Muutke küpsiste eelistusi

German Literature as a Transnational Field of Production, 1848-1919 [Kõva köide]

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"A collection of new essays bringing into view the push and pull of the national and the international in the Austro-German cultural field of the period. The cultural formations of the so-called Age of Nationalism (1848-1919) have shaped German literary studies to the present day, for better or worse. Literary histories, German self-representations, the view from abroad - all of these perspectives offer images of a culture ever more concerned with formulating a coherent, nationally focused idea of its origins, history, and cultural community. But even in this historical moment the German-speaking territories were not culturally self-contained; international forces always played a significant role in the constitution of the so-called "German" literary andcultural field. This volume rethinks the historical period with sixteen case studies that bring into view the push and pull of the national and international in Germany and Austria, undertaking a reframing of literary-cultural history that recognizes theinterrelatedness of literatures and cultures across political and linguistic boundaries. Viewing even overtly national literary and cultural projects as belonging to an international system, these case studies examine the interrelations, organization, and positioning of the agents, forces, enterprises, and processes that constituted the Austro-German literary-cultural field, locating these ostensibly national developments within an inter- or even anti-national context"--

A collection of new essays bringing into view the push and pull of the national and the international in the Austro-German cultural field of the period.

A collection of new essays bringing into view the push and pull of the national and the international in the German-language cultural field of the period.

The cultural formations of the so-called Age of Nationalism (1848-1919) have shaped German-language literary studies to the present day, for better or worse. Literary histories, German self-representations, the view from abroad - all of these perspectives offer images of a culture ever more concerned with formulating a coherent, nationally focused idea of its origins, history, and cultural community. But even in this historical moment the German-speaking territories were not culturally self-contained; international forces always played a significant role in the constitution of the so-called "German" literary and cultural field.
This volume rethinks the historical period with fourteen case studies that bring into view the push and pull of the national and international in Germany, Austria, and Switzerland, undertaking a reframing of literary-cultural history that recognizes the interrelatedness of literatures and cultures across political and linguistic boundaries. Viewing even overtly national literary and cultural projects as belonging to an international system, these case studies examine the interrelations, organization, and positioning of the agents, forces, enterprises, and processes that constituted the German-language literary-cultural field, locating these ostensibly national developments within an inter- or even anti-national context.

Arvustused

Undoubtedly a crucial resource for student scholars at all stages, will also prove fruitful to experts by illuminating productive relations within seemingly well-trodden fields. * MONATSHEFTE *

Acknowledgments
Introduction: A Transnational Literary Field in the Age of Nationalism
Lynne Tatlock and Kurt Beals
1: The Passion of Johannes Scherr: Historiography as Trauma
Thomas Beebee
2: Between Integration and Differentiation. On the Relationship
between German and Austrian Literature in the Second Half of the Nineteenth
Century
Norbert Bachleitner
3: Reading Stifter in America
Vance Byrd
4: Travel Writing and Transnational Marketing: How Ida Pfeiffer
brought the World to Austria and Beyond
Kirsten Belgum
5: Ernst Brausewetter's Meisternovellen Deutscher Frauen
(1897-98): Gender, Genre, and (Inter)National Aspiration
Lynne Tatlock
6: Arbiter of Nation? The Strange Case of Hans Müller-Casenov's
The Humour of Germany (1892/1893)
Birgit Tautz
7: Visualizing the End: Nation, Empire, and Neo-Roman Mimesis
in Keller and Fontane
Sean Franzel
8: Eurocentric Cosmopolitanism in Thomas Mann's Buddenbrooks
Todd Kontje
9: European Peace from a Transatlantic Perspective: Victor Hugo
and Bertha von Suttner
Paul Michael Lützeler
10: Hermann Graf Keyserling and Gu Hongming's Ethics of World
Culture: Confucianism, Monarchism, and Anti-Colonialism
Chunjie Zhang
11: Constructing Symphonic Worlds: Gustav Mahler, Weltliteratur,
and the Musical Program
Caroline A. Kita
12: The Garb of National Literature: Transnational Identities and
the Early Twentieth-Century Schriftstreit
Tobias Boes
13: From European Symbolism to German Gesture: The International
and Transnational Nationalism of Stefan George's Blätter für die Kunst
Daniela Gretz
14: Canon Fire: Dada's Attack on National Literature
Kurt Beals
Selected Bibliography of Works Cited
Notes on the Contributors
Index
LYNNE TATLOCK is the Hortense and Tobias Lewin Distinguished Professor in the Humanities and Chair of Germanic Languages and Literatures at Washington University in St. Louis, MO. KURT BEALS is Associate Professor of German and Comparative Literature at Washington University, St. Louis, MO. LYNNE TATLOCK is the Hortense and Tobias Lewin Distinguished Professor in the Humanities and Chair of Germanic Languages and Literatures at Washington University in St. Louis, MO. BIRGIT TAUTZ is George Taylor Files Professor of Modern Languages and German at Bowdoin College. SEAN FRANZEL is Professor of German at the University of Missouri. PAUL MICHAEL LUETZELER is the Rosa May Distinguished University Professor in the Humanities at Washington University in St. Louis where he has been teaching courses in German and Comparative Literature TOBIAS BOES is Professor of German and Chair of the Department of German and Russian Languages and Literatures at the University of Notre Dame, IN. KURT BEALS is Associate Professor of German and Comparative Literature at Washington University, St. Louis, MO.