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Herbert Bayer, Graphic Designer: From the Bauhaus to Berlin, 19211938 [Pehme köide]

(Universität Erfurt, Germany)
  • Formaat: Paperback / softback, 336 pages, kõrgus x laius x paksus: 306x240x242 mm, kaal: 540 g, 32 colour and 100 bw illus
  • Sari: Visual Cultures and German Contexts
  • Ilmumisaeg: 10-Jul-2025
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 1350229717
  • ISBN-13: 9781350229716
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  • Formaat: Paperback / softback, 336 pages, kõrgus x laius x paksus: 306x240x242 mm, kaal: 540 g, 32 colour and 100 bw illus
  • Sari: Visual Cultures and German Contexts
  • Ilmumisaeg: 10-Jul-2025
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 1350229717
  • ISBN-13: 9781350229716
Herbert Bayer was one of the most extraordinary artists associated with the Bauhaus school. A true multimedia artist, he united graphic design, art, and architecture in a unique style that came to represent the bold aesthetic approach of the movement. A teacher with the school until 1928, Bayer went on to become a highly successful graphic designer in Germany, and later one of the most prominent figures in the 20th-century art scene of the United States.

This broad biographical account, which presents previously unseen archival photographs and episodes from the life of Bayer and other influential Bauhaus artists such as Walter Gropius, Marcel Breuer and László Moholy-Nagy, follows Bayer through the Weimar Republic, Nazi Germany and finally to his exile in the United States. Shining a light on Bayers time in Berlin during the Weimar Republic, and his route out of the Nazi state, Rössler provides rich new insights into how Bauhaus artists navigated a protracted period of social upheaval and dictatorship, where commercial success was fraught with a deep hostility towards the regime and the temptations of emigration.

Revealing the tensions of an avant-garde artist struggling to practice during a period of repression, Herbert Bayer, Graphic Designer speaks to both the memory of those who left Nazi Germany, but also the perseverance of artists and intellectuals throughout history who have worked under authoritarian regimes. Drawing on never before interpreted documents, letters and archival material, Rössler tells Bayers compelling story documenting the life of a unique artist and offering a valuable contribution to research in émigré experiences.

Arvustused

With access to never-before-seen materials, Rössler includes documents, diaries and intimate letters from both Bayers first wife, Irene Bayer-Hecht, and his lover, Ise Gropius [ ] Rather than a sweeping indictment of Bayers pragmatism, Rössler takes a nuanced approach to an artists dilemma and the choices made for survival in a turbulent political landscape. * Communication Arts * Shining a new light on the life and work of Herbert Bayer, this insightful book makes a vital contribution to our understanding of modernism and the 20th century events that shaped its practitioners, and how this extraordinary designer navigated those complex times. * Robin Schuldenfrei, Reader in 20th Century Modernism, The Courtauld Institute of Art, University of London, UK * Extensively researched, Rösslers lively text analyzes Bayers artistic, personal, and political journey from the Bauhaus to the US and hits issues head onaddressing difficult questions regarding history, emigration, politics, and biography * Gwen F. Chanzit, Curator Emerita, Denver Art Museum, and Professor Emerita, University of Denver, USA * Gorgeously illustrated and rigorously researched, this book lays bare the crucial missing decade in the life and work of this innovative, influential, and often misunderstood artist. Patrick Rösslers engaging and unflinching account is a must read for anyone interested in design history and the contradictions of creative life in Nazi Berlin. * Elizabeth Otto, Professor of Modern & Contemporary Art History, the University at Buffalo (SUNY), USA *

Muu info

An engaging biography of Bauhaus master and leading graphic designer Herbert Bayer, covering his time in the Weimar Republic and Nazi Germany, as well as his escape to the USA.
List of Illustrations
A Short Bayer Timeline

Introduction: Herbert Bayers Lost Decade
Part One: Formative Experiences How an Apprentice from Linz Became a Junior
Master at the Bauhaus
1. Youth: Family, Friends, and Companions
2. Irene Hecht and Herbert Bayer: A Fateful Relationship
3. Intimate Friendships: Bayers Work and Life at the Bauhaus
4. Sturm und Drang: Life in Berlin
5. Ise Gropius and the Summer of 1932

Part Two: A Commercial Artist in Nazi Germany
6. Working for Dorland Advertising Agency in Berlin
7. Designs for Propaganda
8. Good Life in Berlin
9. Loyal Bauhaus Circles

Part Three: The Path to Emigration
10. The Last Person Left Behind in Berlin
11. Trial Run: The London Gallery Exhibition
12. Dress Rehearsal: Summer Excursion to the United States
13. A Well-Considered Departure

Part Four: A New Life: Bayer in the Land of Opportunity
14. Bayers New Start in the US: The Bauhaus at MoMA
15. Difficult Beginnings: Bayers First Eight Years in the US

Epilogue: Bayer in Berlin, or: A Life in an Echo Chamber

Notes
Bibliography
Index
Patrick Rössler is Professor of Empirical Communication Research and Methods at the University of Erfurt, Germany. He is author of The Bauhaus and Public Relations (2014), and with Elizabeth Otto, he co-edited Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernisms Legendary Art School (2019). He was recipient of the Justus Bier Prize for German curators of 20th and 21st-century art for the exhibition "Bauhaus and National Socialism" (Weimar 2024).