Introduction |
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xiii | |
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1 | (12) |
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2 | (1) |
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2 | (2) |
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4 | (1) |
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5 | (1) |
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6 | (7) |
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13 | (12) |
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The Three-Window Interface |
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14 | (2) |
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The Five-Window Interface |
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16 | (2) |
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Working with Dual Viewers |
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18 | (1) |
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Working with Dual Monitor Displays |
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19 | (6) |
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25 | (18) |
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Importing Media into Final Cut Pro X |
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26 | (1) |
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Understanding the Final Cut Pro X file structure |
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26 | (1) |
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Create a Library and Importing Media |
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27 | (2) |
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29 | (2) |
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Importing from Camera or Media Card |
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31 | (5) |
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Importing Media from Hard Drive |
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36 | (3) |
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39 | (2) |
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Importing to Events by dragging |
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41 | (2) |
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43 | (28) |
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Organizational concepts within Final Cut Pro X |
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44 | (3) |
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Creating Libraries, Events and Projects |
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47 | (3) |
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Getting practical: hands-on reviewing and organizing of footage |
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50 | (1) |
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51 | (1) |
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52 | (3) |
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Marking Sections within Clips |
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55 | (2) |
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Labeling and Searching Clips |
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57 | (2) |
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59 | (2) |
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61 | (4) |
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65 | (6) |
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71 | (82) |
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72 | (1) |
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73 | (2) |
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Manually Setting Up a Project |
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75 | (1) |
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76 | (3) |
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Sliding Clips around in the Timeline |
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79 | (2) |
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Separating Audio from Video |
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81 | (2) |
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The Concept of Connected Clips |
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83 | (4) |
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Directing the Flow of Video and Audio |
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87 | (2) |
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89 | (2) |
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91 | (1) |
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Marking a Range in the Timeline |
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92 | (1) |
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93 | (2) |
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95 | (3) |
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Turning Skimming On and Off |
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98 | (1) |
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The Concept of Storylines |
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99 | (2) |
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101 | (1) |
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Working with the Trim Tool |
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102 | (2) |
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104 | (1) |
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105 | (3) |
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Trimming While Playing Back in the Timeline |
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108 | (2) |
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110 | (2) |
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112 | (1) |
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113 | (1) |
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114 | (1) |
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115 | (1) |
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116 | (2) |
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Whizzing around the Timeline Using Markers |
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118 | (3) |
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Reveal All the Clips Used in Your Project |
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121 | (1) |
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Locating Clips in the Event Libary or on the Hard Drive |
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122 | (1) |
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123 | (1) |
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Show Used Media and Show Unused Media |
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124 | (1) |
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Automatic Backups of Libraries, Events and Projects |
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125 | (1) |
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126 | (1) |
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Creating Custom Project Sizes |
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127 | (2) |
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129 | (1) |
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130 | (2) |
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132 | (1) |
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Adjusting represented size of image in the Viewer |
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133 | (1) |
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Switching between Better Quality and Better Performance |
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133 | (1) |
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134 | (3) |
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137 | (1) |
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138 | (4) |
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142 | (5) |
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Copying media between Libraries and Events |
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147 | (2) |
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Organizing media in the Event Browser with Folders |
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149 | (2) |
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151 | (2) |
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153 | (28) |
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154 | (1) |
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154 | (2) |
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Adjust the Audio Level within a Clip |
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156 | (2) |
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158 | (1) |
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Fading Audio Using the Range Tool |
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159 | (1) |
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160 | (1) |
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161 | (2) |
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163 | (2) |
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165 | (1) |
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Relationship of the Inspector to Audio Output |
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166 | (1) |
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Setting Audio Pan Controls |
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167 | (3) |
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Switching Audio Tracks On and Off in the Inspector |
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170 | (1) |
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Boosting Audio Levels with the Gain Filter |
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171 | (3) |
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174 | (2) |
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Automated Loudness: Setting Audio Levels Quickly |
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176 | (1) |
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177 | (4) |
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181 | (70) |
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182 | (2) |
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184 | (2) |
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186 | (2) |
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188 | (5) |
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193 | (3) |
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196 | (2) |
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Fading Titles On and Off and Adjusting Transparency |
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198 | (2) |
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200 | (3) |
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Show Title/Action Safe Zones |
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203 | (1) |
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204 | (2) |
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206 | (1) |
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Working with Title Themes |
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206 | (1) |
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Working with Transition Themes |
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207 | (2) |
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209 | (1) |
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210 | (1) |
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211 | (1) |
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212 | (2) |
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214 | (1) |
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Working with the Ken Burns Effect |
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215 | (3) |
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218 | (3) |
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221 | (3) |
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224 | (1) |
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225 | (1) |
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225 | (3) |
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228 | (3) |
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231 | (4) |
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235 | (2) |
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Working with the Color Board |
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237 | (3) |
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240 | (2) |
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242 | (2) |
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244 | (3) |
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247 | (4) |
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251 | (20) |
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252 | (8) |
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260 | (1) |
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Delete Render Files for Projects and Events |
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260 | (2) |
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262 | (4) |
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266 | (5) |
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271 | (2) |
Index |
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273 | |