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Functional Unity of the Singing Voice Second Edition [Pehme köide]

, Introduction by
  • Formaat: Paperback / softback, 398 pages, kõrgus x laius x paksus: 222x155x22 mm, kaal: 531 g
  • Sari: National Association of Teachers of Singing Books
  • Ilmumisaeg: 22-Apr-2023
  • Kirjastus: Rowman & Littlefield Publishers
  • ISBN-10: 1538178877
  • ISBN-13: 9781538178874
Teised raamatud teemal:
  • Formaat: Paperback / softback, 398 pages, kõrgus x laius x paksus: 222x155x22 mm, kaal: 531 g
  • Sari: National Association of Teachers of Singing Books
  • Ilmumisaeg: 22-Apr-2023
  • Kirjastus: Rowman & Littlefield Publishers
  • ISBN-10: 1538178877
  • ISBN-13: 9781538178874
Teised raamatud teemal:
This expanded edition includes a new introduction by John Nix as well as a new appendix offering case studies and practical insights from teachers about how Barbara Doscher has impacted their voice instruction.

An understanding of how the singing voice functions should be a prerequisite for all those who wish to teach singing. And fundamental to any safe and efficient teaching method is the recognition that the singing voice is a functional unit. Consequently, this second edition, like the first, describes the anatomy and physiology of breathing and phonation and examines the acoustical laws necessary for an understanding of resonation. It is designed primarily as a textbook for college vocal pedagogy courses.





The book includes detailed illustrations and an expansion of the appendix on vocal misuse and abuse, including data on subglottic air pressure/air flow ratios, the phonatory mode known as belting, and the aging voice, especially as it is affected by hormonal changes in the body. It also feature an extensive bibliography.
Preface xi
International Phonetic Alphabet/Frequency Key xiii
Introduction xiv
Technique and Art xiv
Rationale for the Study of Physiology xiv
Anatomical and Physiological Terminology xvii
The Functional Unity of Singing xx
Introduction To Second Edition Expanded xxiii
1 Respiration
1(29)
Basic Functions
1(2)
The Skeletal Structure
3(1)
The Respiratory System
3(1)
The Lungs
3(2)
The Thorax
5(3)
The Inspiratory Muscles
8(1)
The Diaphragm
8(3)
The External Intercostals
11(1)
The Expiratory Muscles
12(1)
The Internal Intercostals
12(1)
The Abdominals
13(3)
Auxiliary Respiratory Muscles
16(2)
The Breathing Cycle
18(4)
The Concept of Breath Support
22(8)
2 Anatomy Of The Larynx
30(28)
The Hyoid Bone and Major Cartilages of the Larynx
30(1)
The Hyoid Bone
30(1)
Cartilages of the Larynx
31(4)
Definition of Intrinsic and Extrinsic Muscles
35(1)
The Intrinsic Muscles
35(1)
The Vocal Folds
35(2)
The False Vocal Folds
37(1)
The Crico-Thyroid Muscle
37(5)
The Crico-Arytenoid Muscles
42(2)
The Extrinsic Muscles
44(4)
The Depressors
48(1)
The Elevators
49(4)
Benefits of Extrinsic Equilibrium
53(5)
3 Phonation
58(11)
4 Posture
69(16)
5 The Physical Nature Of Sound
85(21)
Characteristics of a Sound Wave
85(1)
Properties of a Musical Sound
86(1)
Frequency
86(2)
Amplitude
88(4)
Timbre
92(5)
The Phenomenon of Resonance
97(2)
Vocal Resonance
99(1)
Acoustical Damping
100(2)
Acoustical Laws Concerning Cavities
102(4)
6 Vocal Resonance
106(27)
The Voice as a Wind Instrument
106(1)
The Resonance Cavities
107(4)
Tuning the Resonators
111(1)
The Pharynx
111(2)
The Tongue
113(4)
The Palate
117(4)
Jaw and Mouth Opening
121(3)
The Lips
124(1)
Timbre or Tone Quality
125(8)
7 Fixed Formants And Vowel Modification
133(38)
What are Formants?
133(1)
The Fixed Formant Law
134(5)
Vowel Formants and Harmonic Overtones
139(1)
The Singing Formant
140(4)
Vowel Modification
144(1)
Tuning the Vowel Formants
144(5)
The Importance of the First Formant
149(1)
Matching Formants and the Harmonic Series
150(4)
The First Vowel Formant / and the Soprano Voice
154(3)
Vowel Modification and Intelligibility
157(2)
Vowel Modification and Dynamic Level
159(1)
The Mirror Image
160(2)
Speaking and Singing
162(2)
The Pure Vowel
164(7)
8 Vocal Registers
171(40)
How Many Registers?
172(6)
The Female Registers
178(5)
The Male Registers
183(5)
Belting
188(3)
Blending Registers
191(4)
Voice Classification
195(3)
Vibrato
198(1)
Major Characteristics
198(3)
The Trill
201(1)
Causes of Vibrato
202(9)
9 The Functional Unity Of The Singing Voice: A GESTALT
211(3)
APPENDIX I VOCAL ABUSE AND MISUSE
214(37)
Physical Disorders
217(1)
Vocal Nodules and Vocal Polyps
218(1)
Physical Characteristics
218(3)
Causes
221(2)
Contact Ulcers
223(1)
Physical Characteristics
223(1)
Causes
223(1)
Endotracheal Intubation
224(2)
Hormonal Changes
226(1)
The Thyroid Gland
226(1)
Menstruation
226(1)
The Male Hormone
227(1)
Short-term Tissue Changes
228(1)
The URI (Common Cold)
228(2)
Tonsillitis
230(1)
Laryngitis
231(1)
The Effects of Drugs
232(2)
Functional Disorders
234(1)
Prolonged Phonation or Overuse
234(2)
"Marking"
236(1)
Choral Singing
237(3)
The Wrong Tessitura
240(1)
The Young Voice
241(1)
The Aging Voice
241(2)
Am I Too Loud?
243(1)
Weird Noises
244(1)
Extended Vocal Techniques
245(6)
APPENDIX II VOCAL HYGIENE
251(8)
Common Irritants
251(1)
Commonly Used Drugs
252(1)
Hydration
253(1)
Rest and Exercise
254(1)
Clothing and Diet
255(1)
Emotional Stress
256(3)
Remembering Barbara M. Doscher 259(30)
Bibliography 289(57)
Name Index 346(3)
Subject Index 349(13)
About The Author 362
Barbara M. Doscher (1922 1996) was Professor of Music, University of Colorado, Boulder, where she was department chairperson and taught studio voice and vocal pedagogy. Her books include Functional Unity of the Singing Voice and From Studio to Stage: Repertoire for the Voice.

John Nix is Associate Professor of Voice and Vocal Pedagogy at the University of Texas at San Antonio, coordinator of the Vocal Area for the 2011-2014 academic years, and founding director of the UTSA Vocal Arts Laboratory.