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History of British Art, Volume 1: 600-1600, Volume 1 [Kõva köide]

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Edited by , Edited by (Durning-Lawrence Professor of the History of Art, University College London)
  • Formaat: Hardback, 296 pages, kõrgus x laius x paksus: 298x235x30 mm, kaal: 1837 g, 152 color illus.
  • Ilmumisaeg: 13-Jan-2009
  • Kirjastus: Yale Center for British Art
  • ISBN-10: 0300116705
  • ISBN-13: 9780300116700
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History of British Art, Volume 1: 600-1600, Volume 1Suurem pilt
  • Formaat: Hardback, 296 pages, kõrgus x laius x paksus: 298x235x30 mm, kaal: 1837 g, 152 color illus.
  • Ilmumisaeg: 13-Jan-2009
  • Kirjastus: Yale Center for British Art
  • ISBN-10: 0300116705
  • ISBN-13: 9780300116700
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780300116700.html
Märksõnad:
Drawing upon the latest discoveries and research, leading scholars unravel the complex stories behind the phenomenal artistic activity of the Middle Ages and into the Reformation across all media, including painting, sculpture, architecture, book illumination, frescoes, embroidery, printing, carving, and stained glass.
Acknowledgements 9(1)
Contributors 10(1)
Foreword 11(2)
Stephen Deuchar
Amy Meyers
Introduction to The History of British Art series 13(3)
David Bindman
Introduction to The History of British Art 600-1600 16(3)
Tim Ayers
Ideas and Images of Britain 600-1600
19(34)
Jane Geddes
IN FOCUS
Art at Sutton Hoo
44(2)
Jane Hawkes
The Bayeux Tapestry
46(2)
Richard Gameson
Durham Cathedral
48(2)
Richard Plant
The Wilton Diptych
50(3)
Dillian Gordon
British Art and the Continent
53(28)
Ute Engel
In Focus
The Winchester Bible
68(2)
Claire Donovan
Canterbury Cathedral and the Cult of Thomas Becket
70(2)
Nicola Coldstream
Lincoln Cathedral
72(2)
Nicola Coldstream
The Westminster Retable
74(2)
Paul Binski
An Alabaster Altarpiece of St George
76(2)
Samantha Riches
The Trinity Altarpiece
78(3)
Rosalind K. Marshall
The Patronage of the Church and its Purposes
81(34)
Julian Luxford
In Focus
Westminster Abbey
106(2)
Nicola Coldstream
The Beauchamp Chapel, Warwick
108(2)
Linda Monckton
Norwich Blackfriars
110(2)
Linda Monckton
Holy Trinity, Long Melford, Suffolk
112(3)
Anna Eavis
Patronage, Function and Display: The Secular World
115(26)
John A.A. Goodall
In Focus
Picturing Romance
136(1)
Alixe Bovey
Stirling Castle and the Architecture of Scottish Kingship in the Late Middle Ages
137(1)
Richard Fawcett
Death, Art and Memory at Cobham, Kent
138(3)
Nigel Saul
The `Artist': Institutions, Training and Status
141(34)
Phillip Lindley
In Focus
The Lambeth Apocalypse
166(2)
Nigel Morgan
English Medieval Embroidery
168(2)
Kay Staniland
John Thornton of Coventry
170(2)
Heather Gilderdale Scott
English Precious Metalwork in the Late Middle Ages
172(3)
Marian Campbell
Signs of the Cross: Medieval Religious Images and the Interpretation of Scripture
175(28)
Jennifer O'Reilly
In Focus
The Lindisfarne Gospels
198(2)
Jane Hawkes
Medieval Wall Painting of The Doom, Holy Trinity Church, Coventry
200(3)
Miriam Gill
Monsters and Margins: Representing Difference
203(28)
Robert Mills
In Focus
The Hereford World Map
226(2)
Tim Ayers
The Macclesfield Psalter
228(3)
Stella Panayotova
Art and the Reformation
231(16)
Maurice Howard
In Focus
The Printed Image
242(2)
Tara Hamling
Hardwick Hall
244(3)
Nicholas Cooper
Perceptions of British Medieval Art
247(14)
Alexandrina Buchanan
Notes 261(9)
Bibliography 270(14)
Timeline 284(3)
Map 287(1)
Glossary 288(1)
Index 289(6)
Photographic Credits 295
Tim Ayers is a lecturer in the history of art and a member of the Centre for Medieval Studies at the University of York. David Bindman is Emeritus Professor of the History of Art, University College London.