246x188x22 mm, kaal: 959 g, 170 illus
  • Ilmumisaeg: 12-Jul-2018
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 1472567994
  • ISBN-13: 9781472567994
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Flow: Interior, Landscape and Architecture in the Era of Liquid ModernitySuurem pilt
  • Formaat: Paperback / softback, 312 pages, kõrgus x laius x paksus: 246x188x22 mm, kaal: 959 g, 170 illus
  • Ilmumisaeg: 12-Jul-2018
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 1472567994
  • ISBN-13: 9781472567994
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781472567994.html
Märksõnad:
Flow combines cutting-edge scholarship with practitioner perspectives to address the concept of 'flow' and how it connects interiors, landscapes and buildings, expanding on traditional notions of architectural prominence. Contributors explore the transitional and intermediary relationships between inside/outside. Through a range of case studies, authors extend the notion of flow beyond the western industrialised world and embrace a wider geography while engaging with the specificity of climate and place. Accompanied by stunning colour illustration and photography, Flow brings together historical, theoretical and practice-based approaches to consider themes of nature, mobility, continuity and frames.

Arvustused

This volume of extensive essays provides a fascinating insight into the spatial continuums between interior and landscape. I read it in a variety of spaces: airports, train-stations and at home. It offered beguiling new insights into those fluid environments. * Graeme Brooker, Head of the Interior Design programme at the Royal College of Art, UK * Not to be confused with the simply amorphous or just going with the flow, the wide-ranging and interdisciplinary case studies and essays collected here examine how artists and designers strive to interweave interior and exterior spaces. By articulating the interstitial zone between self and world, subject and object, building and landscape, this book focuses our attention on important questions of how design can open our world to greater synthesis and less subdivision. And that - from the way we see, to how we build our cities is more important than ever. * Richard J. Weller, Chair of Landscape Architecture at PennDesign, USA * Rather effectively, the editors of and authors in this volume compel us to think differently about the interface between interiors, architecture and landscape. As a four-letter word, FLOW proves a powerful way to renew and redress disciplinary, conceptual and physical boundaries that have for too long limited knowledge of the material world. * John Potvin, Associate Professor of Art History at Concordia University, Canada *

Muu info

This innovative volumes combines cutting-edge scholarship and practitioner perspectives to address the concept of 'flow' and how it connects interiors and landscapes.
Notes on Contributors vii
Introduction xvi
Penny Sparke
Part 1 Engaging Nature
1(68)
Introduction
2(4)
Penny Sparke
Chapter 1 Human/Nature: Wilderness and the Landscape / Architecture Divide Joel Sanders, Yale University; and Joel Sanders Architect, USA
6(12)
Chapter 2 Spatial Experience within the "Colonial Bungalow," the "Tropical Modern," and "Critical Vernacular" House in South Asia, 1880-1980, Robin D.Jones, Independent Scholar, UK
18(10)
Chapter 3 Continuities and Discontinuities: The House and Garden as Rational and Psychical Space in Vienna's Early Modernism, Diane V. Silverthorne, Birkbeck, University of London, and Central Saint Martins, University of the Arts, London, UK
28(9)
Chapter 4 A Point of View: Christopher Hussey's Sense of the Picturesque, Patricia Wheaton, Independent Scholar, and Christie's Auction House, London, UK
37(10)
Chapter 5 Inside Out: Spectacle and Transformation, Chris Hay, Independent Scholar, UK; and Pat Brown, Kingston University, London, UK
47(10)
Chapter 6 The Allegory of the Cave: Speculations between Interior and Landscape for the Barangaroo Headland Cultural Facility, Sing D'Arcy, University of New South Wales, Australia
57(9)
Chapter 7 45 Degrees, Jude Walton, Victoria University, Melbourne, Australia; and Phoebe Robinson, Deakin University and Victorian College of the Arts, School of Dance, Australia
66(3)
Part 2 Mobility
69(74)
Introduction
70(6)
Gini Lee
Chapter 8 Spatial Continuums: Linear, Radial, and Clustered Architectures in Practice, Kerstin Thompson, Director, Kerstin Thompson Architects, Melbourne; Professor in Design, Victoria University of Wellington, New Zealand; and Adjunct Professor at RMIT and Monash Universities, Australia
76(11)
Chapter 9 Light Events: Interior and Exterior Space in Michael Snow's Wavelength (1967), Eleanor Suess, Kingston University, London, UK
87(10)
Chapter 10 The Indignant Beton, Elias Constantopoulos, University of Patras, Greece
97(12)
Chapter 11 Republican Homes: Modern Flows in Domestic Architecture in Santa Fe de Bogota, 1820-1900, Patricia Lara-Betancourt, Kingston University, London, UK
109(11)
Chapter 12 A Place Out of the Archive: Reprise under [ the Condition of] Flow, Gini Lee, The University of Melbourne, Australia; and Dolly Daou, Swinburne University of Technology, Australia
120(14)
Chapter 13 Projective Views, Eleanor Suess, Kingston University, London, UK
134(9)
Part 3 Continuum
143(70)
Introduction
144(5)
Pat Brown
Chapter 14 The Interiority of Landscape: Gate, Journey, Horizon, Jeff Malpas, Professor of Philosophy, University of Tasmania, and RMIT University, Melbourne, Australia
149(10)
Chapter 15 Transitional Spaces in Late-Nineteenth-Century Domestic Architecture in Merida, Yucatan, Gladys Arana Lopez, Universidad Autonoma de Yucatan (UADY); and Catherine Ettinger, Universidad Michoacana de San Nicolas de Hidalgo, Mexico
159(9)
Chapter 16 A Continuous Landscape? Neighborhood Planning and the New "Local" in Postwar Bristol, Fiona Fisher, Kingston University; and Rebecca Preston, Royal Holloway, University of London, UK
168(12)
Chapter 17 Like Vessels: Giorgio Morandi and the Porticoes of Bologna, Vicky Falconer, Visual Artist, London, UK
180(9)
Chapter 18 Rethinking Flow and the Relationship between Indoors and Out: California, c. 1945-c. 1965, Pat Kirkham, Kingston University, London, UK
189(10)
Chapter 19 Green Interiors: Transitional Spaces in Multilevel Building, Elisa Bernardi, Architect, Milan, Italy
199(8)
Chapter 20 Between Concentration and Distraction, Sarah Breen Lovett, Artist and Research Fellow, The University of Sydney, Australia
207(6)
Part 4 Frames
213(67)
Introduction
214(4)
Mark Taylor
Chapter 21 Ornamental Transparency in the Modern Kitchen, Sandy Isenstadt, University of Delaware, USA
218(11)
Chapter 22 Tracing Events: Material Tales for Country Homes and Gardens, as Found in Rural Australia, Mark Taylor, Swinburne University, Australia; and Gini Lee, The University of Melbourne, Australia
229(12)
Chapter 23 Decorating with a View: The Nineteenth-Century Escapist Window, Anca I. Lasc, Pratt Institute, New York, USA
241(11)
Chapter 24 Curtaining the Curtain Wall: Traversing the Boundaries of the American Postwar Domestic Environment, Margaret Maile Petty, Queensland University of Technology, Brisbane, Australia
252(11)
Chapter 25 Speeds, Slowness, Temporary Consistencies, and Interior Designing, Suzie Attiwill, RMIT University, Melbourne, Australia
263(7)
Chapter 26 Lines to Make Space, Sarah Jamieson, Visiting Research Fellow at University of Technology Sydney, Australia; and Nadia Wagner, Glasgow School of Art, Singapore
270(10)
Index 280
Penny Sparke is Professor of Design History at Kingston University, UK, and Director of the Modern Interiors Research Centre, the worlds foremost centre of research into modern interiors.

Patricia Brown is an Associate Professor at the Department of Architecture and Landscape at Kingston University, UK. She was awarded the National Teaching Fellowship in 2004 and subsequently founded the Landscape Interface Studio.

Patricia Lara-Betancourt is a researcher at the Modern Interiors Research Centre at Kingston University, UK. She is co-editor of Architectures of Display: Department Stores and Modern Retail (2017) and Performance, Fashion and the Modern Interior: From the Victorians to Today (2011).

Gini Lee is a landscape architect and interior designer. She is the Elisabeth Murdoch Chair of Landscape Architecture at the University of Melbourne, Australia.

Mark Taylor is Professor of Architecture at Swinburne University of Technology, Australia. He has previously edited Interior Design and Architecture: Critical and Primary Sources (2013).