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Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018 [Pehme köide]

  • Formaat: Paperback / softback, 400 pages, kõrgus x laius x paksus: 208x139x32 mm, kaal: 400 g
  • Ilmumisaeg: 12-May-2020
  • Kirjastus: Abrams Press
  • ISBN-10: 1419735268
  • ISBN-13: 9781419735264
Teised raamatud teemal:
  • Formaat: Paperback / softback, 400 pages, kõrgus x laius x paksus: 208x139x32 mm, kaal: 400 g
  • Ilmumisaeg: 12-May-2020
  • Kirjastus: Abrams Press
  • ISBN-10: 1419735268
  • ISBN-13: 9781419735264
Teised raamatud teemal:
Hot Cold Heavy Light collects 100 writings&;some long, some short&;that taken together forma group portrait of many of the world&;s most significant and interesting artists. From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader&;s experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book.

Arvustused

Peter Schjeldahl is a great artist. . . . His specialty is the searching, summative essay of a few pages on a single artist. . . I know that art is only a small part of living, but its also true that there are people whose makeshift faith lies in the best things human beings have made. Schjeldahl grants those artifacts a corresponding dignity, with all the meaning we knew they had but could not describe ourselves. Its astonishing; it astonishes. -- Charles Finch * The New York Times * This is a rapturous read for art lovers and all who appreciate dynamic critical essays. * Booklist * Bruce is no longer The Boss; Peter Schjeldahl is! Hot, Cold, Heavy, Light is the apex of artistic criticism and commentary. -- Steve Martin The great New Yorker art critic writes like an angel about everyone from Vermeer to Picasso, Donatello to Andy Warhol, in beautiful, enjoyable, accessible essays across 30 years. * Philadelphia Inquirer *

Introduction: Seeing as a Contact Sport 1(7)
Jarrett Earnest
PART I HOT & COLD HOT
Andy Warhol
8(4)
Willem De Kooning
12(4)
"Women"
16(3)
Willem De Kooning
Jean Dubuffet
Arshile Gorky
19(4)
Two By Rembrandt
23(2)
Zurbaran's Citrons
25(4)
Velazquez
29(4)
Courbet
33(3)
Jackson Pollock
36(2)
Jean-Michel Basquiat
38(3)
Anselm Kiefer at Moma
41(3)
Otto Dix
44(4)
Picasso and the Weeping Women
48(3)
Henri De Toulouse-Lautrec
51(3)
Jane Dickson / Karen Finley
54(4)
Keith Haring, 1958--1990
58(1)
Ree Morton
59(3)
Helio Oiticica
62(4)
Elizabeth Murray
66(1)
Elizabeth Peyton
67(1)
Bronzino
68(4)
A Van Gogh Portrait
72(3)
Kerry James Marshall
75(4)
Henri Matisse I
79(3)
Henri Matisse II
82(5)
COLD
Andy Warhol's Grave
87(3)
Baltic Views
90(4)
Caspar David Friedrich
94(3)
Joseph Beuys
97(3)
Anselm Kiefer at Gagosian
100(3)
Sigmar Polke
103(3)
Martin Kippenberger
106(3)
Urs Fischer
109(1)
Shepard Fairey
110(4)
Frederic Remington
114(4)
Christopher Wool
118(4)
Weegee
122(3)
Adolescents
125(3)
Mark Morrisroe
128(3)
Louise Lawler and Institutional Critique
131(4)
Pictures
135(4)
Jenny Holzer
139(2)
A Theft in Norway
141(3)
Judith Leyster
144(4)
Lucian Freud
148(3)
Francis Bacon
151(5)
Edgar Degas
156(3)
Luc Tuymans
159(4)
Peter Doig
163(1)
Laura Owens: A Profile
164(14)
Goya
178(4)
PART II HEAVY & LIGHT HEAVY
Berlin, 1989
182(2)
Removal of the Tilted Arc
184(2)
Concrete and Scott Burton
186(4)
Picasso Sculpture
190(4)
Donatello
194(2)
Augustus Saint-Gaudens
196(4)
The Greeks
200(3)
Charles Ray
203(1)
Bruce Nauman
204(3)
Rachel Harrison: A Profile
207(12)
Thomas Hirschhorn
219(4)
Jay Defeo
223(4)
Alice Neel
227(4)
Philip Guston
231(3)
Martin Luther
234(5)
The Ghent Altarpiece
239(13)
Giorgio Morandi
252(4)
Piet Mondrian
256(3)
Mantegna
259(3)
Young Rembrandt
262(2)
Clement Greenberg, 1909--1994
264(4)
Leo Castelli
268(11)
Cindy Sherman at Metro Pictures
279(3)
Cindy Sherman at Moma
282(4)
Jeff Koons: Sympathy for the Devil
286(6)
Light Fireworks
292(3)
Felix Gonzalez-Torres
295(3)
Piero Della Francesca
298(5)
Giovanni Bellini
303(1)
Agnes Martin
304(4)
Vermeer
308(4)
Peter Hujar
312(4)
Henri Cartier-Bresson
316(5)
Helen Levitt
321(3)
Thomas Struth
324(3)
Mother Love (Whistler)
327(4)
Karen Kilimnik
331(3)
David Hockney
334(2)
Frans Hals
336(4)
The Auctions
340(1)
Market Value
341(3)
Fakery
344(3)
Marcel Broodthaers
347(4)
Marcel Duchamp and Man Ray
351(3)
Mughal Paintings and Andrew Wyeth
354(3)
Florine Stettheimer
357(4)
Albert Oehlen
361(4)
Bill Traylor
365(4)
Abstraction
369(5)
Credo: The Critic as Artist 374(9)
Acknowledging 383(2)
Index 385
Peter Schjeldahl has been the art critic for the New Yorker since 1998. Prior to that, he wrote art criticism for Seven Days and the Village Voice. A poet as well as a critic, he was the recipient of the 2008 Clark Prize for Excellence in Art Writing. He lives in New York City. Jarrett Earnest is the author of What It Means to Write About Art: Interviews with Art Critics (2018). A frequent lecturer on contemporary art, he lives in New York City.