Muutke küpsiste eelistusi

From Now On: New and Selected Poems, 1970-2015 [Pehme köide]

  • Formaat: Paperback / softback, 360 pages, kõrgus x laius: 229x152 mm, kaal: 463 g
  • Ilmumisaeg: 01-Apr-2015
  • Kirjastus: University of Georgia Press
  • ISBN-10: 0820347965
  • ISBN-13: 9780820347967
Teised raamatud teemal:
  • Formaat: Paperback / softback, 360 pages, kõrgus x laius: 229x152 mm, kaal: 463 g
  • Ilmumisaeg: 01-Apr-2015
  • Kirjastus: University of Georgia Press
  • ISBN-10: 0820347965
  • ISBN-13: 9780820347967
Teised raamatud teemal:

Clarence Major is a consummate artist whose work in poetry, fiction, and painting has been widely recognized. He has been part of twenty-eight group exhibitions, has had fifteen one-man shows, and has published fourteen collections of poetry and nine works of fiction. Major’s works—and this collection in particular—are distinguished by his poetic sociability and his unblinking but generous and affectionate portraiture.

In From Now On, a retrospective of poems from the 1950s to the present—including selections from each of Major’s previous books of poetry as well as a generous selection of new poems—Major creates a vivid gallery of nimbly drawn characters. Here he establishes a voice that is singular and musical, one that draws witty, moving, and empathetic portraits of African American urban and country dwellers. Ultimately, this collection maintains Major’s intimate, conversational poetry while simultaneously becoming more eclectic, multicultural, and cosmopolitan. Major’s poetry is affable, but it suggests an insistence that we can connect with history and social change through the dynamic lives of the people we encounter daily.



A retrospective of poems written during the 1950s to the present, including selections from each of Major's previous books. This collection maintains Major’s intimate, conversational poetry while simultaneously becoming more eclectic, multicultural, and cosmopolitan.

Arvustused

Over the years, I have come to believe that Clarence Major is one of the most significant American poets of the past two decades. Educated as a painter . . . from the outset he brought to poetry the understanding of scale, surface, and palette. . . . His work [ is] also linguistically innovative. . . . His is a catholic but intellectually and aesthetically rigorous practice -- Susan Wheeler I love the stark contrasts. . . . Major is . . . someone with . . . a vivid sense of how narrative and impulse inhabit the visual realm. -- Tracy K. Smith Whether it is through the usage of musical rhythm and images, or slang, at all times, Major maintains a sense of constantly shifting expression and attempts to capture the sharp edge of exhilarating, lived experience. -- Jake Marmer * Chicago Tribune * For half a century, Clarence Major has been writing poems of remarkable revelation, rare insight, sophisticated lyricism, and authentic joy in the world. I return to his work to be uplifted, inspiredto be caught up in his exacting language and to enter the enduring dance of his elegantly inquisitive soul. My gratitude for this work is boundless. -- Sam Hamill No other voice in American poetry sings quite like Clarence Majors. . . . Heres a poet we can call a school of one. . . . Major knows how to make profundity seem accidental. . . . And of course, this concept of easeful engagement is an aspect of the poets genius. -- Yusef Komunyakaa * from the foreword * Majors sparse, expertly constructed poems are like ladders luring readers away from the heavily trod, shadowy ground up into clear air, an ascent that places all the quick changes of the heart and mind into sharp perspective. But these gleaming word-ladders lead down, too, out of the thin air . . . back to the earth and body, to pain and rapture. -- Donna Seaman * Booklist * [ Clarence Major] is passionately committed to the aesthetics of language. His poems, viewed as pure form, demonstrate a tireless quest for the right word. -- Fanny Howe * African-American Review * Major is no modern-day Robert Frost, whispering homey wisdoms across a stone wall, but a highly-skilled experimentalist who reveals the dangers of the pretenses of poets like Frost, whose language gets caught up in nets of their own making. -- Douglas Messerli * Hyperallergic *

Muu info

A new collection of poems from a visionary artist on love, space, power, war, experience, and time
Foreword xi
Yusef Komunyakaa
A Note on the Early Poems xv
Acknowledgments xvii
From Swallow the Lake (1970)
Abbreviation of the Blues
3(1)
Air
4(1)
Blind Old Woman
5(1)
Longlegs
6(1)
Segregated Self
7(2)
Something Is Eating Me Up Inside
9(4)
From Private Line (1971) A Mother's Pride
13(20)
Private Line
14(1)
Rock Music USA
15(4)
From Symptoms and Madness (1971) Picnic
19(1)
Dream
20(1)
The Backyard Smelled of Deodorant
21(1)
Conflict
22(1)
Not This-This Here!
23(1)
This Temple
24(1)
Holy Ghost Woman
25(1)
Theater
26(1)
The Distance between Tomorrow and Me
27(1)
Float Up
28(1)
My People Are in Centers
29(1)
The Rose and Satisfaction
30(3)
From The Cotton Club (1972)
1915 Interior
33(1)
1919
34(1)
In the Interest of Personal Appearance
35(1)
Ladies Day 1902
36(1)
The Bust
37(1)
Like Family
38(1)
Quick History of an Untarnished Sad Moment in Time
39(1)
Rig
40(3)
From The Syncopated Cakewalk (1974)
Bruce and Nina
43(1)
Outpost
44(1)
H
45(1)
The Ground
46(1)
I Depart Some Months for Whole Areas
47(1)
Law Magic
48(1)
The High Purpose
49(1)
Doodle
50(1)
Gothic Westchester
51(1)
Her Emotional Nature
52(1)
Zigzag Patterns
53(1)
Mountain Man
54(1)
Old Car
55(1)
Queen Pamunkey
56(1)
The Jefferson Company
57(1)
The Other End of the Land
58(1)
American Setup
59(5)
Cadillac
64(7)
From Inside Diameter: The France Poems (1985)
Beaulieu
71(1)
Bouquet for Lovers
72(1)
Inside Diameter
73(2)
Losing Control at Nice
75(1)
Over Drinks at Cafe au Charbonnage
76(1)
In the City of Motorbikes
77(1)
Last Days in France
78(1)
Selected Moments in France
79(4)
From Surfaces and Masks (1988)
III, VI, XI, XV, XX, XXVI, XXIX, XXXII, XXXIV, XXXVIII, XXXIX, XL, XLI, XLII, XLIV
83(30)
From Some Observations of a Stranger at Zuni in the Latter Part of the Century (1989)
Some Observations of a Stranger at Zuni in the Latter Part of the Century
113(32)
Glossary
145(8)
From Parking Lots (1992)
Parking Lots
153(8)
From Configurations: New and Selected Poems 1958--1998 (1998)
Round Midnight
161(3)
Love against Death
164(3)
Train Stop
167(3)
Un Poco Loco
170(4)
No Time for Self-Pity
174(1)
September Mendocino
175(4)
Brief Visit to Venice
179(1)
Drawing from Life
180(2)
The Slave Trade: View from the Middle Passage
182(9)
Bernardston
191(8)
Frenzy
199(2)
Bricks and Sleep
201(2)
The Apple-Maggot Fly
203(4)
From Waiting for Sweet Betty (2002)
Waiting for Sweet Betty
207(2)
In My Own Language
209(1)
Unknown Presence
210(2)
Mendocino
212(1)
Photograph of a Gathering of People Waving
213(2)
From the Train Window Going and Coming
215(1)
Gathering Mushrooms: Cambria
216(1)
An Eighteenth-Century Moment
217(6)
From Myself Painting (2008)
The Red Bench
223(1)
Plein Air
224(2)
Windows and Women
226(2)
The Young Doctor (1916)
228(2)
East Lansing, Michigan
230(1)
Black Snake Blues
231(2)
Difficult Pose
233(2)
When the Model Does Not Show
235(2)
Three
237(3)
In Search of a Motif for Expressive Female Figuration
240(11)
From Down and Up (2013)
Down and Up
251(2)
Evening Newspaper
253(1)
Father
254(1)
The Rope
255(2)
At The Movies
257(4)
New Poems (2015)
Plein Air
261(1)
Inside Outside (Again)
262(1)
On the Beach
263(1)
Leisure Dilemma
264(1)
Alchemy
265(1)
Holiday at the Beach
266(1)
Waiting for the Storm
267(1)
Ancestor Land
268(1)
Shop or Store
269(1)
Summer Visit
270(1)
Morandi
271(1)
Ava
272(2)
Facebook
274(1)
Mirror, Mirror
275(1)
Domestic Agenda
276(1)
Today's War
277(1)
War and Its Effects
278(2)
Water and Sand
280(1)
Noon
281(1)
The Moon
282(2)
The Seasons
284(3)
From Now On
287(1)
Faith
288(1)
After Light
289(1)
Bitterroot
290(1)
The Vegetable King
291(1)
Hooray!
292(1)
Wild Music
293(2)
The Convex Mirror
295(1)
Symbolism of Chains
296(2)
As with Molly's Yeses
298(1)
We Were All There
299(1)
Dog Fight
300(1)
Classified Notes
301(1)
The Knot
302(3)
On the Road Back
305(1)
Long Avenue and River Street
306(1)
The Sometime Difficulty with Teaching
307(2)
Two Double Burgers
309(2)
A Battlefield
311(2)
Nancy's Nanny Goat
313(2)
The Art of Confessional Poetry
315(2)
The Green Monkey
317(2)
Horses Don't Care
319(2)
Dragons
321(2)
Quicksand
323(1)
The Chipmunk and the Hawk
324(2)
Faith, Hope, and Charity
326(2)
Onion
328(3)
The Invisible
331(2)
Always
333(1)
The Things You Hear
334
CLARENCE MAJOR is a prizewinning poet, painter, and novelist. He is the author of thirteen previous books of poetry. As a finalist for a National Book Award he won a bronze medal for his book Configurations: New and Selected Poems, 19581998. Among other awards he is also the recipient of a National Council on the Arts Award, a New York Cultural Foundation Award, and the Stephen Henderson Poetry Award for Outstanding Achievement, all three for poetry. His poetry has appeared in hundreds of anthologies and periodicals, in English and in foreign languages. He is Distinguished Professor Emeritus at the University of California at Davis.