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Folk Music and the New Left in the Sixties [Pehme köide]

  • Formaat: Paperback / softback, 205 pages, kõrgus x laius x paksus: 229x152x11 mm, kaal: 277 g, notes, bibliography, index
  • Ilmumisaeg: 04-Jun-2019
  • Kirjastus: McFarland & Co Inc
  • ISBN-10: 1476674728
  • ISBN-13: 9781476674728
Teised raamatud teemal:
  • Formaat: Paperback / softback, 205 pages, kõrgus x laius x paksus: 229x152x11 mm, kaal: 277 g, notes, bibliography, index
  • Ilmumisaeg: 04-Jun-2019
  • Kirjastus: McFarland & Co Inc
  • ISBN-10: 1476674728
  • ISBN-13: 9781476674728
Teised raamatud teemal:
Artists have often provided the earliest demonstrations of conscience and ethical examination in response to political events. The political shifts that took place in the 1960s were addressed by a revival of folk music as an expression of protest, hope and the courage to imagine a better world. This work explores the relationship between the cultural and political ideologies of the 1960s and the growing folk music movement, with a focus on musicians Phil Oaks; Joan Baez; Peter, Paul and Mary; Carolyn Hester and Bob Dylan.
Preface 1(4)
Introduction 5(11)
Part I Mississippi Needs Folk Singers
1 Background
16(9)
2 Senator Keating Discovers a Crack in the Nation's Foundation
25(6)
3 The Schizophrenic World of the Protest Song
31(3)
4 Bob Moses Attacks Mississippi
34(6)
5 Here's to the State of Mississippi
40(6)
6 Carolyn Hester Goes to Mississippi
46(6)
7 Joan Baez Boards the Mississippi Train
52(7)
8 Peter, Paul and Mary
59(5)
9 Bob Dylan: The Reluctant Spokesman
64(8)
10 After the Summer Comes the Fall
72(4)
Part II "Hey, Hey, LBJ, How May Kids Did You Kill Today?"
11 The Radicalizing of Tom Hayden
76(7)
12 Lyndon Johnson Fights a War on Two Fronts: In Vietnam and in the Streets
83(8)
13 The Music of the People
91(8)
14 Music and the Prefigurative Culture
99(5)
15 Rise of the Prefigurative Culture
104(7)
16 "Lyndon Johnson Told the Nation"
111(5)
17 Impatience Leads to Escalation
116(8)
18 The Chicago Seven Get Famous
124(3)
19 The New Left Loses Its Credibility
127(6)
20 The Shift in Academia: What Is Relevant?
133(7)
Part III Burn, Baby, Burn
21 Radicalism in Both Politics and Music Dies
140(12)
22 The Death of Music as Revolution
152(7)
23 You Don't Need a Weatherman
159(7)
Conclusion 166(11)
Chapter Notes 177(7)
Bibliography 184(5)
Index 189
The late Michael Scott Cain taught English, literature and popular culture at the college level for more than 40 years. He was an editor for rambles.net, covering jazz, blues and poetry and was the author of seven books of poetry, four novels and several works of nonfiction.