Muutke küpsiste eelistusi

Form and Feeling in Japanese Literati Culture 1st ed. 2022 [Kõva köide]

  • Formaat: Hardback, 252 pages, kõrgus x laius: 210x148 mm, kaal: 483 g, 2 Tables, color; 2 Illustrations, black and white; XIX, 252 p. 2 illus., 1 Hardback
  • Ilmumisaeg: 18-Nov-2022
  • Kirjastus: Palgrave Macmillan
  • ISBN-10: 3031119215
  • ISBN-13: 9783031119217
  • Kõva köide
  • Hind: 113,55 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Tavahind: 133,59 €
  • Säästad 15%
  • Raamatu kohalejõudmiseks kirjastusest kulub orienteeruvalt 2-4 nädalat
  • Kogus:
  • Lisa ostukorvi
  • Tasuta tarne
  • Tellimisaeg 2-4 nädalat
  • Lisa soovinimekirja
  • Formaat: Hardback, 252 pages, kõrgus x laius: 210x148 mm, kaal: 483 g, 2 Tables, color; 2 Illustrations, black and white; XIX, 252 p. 2 illus., 1 Hardback
  • Ilmumisaeg: 18-Nov-2022
  • Kirjastus: Palgrave Macmillan
  • ISBN-10: 3031119215
  • ISBN-13: 9783031119217

This book explores how two early modern and two modern Japanese writers – Yosa Buson (1716–83), Ema Saiko (1787–1861), Masaoka Shiki (1867–1902), and Natsume Soseki (1867–1916) – experimented with the poetic artifice afforded by the East Asian literati (bunjin) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature. 

1 Introduction
1(24)
Late Edo Literati Culture
3(3)
Late Edo Lyricism
6(6)
Meiji Lyricism
12(2)
Becoming the Poets They Wanted to Be
14(2)
The Structure of the Present Book
16(5)
References
21(4)
2 Yosa Buson and the Colors of a Bunjin Mind
25(52)
Seeing and Imagining Color
26(7)
White, Death, and Lyric Time
33(7)
Ekphrasis upon Ekphrasis
40(9)
Repetition and Tautology
49(4)
Form and Longing
53(20)
References
73(4)
3 Sense and Sensibility in the Poetry of Ema Saiko
77(52)
A Room of One's Own
78(10)
A Certain Slant of Light
88(8)
There is No Frigate Like a Book
96(6)
A Formal Feeling Comes
102(6)
Poets Light But Lamps
108(16)
References
124(5)
4 Representing Life in the Prose Poems of Masaoka Shiki
129(50)
Letting the Brush Go Where It Goes
131(6)
Mind and Landscape
137(11)
A Small Drop of Ink
148(10)
Wandering in the Enigma of Form
158(18)
References
176(3)
5 Anxiety and Grief in the Prose Poems of Natsume Soseki
179(54)
A "Haiku-Style Novel"
181(5)
Pathologies of Motion
186(8)
Nostalgia and Melancholy
194(7)
Poetry and Memory
201(5)
Sensory Renewal
206(6)
The Poetics of Suspension
212(21)
6 Coda: Echoes in the Ether
233(8)
References 241(2)
Index 243
Matthew Mewhinney is Assistant Professor of Japanese in the Department of Modern Languages and Linguistics at Florida State University, USA, where he teaches Japanese language, literature, and culture. His research interests include lyric poetry and theory, literati culture, narrative, subjectivity, and translation. His scholarship has appeared in Poetica: An International Journal of Linguistic-Literary Studies,  The Wenshan Review of Literature and Culture,  and Japanese Language and Literature.