A member of Korea's Art Informel branch alongside Kim Tschang-yeul, Ha infused Zen Buddhism and traditional folk painting into his spiritually charged compositions
Drawing from traditional Korean aesthetics and Buddhist philosophy, Ha In-Doo (1930–89) developed a a unique form of geometric, nonformal abstraction that opened new horizons for Korean abstract art. Featuring archival materials and photographs of his studio, this eponymous monograph offers an intimate glimpse into the artist's creative environment.
