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Ibsen in Context [Pehme köide]

Edited by (Universitetet i Oslo), Edited by
  • Formaat: Paperback / softback, 328 pages, kõrgus x laius x paksus: 229x152x18 mm, kaal: 476 g, Worked examples or Exercises
  • Sari: Literature in Context
  • Ilmumisaeg: 19-Feb-2026
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1108434738
  • ISBN-13: 9781108434737
  • Formaat: Paperback / softback, 328 pages, kõrgus x laius x paksus: 229x152x18 mm, kaal: 476 g, Worked examples or Exercises
  • Sari: Literature in Context
  • Ilmumisaeg: 19-Feb-2026
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1108434738
  • ISBN-13: 9781108434737
Henrik Ibsen, the 'Father of Modern Drama', came from a seemingly inauspicious background. What are the key contexts for understanding his appearance on the world stage? This collection provides thirty contributions from leading scholars in theatre studies, literary studies, book history, philosophy, music, and history, offering a rich interdisciplinary understanding of Ibsen's work, with chapters ranging across cultural and aesthetic contexts including feminism, scientific discovery, genre, publishing, music, and the visual arts. The book ends by charting Ibsen's ongoing globalization and gives valuable overviews of major trends within Ibsen studies. Accessibly written, while drawing on the most recent scholarship, Ibsen in Context provides unique access to Ibsen the man, his works, and their afterlives across the world.

Arvustused

'The volume is a fine complement to The Cambridge Companion to Ibsen, ed. by James McFarlane, and it joins a recent spate of titles on the genius progenitor of realism on the modern stage Highly recommended.' H. I. Einsohn, Choice Magazine

Muu info

Ibsen in Context provides an unparalleled wealth of material on Ibsen's life, career, works and afterlives.
Preface; Acknowledgements; Note on the text; Chronology; Part I. Life
and Career:
1. Early years in Norway Narve Fulsås;
2. From theatre to book
Narve Fulsås;
3. Bourgeois drama Narve Fulsås; Part II. Culture and Society:
4. Genres Mads B. Claudi;
5. Realism Derek Miller;
6. Theatre Julie Holledge;
7. Visual arts Toril Moi;
8. Music Daniel M. Grimley;
9. Philosophy Kristin
Gjesdal;
10. Science Kirsten Shepherd-Barr;
11. Feminism Toril Moi;
12.
Capitalism Alisa Zhulina; Part III. Scandinavian Reception:
13. The Ibsen
book Kamilla Aslaksen;
14. Publishing and readerships Henning Hansen and
Maria Purtoft;
15. Criticism Ståle Dingstad;
16. Celebrity Peter Larsen; Part
IV. Internationalization:
17. Copyright Giuliano D'Amico;
18. Censorship Tore
Rem;
19. German reception Ruth Schor;
20. British reception Tore Rem;
21.
French reception Kirsten Shepherd-Barr;
22. Parodies Mark B. Sandberg;
23.
Early globalization Julie Holledge; Part V. Afterlives:
24. Biography Ståle
Dingstad;
25. Academic responses Erik Bjerck Hagen;
26. American Ibsens Dean
Krouk;
27. Japanese Ibsens Reiko Abe Auestad;
28. Chinese Ibsens Chengzhou
He;
29. Indian Ibsens Krishna Sen;
30. Mass media and popular reception Ellen
Rees; Further reading; Index.
Narve Fulsås is Professor of Modern History in the Department of Archaeology, History and Religious Studies at the University of Tromsø the Arctic University of Norway. He has published on Norwegian cultural and intellectual history in the nineteenth and twentieth centuries. The author of the introduction and notes to the critical edition of Ibsen's letters published in Henrik Ibsens skrifter (20052010, 4 vols.), he is also the co-author (with Tore Rem) of Ibsen, Scandinavia and the Making of a World Drama (Cambridge, 2018). Tore Rem is Professor of English literature and the Director of the interdisciplinary research initiative UiO: Nordic at the University of Oslo. He has published on Victorian literature, book history and the early English language appropriations of Ibsen and has been head of the board of the Centre for Ibsen Studies. He is editor of the new Penguin Classics Ibsen (201419, 4 vols.) and the co-author (with Narve Fulsås) of Ibsen, Scandinavia and the Making of a World Drama (Cambridge, 2018).