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Freud for Architects [Kõva köide]

2.50/5 (4 hinnangut Goodreads-ist)
(Washington State University, USA)
  • Formaat: Hardback, 138 pages, kõrgus x laius: 216x138 mm, kaal: 453 g, 7 Line drawings, black and white; 7 Illustrations, black and white
  • Sari: Thinkers for Architects
  • Ilmumisaeg: 23-Nov-2020
  • Kirjastus: Routledge
  • ISBN-10: 1138390674
  • ISBN-13: 9781138390676
Teised raamatud teemal:
Freud for ArchitectsSuurem pilt
  • Formaat: Hardback, 138 pages, kõrgus x laius: 216x138 mm, kaal: 453 g, 7 Line drawings, black and white; 7 Illustrations, black and white
  • Sari: Thinkers for Architects
  • Ilmumisaeg: 23-Nov-2020
  • Kirjastus: Routledge
  • ISBN-10: 1138390674
  • ISBN-13: 9781138390676
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781138390676.html
Märksõnad:
"Freud for Architects explains what Freud offers to the understanding of architectural creativity and architectural experience, with case examples from early modern architecture to the present. Freud's observations on the human psyche and its influence on culture and social behaviour have generated a great deal of discussion since the 19th century. Yet, what Freud's key ideas offer to the understanding of architectural creativity and experience has received little direct attention. That is partly becauseFreud opened the door to a place where conventional research in architecture has little traction, the unconscious. Adding to the difficulties, Freud's collection of work is vast and daunting. Freud for Architects navigates Freud's key ideas and bridges achasm between architecture and psychoanalytic theory. The book highlights Freud's ideas on the foundational developments of childhood, developments on which the adult psyche is based. It explains why and how the developmental stages could influence adultarchitectural preferences and preoccupations, spatial intuition, and beliefs about what is proper and right for architectural design. As such Freud for Architects will be of great interest to students, practitioners and scholars in a range of disciplinesincluding architecture, psychoanalysis and philosophy"--

Freud for Architects explains what Freud offers to the understanding of architectural creativity and architectural experience, with case examples from early modern architecture to the present.

Freud’s observations on the human psyche and its influence on culture and social behavior have generated a great deal of discussion since the 19th century. Yet, what Freud’s key ideas offer to the understanding of architectural creativity and experience has received little direct attention. That is partly because Freud opened the door to a place where conventional research in architecture has little traction, the unconscious. Adding to the difficulties, Freud’s collection of work is vast and daunting. Freud for Architects navigates Freud’s key ideas and bridges a chasm between architecture and psychoanalytic theory.

The book highlights Freud’s ideas on the foundational developments of childhood, developments on which the adult psyche is based. It explains why and how the developmental stages could influence adult architectural preferences and preoccupations, spatial intuition, and beliefs about what is proper and right for architectural design. As such, Freud for Architects will be of great interest to students, practitioners, and scholars in a range of disciplines including architecture, psychoanalysis, and philosophy.

Series editor's preface viii
List of illustrations
x
Acknowledgments xi
1 Introduction
1(16)
The psyche, aesthetic experience, and architecture
2(4)
Reading Freud, psychoanalytic theory, and clinical practice
6(3)
Social influence, psychotherapeutic design, wild analysis, and architectural "aeffects"
9(4)
Outline of the book
13(4)
2 Freud and modernity: selfhood and emancipatory self-determination
17(20)
Freud and Vienna: modernity and culture
18(1)
Contrasting architectural preferences in fin-de-siecle Vienna
19(1)
The Interpretation of Dreams, 1900
20(2)
Psychical selfhood and self-determination
22(2)
Trauma, repression, architecture of screen memories, remembering, repeating, and working through
24(8)
Cultural screens, disconnection, negation, and affirmation
32(3)
Conclusion
35(2)
3 Aesthetic experience: the object, empathy, the unconscious, and architectural design
37(17)
Unconsciously projecting oneself and intuiting the shape or form of an art object: Semper, Vischer, Schmarsow, Wolfflin, Giedion, and Moholy-Nagy
38(6)
Stone and phantasy, smooth and rough
44(4)
Inside-outside corners, birth trauma, and character armor
48(2)
The turbulent section and the paranoid critical method
50(1)
Asymmetric blur zones and the uncanny
51(2)
Conclusion
53(1)
4 Open form, the formless, and "that oceanic feeling"
54(14)
Architectural formlessness, not literal formlessness
54(3)
Freud and the spatialities of the psychical apparatus
57(1)
Phases of psychical development in childhood
58(2)
The oral phase
60(1)
Repression
61(1)
Blurred zones and architectural empathy for formlessness
62(5)
Conclusion
67(1)
5 Closed-form, rule-based composition and control of the architectural gift
68(11)
The second phase of development, the anal phase, and struggles over control of a gift
68(3)
Threshold practices: isolation, repetition, procedures for handling objects, and diverting impulses
71(1)
A brief history of closed-form, rule-based composition and control of the architectural gift
72(3)
House II
75(3)
Conclusion
78(1)
6 Architectural simulation: wishful phantasy and the real
79(13)
The third phase of development, the phallic phase, a wish and overcoming prohibitions against the wish
82(2)
Simulation, wishes, and world views
84(3)
"Vertical horizon" and the plot of phallic phantasy
87(3)
Conclusion
90(2)
7 Spaces of Social encounter: freedom and constraints
92(13)
The last phase of development in childhood, the genital phase, and the search for obtainable objects
95(5)
Open slab versus regime room: empathy for freedom versus constraint in spaces of social encounter
100(3)
Conclusion
103(2)
Conclusion 105(3)
Further reading 108(2)
References 110(7)
Index 117
John Abell, PhD, specializes in modern architectural design and urban design critical theory, particularly as these intersect with aesthetic experience, material craft, and design technologies.