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Galvanizing Performance: The Alexander Technique as a Catalyst for Excellence [Pehme köide]

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  • Formaat: Paperback / softback, 336 pages, kõrgus x laius x paksus: 229x161x18 mm, kaal: 492 g
  • Ilmumisaeg: 21-Aug-2017
  • Kirjastus: Jessica Kingsley Publishers
  • ISBN-10: 1785927205
  • ISBN-13: 9781785927201
Teised raamatud teemal:
  • Formaat: Paperback / softback, 336 pages, kõrgus x laius x paksus: 229x161x18 mm, kaal: 492 g
  • Ilmumisaeg: 21-Aug-2017
  • Kirjastus: Jessica Kingsley Publishers
  • ISBN-10: 1785927205
  • ISBN-13: 9781785927201
Teised raamatud teemal:
The Alexander Technique is a specific form of mind/body practice that focusses on improving efficiency through learning and understanding movement and behavior. Galvanizing Performances applies the teachings of this practice to the performing arts. Through theatre, music, and dance, the contributors, all artists themselves, demonstrate how deliberate movement can improve an individual's art and benefit their general health and wellbeing.

Using specific case examples and in-depth analysis over a range of performance arts, this book supports instruction of effective movement and the Alexander Technique within different artistic disciplines for students and teachers alike.

Arvustused

Galvanizing Performance has something for everyone from the novice AT student to the experienced teacher. With an all-star line-up of AT teachers contributing, the essays cover all performing arts disciplines and every teaching situation one can imagine. -- Jennifer Mizenko, Professor of Dance and Movement The editors have gathered a rich buffet of masterful Alexander Technique teachers who bravely pull back the curtain on their work with rare vulnerability, honesty, and perception. A 'must have' book for any teacher or artist wanting to infuse their work with AT, or needing fresh ideas for more effectively using it in their work and lives. -- David Small, Associate Professor of Voice and 2011 NATS Master Teacher Galvanizing Performance offers singers, voice teachers, and performers a wonderful blend of insightful reflections and practical details from current expert Alexander Technique instructors.

Whether or not we are familiar with AT, the introductions to each chapter expertly orient readers and ready us to dive into each author's thoughts with a clear understanding of their experience, perspective, and priorities. -- Dana Zenobi, www.danazenobi.com The Alexander Technique is a specific form of mind/body practice that focuses on improving efficiency through learning and understanding movement and behaviour. Galvanizing Performance applies the teachings of this practice to the performing arts. Through theatre, music and dance, the contributors - all artists themselves - demonstrate how deliberate movement can improve an individual's art and benefit their general health and wellbeing. -- Embody Magazine, Autumn 2017

Muu info

New developments within the Alexander Technique application to the performing arts, for teachers and students
Introduction 9(16)
Hands Last
25(27)
Debt Adams
Full Embodiment: The Actor's Way
52(24)
Sarah Barker
Confident Creativity
76(21)
Corinne Cassini
Engaging the Expert Performer: Affinity as Pathway
97(26)
Kate Conklin
A Mirror, a Mask, and an Actor
123(27)
Julianne Eveleigh
Paul Hampton
To Learn or to Un-Learn---That Is the Question: Collegiate Performers and End-Gaining
150(29)
Julia Guichard
Harvey Thurmer
Alexander Technique Interventions for Stage Fright: An Interview with Michael Frederick and Elaine Williams
179(23)
Kathleen Juhl
Mindful Bananas and the Alexander Technique
202(18)
Kathleen Juhl
Report on a Five-Day Introductory Class for the University of Washington School of Drama
220(42)
Cathy Madden
Glimpsing the Collaboratives: Alexander Technique Teachers Working with Teachers of Other Disciplines
262(15)
Cathy Madden
Metaphorically Speaking: The Singer and the Alexander Technique
277(21)
Patricia O'Neill
Of Testing Times and Hoped-For Miracles: The Alexander Technique and the Doubtful Musician
298(17)
Robert Schubert
Technique in Choreographic Process
315(13)
Crispin Spaeth
Subject Index 328(7)
Author Index 335
Cathy Madden is the principle lecturer at the University of Washington School of Drama, as well as Director of the Alexander Technique Training and Performance Studio in Seattle and Associate Director for BodyChance in Japan.

Kathleen Juhl is a professor of Theatre at Southwestern University where she teaches an Alexander Technique class for actors, musicians, and voice performers. Kathleen has taught the Alexander Technique at national and international opera festivals.