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Grace of the Italian Renaissance [Kõva köide]

  • Formaat: Hardback, 272 pages, kõrgus x laius: 235x155 mm, 22 b/w illus., color insert with 10 illustrations
  • Ilmumisaeg: 14-Jan-2020
  • Kirjastus: Princeton University Press
  • ISBN-10: 0691175489
  • ISBN-13: 9780691175485
  • Formaat: Hardback, 272 pages, kõrgus x laius: 235x155 mm, 22 b/w illus., color insert with 10 illustrations
  • Ilmumisaeg: 14-Jan-2020
  • Kirjastus: Princeton University Press
  • ISBN-10: 0691175489
  • ISBN-13: 9780691175485

How grace shaped the Renaissance in Italy

"Grace" emerges as a keyword in the culture and society of sixteenth-century Italy. The Grace of the Italian Renaissance explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as Francesco del Cossa, Raphael and Michelangelo and explores anew writers like Castiglione, Ariosto, Tullia d'Aragona and Vittoria Colonna. It shows how these artists and writers put grace at the heart of their work.

Grace, Ita Mac Carthy argues, came to be as contested as it was prized across a range of Renaissance Italian contexts. It characterised emerging styles in literature and the visual arts, shaped ideas about how best to behave at court and sparked controversy about social harmony and human salvation. For all these reasons, grace abounded in the Italian Renaissance, yet it remained hard to define. Mac Carthy explores what grace meant to theologians, artists, writers and philosophers, showing how it influenced their thinking about themselves, each other and the world.

Ambitiously conceived and elegantly written, this book portrays grace not as a stable formula of expression but as a web of interventions in culture and society.

Arvustused

"Ita Mac Carthy uncovers all sorts of connections at a time in Italy concerned with what might be described as the reactivation of aspects of the classical past, drawing on the writings of Tullia dAragona, Ariosto, Vittoria Colonna and others, and exploring works by Francesco del Cossa, Michelangelo and Raphael. Throughout, she puts grace at the centre of things, even though it is notoriously difficult to define, endeavouring to show what it signified at the time, and how it permeated style, behaviour and notions concerning society and even salvation."---James Stevens Curl, Times Higher Education "This thoughtful, elegant text offers new and persuasive readings of several well-known figures and their works." * Choice Reviews * "Mac Carthys discursive, often meditative style draws us deeply into the complex layers, contradictions, and semantic richness embodied in the idea of grace, one of the most 'beguiling and deceptively powerful of early modern keywords.'"---Frederick J. McGinness, Church History "[ An] ambitious and breathtakingly intricate study. . . . Ita Mac Carthys Grace of the Italian Renaissance is a rich, insightful, and highly nuanced study. It is an inspiringly erudite work that will appeal to students, scholars, and general readers. It promises to serve them all well."---Sarah Rolfe Prodan, Renaissance Studies "Mac Carthy gives us a rich and perceptive study of grace in word, image, and beyond in sixteenth-century Italy."---Jonathan Locke Hart, Renaissance and Reformation

List of Illustrations
ix
Acknowledgments xi
Prologue Three Graces 1(11)
Chapter 1 A Renaissance Keyword
12(18)
Amazing Grace
15(2)
Meanings and Methods
17(9)
Narratives
26(4)
Chapter 2 Grace Abounding: Four Contexts
30(20)
Humanist Revivals
31(4)
Religious Debates
35(3)
Christian Classicism
38(6)
The Language Question
44(6)
Chapter 3 Grace and Favour: Baldassare Castiglione and Raphael
50(26)
A Courtier's Grace
51(7)
Two-Way Grace
58(7)
Raphael's Three Graces
65(11)
Chapter 4 Grace and Beauty: Vittoria Colonna and Tullia d'Aragona
76(38)
Grace without Beauty
79(13)
Beauty without Grace
92(8)
A Grace of Her Own
100(14)
Chapter 5 Grace and Ingratitude: Lodovico Dolce and Ludovico Ariosto
114(28)
The View from Dolce
116(12)
A Portrait by Ariosto
128(14)
Chapter 6 Grace and Labour: Michelangelo Buonarroti and Vittoria Colonna
142(39)
Michelangelo's `Most Graceful Grace'
143(5)
The Achievement of Grace
148(12)
God-Given Grace
160(21)
Conclusion 181(8)
Notes 189(32)
Bibliography 221(16)
Index 237
Ita Mac Carthy is associate professor of Italian and translation studies in the School of Modern Languages and Cultures at Durham University. Her books include Cognitive Confusions: Dreams, Delusions and Illusions in Early Modern Culture, Renaissance Keywords, and Women and the Making of Poetry in Ariosto's "Orlando furioso".