| Preface: A Theory of the Image in Light of the Notion of Invention, a Theory of Invention in Light of the Notion of the Image |
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ix | |
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IMAGINATION AND INVENTION |
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| Preamble |
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3 | (4) |
| Introduction |
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7 | (1) |
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A The Image as Intermediary Reality between Object and Subject, Concrete and Abstract, Past and Future |
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7 | (11) |
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7 | (2) |
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9 | (6) |
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15 | (3) |
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B The Hypothesis of the Genetic Dynamism of the Image: Phases and Levels |
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18 | (6) |
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C The Fields of Application of the Notion of Genetic Cycle of the Image; the Image Exterior to the Individual |
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24 | (5) |
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1 Synchronization with the Circadian Rhythm |
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24 | (1) |
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2 Life as Cycle of the Genesis of Images |
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25 | (1) |
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3 Imagination and the Seasons |
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26 | (1) |
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4 The Cycle of Images and the Becoming of Civilizations |
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26 | (3) |
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Part I The Motor Content of Images: The Image Prior to the Experience of the Object |
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29 | (34) |
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A Biological Givens: How Motricity Precedes Sensoriality |
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29 | (12) |
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1 The Phylogenetic Aspect: The Development of Motricity Precedes that of Sensoriality; Virtualization |
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29 | (2) |
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2 The Action System as Ontogenetic Basis of Motor Images |
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31 | (1) |
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3 Hereditary Coordinations of Actions in Motor Images |
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32 | (3) |
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4 Spontaneity of Motor Anticipations during Ontogenesis |
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35 | (3) |
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5 Motor Images and Imitation: Phenomena of Sympathetic Induction |
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38 | (1) |
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6 Inherence of Motor Images in the Body Schema |
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39 | (2) |
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B Images in States of Expectation and Anticipation |
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41 | (15) |
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1 Phobias and Compulsive Exaggerations: The Amplifying Character of States of Expectation |
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42 | (3) |
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2 Particular Aspects of Images in a State of Fear; Doubling |
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45 | (2) |
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3 The Image in Positive States of Expectation |
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47 | (2) |
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4 Anticipation Images in Mixed States: The Marvelous as Category of Mixed Anticipation |
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49 | (7) |
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C Intuition as Pure a priori Image, Principle of Reflective Knowledge |
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56 | (7) |
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1 The Projection Schema in Platonism; the Role of Intuition |
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56 | (2) |
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2 Procession and Conversion |
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58 | (1) |
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3 The Intuition of the Moving and the Knowledge of Creative Evolution |
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59 | (4) |
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Part II The Cognitive Content of Images: Image and Perception |
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63 | (30) |
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A Biological Givens of Perceptual Functions |
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63 | (11) |
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1 Primary Biological Categories and Secondary Psychical Categories: The Role of the Milieu Organized as Territory |
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63 | (1) |
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2 The Image as Immediate Anticipation in the Identification of the Object: Image and Concept |
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64 | (3) |
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3 The Particular Characters of Images in Instinctual Perceptions Depending on Species: Social Aspects |
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67 | (4) |
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4 The Role of the Intra-perceptual Image in Choice; Victimology and Depth Psychology |
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71 | (3) |
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B The Role of the Intra-perceptual Image in Information Gathering |
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74 | (7) |
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1 The Role of the Intra-perceptual Image in Object Identification: Perceptual Constancy and Adaptation |
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74 | (3) |
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2 The Image in Differential Perception |
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77 | (3) |
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3 The Role of the Image in Adaptation to Change: Perception of Derivation |
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80 | (1) |
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C The Intra-perceptual Image in the Perception of Shapes: Geometrical Images |
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81 | (12) |
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1 Subjective Contour and Associated Image |
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81 | (2) |
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83 | (1) |
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3 The Image as Singularity or Privileged System of Perceptual Compatibility among Orders of Magnitude |
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84 | (9) |
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a Singularities Are More Pregnant Than Regularities |
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85 | (2) |
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b Geometrical Shapes May Become Pregnant through Their Mutual Relationships |
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87 | (1) |
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c The Intra-perceptual Image Is the Style Common to Texture and Configuration |
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87 | (6) |
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Part III The Affective-Emotional Content of Images: The a posteriori Image, or Symbol |
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93 | (46) |
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A The Level of Elementary Conditionings: Pragung and Critical Periods |
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93 | (8) |
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1 Imprinting (Pragung, Pregnation) |
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93 | (2) |
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2 The Human Aspects of Elementary Conditionings |
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95 | (1) |
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96 | (5) |
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B The Level of Psychic Processes: The Mental Image, the Symbol |
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101 | (24) |
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101 | (2) |
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2 Immediate Images and Eidetic Images |
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103 | (7) |
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3 Memory-Images; Notion of a Reproductive Imagination; "Imaginative Types"; Generic Images |
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110 | (15) |
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C The Imaginary as Organized World; Effigies and Symbol-Objects |
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125 | (14) |
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1 The Notion of the Imago; In What Way the Imago Is a Symbol |
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126 | (5) |
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131 | (8) |
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139 | (46) |
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A Elementary Invention; The Role of Free Activity in the Discovery of Mediations |
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139 | (13) |
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1 The Different Species of Compatibility; Detour, an Elementary Behavior |
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139 | (7) |
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146 | (5) |
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3 The Properties Common to Detour and Instrumental Mediation |
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151 | (1) |
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B Invention concerning Signs and Symbols |
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152 | (11) |
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1 Objective Metrological Formalization: From Technics to Science |
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152 | (4) |
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2 Subjective Formalizations (Normative and Artistic) |
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156 | (4) |
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3 Processes of Amplification in Formalization |
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160 | (3) |
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C Invention as the Production of a Created Object or of a Work |
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163 | (22) |
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1 The Creation of Technical Objects |
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164 | (14) |
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2 Other Categories of Created Objects, in Particular, the Aesthetic Object |
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178 | (7) |
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185 | (8) |
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185 | (1) |
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Implications of the Present Proposal |
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186 | (7) |
| Notes |
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193 | (8) |
| Bibliography |
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