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From Still to Motion: A photographer's guide to creating video with your DSLR [Multiple-component retail product]

  • Formaat: Multiple-component retail product, 336 pages, kõrgus x laius x paksus: 229x204x18 mm, kaal: 744 g, Contains 1 Paperback / softback and 1 DVD-ROM
  • Ilmumisaeg: 25-Mar-2010
  • Kirjastus: New Riders Publishing
  • ISBN-10: 0321702115
  • ISBN-13: 9780321702111
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  • Multiple-component retail product
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  • Formaat: Multiple-component retail product, 336 pages, kõrgus x laius x paksus: 229x204x18 mm, kaal: 744 g, Contains 1 Paperback / softback and 1 DVD-ROM
  • Ilmumisaeg: 25-Mar-2010
  • Kirjastus: New Riders Publishing
  • ISBN-10: 0321702115
  • ISBN-13: 9780321702111
Teised raamatud teemal:
Book and accompanying DVD with over six hours of video trainingall geared to teach you everything about shooting video with your DSLR

With the arrival of high-definition video-enabled DSLR cameras, photographers are faced with an opportunity for creativity and a competitive edge in their field unlike anything theyve experienced before. Add to that the expanding demands from a video-hungry audience and its no longer a matter of if you are going to add video to your repertoire of skills, its when.

Here to guide you in a thorough exploration of the video-making process from preproduction to post and to ease your transition from still to motion are four veterans who speak the language of both photography and video fluently. With their clear, instructive approach, they quickly get you up to speed on everything from picking your gear, to properly lighting for motion, to using professional-level audio, color correction, and editing techniques, to media management and outputting, and much more. Here are just a few highlights from this richly illustrated, completely interactive book and DVD:



Explores the entire spectrum of video for DSLR camera owners, with recommendations on gear, planning, lighting, lenses, audio, editing, color correcting, exporting, media management, and more. Covers a wide variety of shooting styles, including indoor, outdoor, studio, portrait, event, and available light. Addresses technical challenges associated with DSLR video, such as camera movement, multiple camera coverage, low-light videography, and synchronized sound. Explores additional creative techniques such as stop motion and timelapse photography in depth. Includes a real-world example of a music video and promo package throughout the book to demonstrate concepts in action, with additional profiles of photography experts in nature, sports, commercial, and weddings and events.

The accompanying DVD contains over 6 hours of video training that delves deeper into each topic, as well as high-definition footage, hands-on project  files, and templates to experiment with and follow along.

Share your work and communicate with other readers at www.facebook.com/dslrvideo.

Arvustused

If youve been looking for the one book that teaches you how to bring DSLR video into your workflow, this is the only one on the topic Im telling my friends to buy. Scott Kelby, photographer, author, president of the National Association of Photoshop Professionals (NAPP)

Whether youre a seasoned professional or a novice still photographerthis book has the answers you need, even if you dont know you need them yet. Scott Bourne, Publisher, Photofocus.com

PART I A NEW WAY TO TELL STORIES
From Still to Motion: An Evolution of an Art Form
4(12)
Who This Book is For
7(1)
What Gear do you Need?
8(1)
Our Approach
9(1)
The Journey Ahead
9(3)
Meet the Cast
12(3)
About the Disc
15(1)
Additional Resources
15(1)
Sequential Images: It's No Longer Just About the Shot
16(22)
Making the Transition
19(2)
The Language of Cinema
21(8)
Composition Rules for Cinema
29(4)
Sequencing Images
33(2)
Making a Plan
35(3)
Before You Shoot: The Need for Preproduction
38(16)
Organizing the Planning Meeting
41(2)
Performing the Site Survey
43(4)
From Site Survey to Final Frame
47(3)
Crewing the Project
50(2)
Determining What Gear to Bring to the Shoot
52(2)
Crash Course in Video Technology: The Technical Essentials of Video
54(12)
Frame Size
57(1)
Frame Rate
57(2)
Line Scanning
59(2)
Aspect Ratio
61(1)
Compression
61(5)
PART II CINEMATIC LIGHTING
Playing with the Light: Bringing Your Subject to Life
66(20)
Think Fast and Go with Your Gut
69(3)
The Essentials of Three-point Lighting
72(4)
Preparing the Scene
76(2)
Techniques for Controlling the Light
78(8)
Using What You've Got: Making the Most of Available Light
86(22)
The Goal of Lighting
89(5)
Capturing Accurate Color in the Field
94(5)
Shooting with Outdoor Light
99(6)
Shooting in Low-light Conditions
105(3)
Little Lights: Compact and Lightweight Solutions
108(14)
LED Lighting Essentials
111(5)
Other Lighting Technology
116(2)
Recommended Kits
118(4)
Make it Good, Fast, and Cheap: Lighting on a Budget
122(16)
Low-cost Alternatives
125(1)
Adapting Photo Gear
126(4)
DIY Lighting and Grip Gear
130(8)
PART III GEARING UP FOR MOTION AND SOUND
Body Parts: Selecting a Camera Body for Video
138(16)
Selecting a Camera
141(4)
Powering the Camera
145(1)
Recording Compression
146(2)
On-camera Monitoring
148(2)
External Monitoring
150(4)
Through the Lens: The Unique Demands of Video
154(14)
Selecting Lenses
157(5)
Match the Lens to the Shot
162(3)
Using a Follow Focus
165(3)
Get a Steady Shot: Basic Camera Support
168(16)
Going Handheld
171(2)
Stabilizing with a Tripod
173(6)
Using Monopods
179(1)
Other Tools
180(4)
Great Support: Putting the Camera into Motion
184(16)
Handheld Rigs
187(1)
Stabilizers
188(2)
Dollies
190(5)
Jibs and Cranes
195(5)
Audio is Half the Story: Great Sound is Essential
200(18)
Capturing Quality Audio
203(2)
Technical Essentials of Audio
205(1)
Microphone Technology
206(2)
Microphone Selection
208(3)
Microphone Pickup Patterns
211(1)
Monitoring Audio
212(1)
Recording Professional Audio
212(6)
Capturing Securely: Field Storage
218(12)
Selecting a Storage Format
221(3)
Backing Up in the Field
224(6)
PART IV POSTPRODUCTION
Get it Together: Media Management for DSLR Video
230(16)
Choosing a Media Drive
233(3)
Transferring Media
236(1)
Organizing Media for an Edit
237(3)
Transcoding Footage to Edit
240(2)
Converting and Conforming Frame Rates
242(1)
Backup and Archive
243(3)
A Cut Above: The Basics of Video Editing
246(18)
Selecting an Editing System
249(1)
Three-point Editing Basics
250(6)
Syncing Picture and Sound
256(4)
Transitions, Effects, and Speed Adjustments
260(4)
Color Control: Color Correction and Grading
264(16)
Color Concepts
267(3)
Calibrating Your Video Monitor
270(1)
Correcting and Grading On Set and in Post
271(6)
Color Correction and Grading Software
277(2)
Broadcast Safe Video
279(1)
Distribution Deal: Publishing Your Video
280(16)
Output Checklist
283(2)
Creating a Master File
285(1)
Creating DVD and Blu-ray Discs
286(2)
Outputting for the Web
288(3)
Creating Prints from Video Frames
291(5)
PART V CREATIVE EXPLORATIONS
Stop and Go: Creating Stop Motion Animation
296(14)
Gearing Up for Stop Motion
299(4)
Preparing for Stop Motion
303(3)
The Production Process
306(3)
The Postproduction Process
309(1)
Time Floats By: Creating Time-lapse Animation
310(12)
Essential Equipment
313(2)
Shooting Approach
315(4)
Technical Approach
319(3)
Index 322
James Ball is a director of photography for HBO, National Geographic, Discovery Channel, and PBS (onlinejamesball.com). His work ranges from feature-length documentary projects to dramatic features to corporate projects.

Robbie Carman is a professional colorist who works on broadcast television series. He is a principal at Amigo Media (amigomediallc.com), a well-known trainer, author, and speaker at industry conferences, and the Creative COW forum host for DSLR video and Apple Color.

Matt Gottshalk is the principal of McGee Digital Media (mcgeedigital.com), which specializes in cinema-style HD production and post. He is a lighting director and camera assistant for a variety of clients and an active member of the dvxuser.com community.

Richard Harrington is a director and editor. He is a Creative COW forum leader, a member of the NAPP Instructor Dream Team, and a popular author, trainer, and speaker.