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InDesign Type: Professional Typography with Adobe InDesign 3rd edition [Pehme köide]

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  • Formaat: Paperback / softback, 312 pages, kõrgus x laius x paksus: 100x100x100 mm, kaal: 100 g
  • Ilmumisaeg: 23-Apr-2019
  • Kirjastus: Adobe Press,U.S.
  • ISBN-10: 0321966953
  • ISBN-13: 9780321966957
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InDesign Type: Professional Typography with Adobe InDesign 3rd editionSuurem pilt
  • Formaat: Paperback / softback, 312 pages, kõrgus x laius x paksus: 100x100x100 mm, kaal: 100 g
  • Ilmumisaeg: 23-Apr-2019
  • Kirjastus: Adobe Press,U.S.
  • ISBN-10: 0321966953
  • ISBN-13: 9780321966957
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780321966957.html
Märksõnad:
Describes the typographic features of Adobe InDesign CS2.

Typography is the foundation of graphic design, and the most effective way to be a better designer is to understand type and use it confidently and creatively. This fully updated third edition is a comprehensive guide to creating professional type with Adobe InDesign. It covers micro and macro typography concepts, from understanding the nuance of a single spacing width to efficiently creating long and complex documents. Packed with visual examples, InDesign expert and acclaimed design instructor Nigel French shows not just how to use InDesign’s extensive type features, but why certain approaches are preferable to others, and how to avoid common mistakes. Whether you’re creating a single-page flyer or a thousand-page catalog, whether your documents will be printed or viewed on screen, InDesign Type is an invaluable resource for getting the most out of InDesign’s typographic toolset.

Foreword ix
Introduction x
Chapter 1 Getting Started
1(22)
Choosing Type
2(2)
Type Anatomy and Classification
4(8)
An InDesign Type Map: Where to Find the Type Stuff
12(6)
Viewing Your Page
18(3)
Creating a Typography Workspace
21(2)
Chapter 2 Getting Type on Your Page
23(22)
Creating Text Frames
24(2)
Text Flow
26(5)
Threading Text Frames
31(8)
Using the Story Editor
39(3)
Cleaning Up Text
42(3)
Chapter 3 Choosing Type
45(24)
Text Selection Methods
46(1)
Character Formatting
47(14)
Readability
61(3)
Legibility
64(1)
Readability for Screen Type
64(5)
Chapter 4 Leading
69(10)
Getting the Lead Out
70(4)
(Not) Using Auto Leading
74(3)
Keep It Consistent, Except...
77(2)
Chapter 5 Letterspacing, Tracking, and Kerning
79(14)
Letterspacing vs. Tracking
80(3)
Tracking vs. Kerning
83(6)
Kerning
89(4)
Chapter 6 Small (but Important) Details
93(18)
Typographer's Quotes
94(1)
Apostrophes
95(1)
Punctuation
95(1)
Dashes
96(1)
Ellipses
97(1)
End Marks
97(1)
Symbols
98(1)
White Space Characters
98(2)
The Glyphs Panel
100(2)
Unicode
102(2)
Ligatures, Diphthongs, and the Dotless i
104(2)
Ornaments
106(1)
Swash Characters
107(1)
Oldstyle Figures
107(1)
Contextual Alternates
108(1)
Titling Alternates
108(1)
Stylistic Sets
109(1)
Optical Sizes
109(2)
Chapter 7 Alignment
111(20)
Horizontal Alignment
112(1)
Left Alignment
113(1)
Justified Alignment (Justified with Last Line Aligned Left)
114(6)
Centering Type
120(1)
Right-Aligned Type
121(1)
Other Justification Options
122(1)
Combining Left and Right Alignment
123(2)
Optical Alignment and Hanging Punctuation
125(1)
Vertical Alignment
126(5)
Chapter 8 Paragraph Indents and Spacing
131(10)
First-Line Indents
132(1)
Hanging Indents
133(1)
Left and Right Indents
134(2)
Space Before and Space After
136(5)
Chapter 9 Breaking (and Not Breaking) Words, Lines, Paragraphs, and Pages
141(14)
Hyphenation
142(1)
Hyphenation Options
143(2)
Discretionary Hyphens and Nonbreaking Hyphens
145(1)
Hyphenation and User Dictionaries
146(2)
H&J Violations
148(1)
The No Break Attribute
148(3)
Break Characters
151(1)
Keep Options
152(3)
Chapter 10 Tables
155(14)
Table Aesthetics
156(2)
Creating a Table
158(4)
Table Selection Methods
162(1)
Working with Rows and Columns
163(2)
Working with Table Cells
165(1)
Other Table Considerations
166(3)
Chapter 11 Bullet and Number Lists
169(10)
Working with Lists
170(1)
Bullet Lists
170(2)
Numbered Lists
172(3)
Tabs
175(4)
Chapter 12 Drop Caps
179(12)
Creating a Simple Drop Cap
180(2)
Drop Cap Aesthetics
182(6)
Difficult Drop Caps
188(3)
Chapter 13 Combining Typefaces
191(8)
Things to Avoid
192(1)
Vive la Difference
192(2)
It's a Family Affair
194(1)
Go for Contrast
195(1)
From the Same Stable
196(1)
Historical Accuracy
196(1)
Combining Characteristics
197(2)
Chapter 14 Global Formatting with Styles
199(36)
Defining Our Terms
200(1)
Why Use Styles?
201(1)
[ Basic Paragraph]
201(1)
Creating Styles
202(1)
Applying Styles
203(3)
Editing Styles
206(1)
Loading Styles from Another Document
207(1)
Organizing Styles
207(3)
A Typical Style Sheet
210(2)
Character Styles
212(6)
Creating a Table of Contents
218(2)
Styles and EPUB Export
220(2)
Paragraph Rules
222(2)
Sequential Styles
224(2)
Nested Styles
226(4)
Object Styles
230(3)
Table and Cell Styles
233(2)
Chapter 15 Combining Type and Image
235(22)
Working with Text Wraps
236(1)
Applying Text Wraps
236(3)
Wrapping Type Around Irregularly Shaped Graphics
239(4)
Ignoring a Text Wrap
243(3)
Text Wraps in EPUBs
246(1)
Simple Type Effects
247(10)
Chapter 16 Pages, Margins, Columns, and Grids
257(32)
Setting Up the Document
258(4)
Digital Magazines and Page Size
262(5)
Know Your Intent: Setting Up Web and Digital Publishing Documents
267(1)
Setting Up Columns
268(4)
Working with Grids
272(12)
Page Numbers and Running Heads
284(5)
Appendix Type Checklist 289(5)
Index 294
With more than twenty years experience as a graphic designer, Nigel is keen to help design your book, magazine, poster, brochureor anything else you need designing. Nigel offers training and consulting to businesses and individuals wanting to use their software more effectively and creatively. He is author of two books published by Adobe Press.  Nigel lives in Brighton, England.