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Handbook for Sound Engineers 6th edition [Kõva köide]

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  • Formaat: Hardback, 32 pages, kõrgus x laius: 235x191 mm, kaal: 453 g, 190 Tables, black and white; 1406 Line drawings, black and white; 370 Halftones, black and white; 1776 Illustrations, black and white
  • Sari: Audio Engineering Society Presents
  • Ilmumisaeg: 25-Nov-2025
  • Kirjastus: Focal Press
  • ISBN-10: 1032553448
  • ISBN-13: 9781032553443
Teised raamatud teemal:
Handbook for Sound Engineers 6th edition
  • Formaat: Hardback, 32 pages, kõrgus x laius: 235x191 mm, kaal: 453 g, 190 Tables, black and white; 1406 Line drawings, black and white; 370 Halftones, black and white; 1776 Illustrations, black and white
  • Sari: Audio Engineering Society Presents
  • Ilmumisaeg: 25-Nov-2025
  • Kirjastus: Focal Press
  • ISBN-10: 1032553448
  • ISBN-13: 9781032553443
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781032553443.html
Märksõnad:
"Handbook for Sound Engineers is the most comprehensive reference available for audio engineers, and is a must read for all who work in audio. This sixth edition has been thoroughly revised and updated to reflect changes in the industry, and includes nine new chapters on networked audio, sound system design, sound system verification, emergency sound and communication systems, assisted listening systems, sound masking, cinema sound, theater sound, and sound for touring systems. The handbook features contributions from many of the top professionals in the field, with this new edition now incorporating chapters by Brian Christ, Aaron Johnson, John Loufik, Dr. Heather Malyuk, Rob Miller, Dan Mead, Ray Nardelli, Tom Ruhling, Dale Shirk, Hadi Sumoro, Xian Yu,Dr. Stefan Weinzierl, and Harry Witz. The chapters cover an extensive range of topics, from audio and acoustic DNA, MIDI, audio transformers, grounding and interfacing, room-acoustical fundamentals for auditoriums and concert halls, and speech intelligibility, to microphones, resistors, capacitors, inductors, tubes, solid state devices, wire and cable, and power supplies. Covering everything from historical perspectives to modern technologies, Handbook for Sound Engineers is an essential text for seriousaudio and acoustic engineers"--

Handbook for Sound Engineers is the most comprehensive reference available for audio engineers, and is a must read for all who work in audio. This sixth edition has been thoroughly revised and updated to reflect changes in the industry, and includes nine new chapters on networked audio, sound system design, sound system verification, emergency sound and communication systems, assisted listening systems, sound masking, cinema sound, theater sound, and sound for touring systems.

The handbook features contributions from many of the top professionals in the field, with this new edition now incorporating chapters by Brian Christ, Aaron Johnson, John Loufik, Dr. Heather Malyuk, Rob Miller, Dan Mead, Ray Nardelli, Tom Ruhling, Dale Shirk, Hadi Sumoro, Xian Yu, Dr. Stefan Weinzierl, and Harry Witz. The chapters cover an extensive range of topics, from audio and acoustic DNA, MIDI, audio transformers, grounding and interfacing, room-acoustical fundamentals for auditoriums and concert halls, and speech intelligibility, to microphones, resistors, capacitors, inductors, tubes, solid state devices, wire and cable, and power supplies.

Covering everything from historical perspectives to modern technologies, Handbook for Sound Engineers is an essential text for serious audio and acoustic engineers.



Handbook for Sound Engineers is the most comprehensive reference available for audio engineers, and is a must read for all who work in audio. This sixth edition has been thoroughly revised and updated to reflect changes in the industry, and includes nine new chapters on topics such as networked audio and sound system design.

Part 1: Acoustics
1. Audio and Acoustic DNA-Past and Present
2.
Fundamentals of Audio and Acoustics
3. Small Room Acoustics
4. Acoustical
Noise Control
5. Acoustical Treatment for Indoor Areas
6. Room-Acoustical
Fundamentals for Auditoriums and Concert Halls
7. Worship Styles in the
Christian Church Part 2: Perception
8. Psychoacoustics
9. Hearing
Physiology-Disorders - Conservation
10. Subjective Methods for Evaluating
Sound Quality Part 3: Electroacoustic Devices
11. Microphones
12.
Loudspeakers
13. Arraying Loudspeakers Part 4: Electronic Components
14.
Resistors, Capacitors, and Inductors
15. Audio Transformers
16. Tubes,
Discrete Solid State Devices, and Integrated Circuits
17. Transmission
Techniques: Wire and Cable
18. Transmission Techniques: Fiber Optics Part 5:
Electronic Audio Circuits and Equipment
19. Ac and Dc Power Supplies and
Power Distribution Safety
20. Attenuators
21. Consoles, DAWs, and Metering
22. Amplifier Design Part 6: Recording and Playback
23. Analog Recording: A
Historical Perspective
24. Optical Disc Formats for Audio Reproduction and
Recording
25. MIDI Part 7: Systems Design
26. Acoustical Modeling and
Auralization
27. Grounding and Interfacing
28. Sound System Design
29. Sound
System Verification
30. Networked Audio
31. Computer-Aided Sound System
Design
32. Speech Intelligibility Part 8: Applications
33. Fundamentals of
Cinema Sound
34. Sound for the Theater
35. Stadiums and Outdoor Venues
36.
Preparing and Designing PA Systems for Touring
37. Sound Masking Systems
38.
Emergency Sound and Communication Systems
39. Personal Monitor Systems
40.
Assistive Listening Systems and Devices
41. Intercoms Part 9: Measurements
42. Test and Measurement
43. Fundamentals and Units of Measurement
Glen Ballou is the editor of the 1st5th editions, and co-editor with Doug Jones for the 6th edition, of the Handbook for Sound Engineers and has authored many of the chapters in all six editions. He has authored many articles in sound magazines including S&VC, Church Production, Audio, Sound and Communications, Broadcast Engineering, Journal of the AES, and The Electrical Engineering Handbook. He is a member of the AES, and past Governor and Chairman of the AES Convention.

Douglas "Doug" Jones, MA, was the founding chairman of the Department of Audio Arts and Acoustics at Columbia College Chicago, where he taught for over 30 years and retired as Associate Professor of Acoustics Emeritus in 2013. He contributed to multiple editions of the Handbook for Sound Engineers and authored Sound of Worship (Focal Press 2010). Currently, he is the Principal Consultant at DRJAcoustics LLC and VP of Engineering at Sound Specialty Co. He is a member of AES and ASA.