Incorporating vernacular materials and techniques into her opulent sculptures, Yang offers both homage to and critique of the move toward Western singular domination
Published with Nasher Sculpture Center.
Over the past three decades, Korean artist Haegue Yang (born 1971) has developed a prolific body of work that folds quotidian objects and folk traditions into the canon of contemporary sculpture. Lost Lands and Sunken Fields documents Yang's 2025 solo exhibition at the Nasher Sculpture Center.
