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Hopper & Cape Ann: Illuminating an American Landscape [Kõva köide]

  • Formaat: Hardback, 208 pages, kõrgus x laius: 254x279 mm, 175 Colour illustations
  • Ilmumisaeg: 02-May-2023
  • Kirjastus: Rizzoli International Publications
  • ISBN-10: 0847899349
  • ISBN-13: 9780847899340
  • Formaat: Hardback, 208 pages, kõrgus x laius: 254x279 mm, 175 Colour illustations
  • Ilmumisaeg: 02-May-2023
  • Kirjastus: Rizzoli International Publications
  • ISBN-10: 0847899349
  • ISBN-13: 9780847899340
A fresh look at one of America’s best-known and beloved artists at a pivotal but little-known moment in his life that profoundly shaped both his art and career.

Edward Hopper & Cape Ann tells the largely ignored but significant origin story of Edward Hopper’s years in and around Gloucester, Massachusetts—a period and place that imbued Hopper’s paintings with a clarity and purpose that had eluded his earlier work. This volume focuses on summers Hopper spent there in the 1920s, starting in 1923, when he first embraced watercolor during outdoor painting excursions on Cape Ann and discovered one of his favorite subjects: houses and vernacular architecture. The success of Hopper’s Gloucester watercolors transformed his work in all media and set the stage for his monumental career.

Accompanying a major retrospective at the Cape Ann Museum, including an unprecedented loan of twenty-eight works from the Whitney Museum of American Art, this highly readable and beautifully illustrated volume reveals in great depth the lesser-known story about the influence of a young painter, Josephine Nivison, who became not only Hopper’s wife but also the most trusted force underlying his artistic confidence. Here she is recast as principal producer of Hopper’s distinctive style and his “brand” visionary from the time of their courtship until his death in 1967.

Arvustused

"A lavishly produced catalogue, the text thoroughly researched and beautifully written by Elliot Bostwick Davis (a former head of American art at the Museum of Fine Arts, Boston). If you cant go, the book will do nicely. But the show is worth traveling to see." The Washington Post

"This once-in-a-generation exhibition, and the accompanying 224-page catalog being published by Rizzoli Electa, are curated by nationally recognized curator and former museum director Elliot Bostwick Davis, PhD. 'Despite painting in Gloucester in 1912 and in Maine for six more summers, Hopper initially struggled to find a distinctive artistic voice,' writes Davis. 'Hopper understood that Gloucester, familiar from his earlier trip in 1912, was perhaps his last chance to make a name for himself as a painter at the age of 41. By 1923, he was supporting himself as an illustrator and etcher; his only painting sale had occurred over a decade earlier.'" AUCTION CENTRAL NEWS

Director's Foreword 7(2)
Chapter One Opposites Attract: Edward Hopper And Josephine Nivison Meet In Gloucester In 1923
9(14)
Chapter Two The Art Student (Miss Josephine Nivison)
23(10)
Chapter Three The Brotherhood Of Brushstroke: Edward Hopper Struggles To Find His Style
33(20)
Chapter Four The Sketch Hunters: Hopper And Nivison In Gloucester In 1923
53(22)
Chapter Five Brooklyn Museum Debut And The Way Forward
75(10)
Chapter Six Gloucester Honeymoon, 1924
85(20)
Chapter Seven Creative Union As Husband And Wife
105(10)
Chapter Eight Gloucester Beckons In The Summer Of 1926
115(20)
Chapter Nine Edward And Jo Explore Cape Ann: Gloucester, Summer Of 1928
135(32)
Chapter Ten Gloucester Aftermath
167(14)
Chapter Eleven Producing Edward Hopper
181(16)
Chapter Twelve Coda: The Lesser And Unknown Painter
197(4)
Notes 201(7)
Map Hopper Painting Sites On Cape Ann 208(2)
Illustrations Catalogue Checklist And Figure Credits 210(7)
Select Bibliography 217(4)
Acknowledgments 221
Elliot Bostwick Davis was a curator at the Metropolitan Museum of Art and the MFA, Boston, as well as a museum director. She is also a scholar and writer with a focus on the careers of artists Winslow Homer, Edward Hopper, and Jamie Wyeth.