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Intrepide: Australian Women Artists in Early Twentieth-century France [Pehme köide]

  • Formaat: Paperback / softback, 288 pages, kõrgus x laius: 234x153 mm, Illustrations
  • Ilmumisaeg: 01-May-2020
  • Kirjastus: Monash University Publishing
  • ISBN-10: 1925523926
  • ISBN-13: 9781925523928
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  • Formaat: Paperback / softback, 288 pages, kõrgus x laius: 234x153 mm, Illustrations
  • Ilmumisaeg: 01-May-2020
  • Kirjastus: Monash University Publishing
  • ISBN-10: 1925523926
  • ISBN-13: 9781925523928
Teised raamatud teemal:
It is hard for us to imagine the oppressed lives of single women in the first half of the twentieth century. Yet a few Australian women took a leap into the unknown and carved careers for themselves in Paris. They studied, painted, and haunted galleries and salons. They had a little fun too, at social gatherings or at cafes in Montparnasse. They were brave, and very determined young ladies. They exhibited in the Paris Salons and in private galleries on the Left Bank, and received prizes and awards out ofall proportion to their numbers. They bought back home not only greatly enhanced skills but also Modernism, to a country that had barely heard of it. This book examines a selection of some of the best of them, including some who have been all-but forgotten. They were pioneers, role models, fine artists - and they have been neglected. Not any longer. Clem Gorman pioneered experimental theatre in Australia before working as an arts administrator in London. Nine of his plays have been staged professionally and he has written nine books of non-fiction. He has taught at universities in Australia and the US and now writes on the visual arts. Therese Gorman wrote stage plays in the 1970s with her late husband, and with her husband Clem has co-authored Sydney Harbour: A Guide from North Head to South Head and this book. She and Clem are currently working on a biography of Sydney artist Wendy Sharpe.

It is hard for us to imagine the oppressed lives of single women in the first half of the twentieth century. Yet a few Australian women took a leap into the unknown and carved careers for themselves in Paris. They studied, painted, and haunted galleries and salons. They had a little fun, too, at social gatherings or at cafes in Montparnasse. They were brave and very determined young ladies. They exhibited in the Paris Salons and in private galleries on the Left Bank, and received prizes and awards. They brought back home not only greatly enhanced skills, but also Modernism to a country that had barely heard of it. This book examines a selection of some of the best of them, including some who have been all-but-forgotten. They were pioneers, role models, fine artists&;and they have been neglected. Not any longer.
List of Plates
vii
Foreword xi
Wendy Sharpe
Acknowledgments xv
Introduction: Intrepid Women - The Wild Geese of Australian Art xvii
Chapter 1 Iso Rae: At Home in Two Worlds
1(6)
Chapter 2 Agnes Goodsir: A Witness to Paris
7(9)
Chapter 3 Marie Tuck: A Very Determined Artist
16(6)
Chapter 4 Bessie Gibson: A Safe Pair of Hands
22(6)
Chapter 5 Dora Meeson: Progressive Feminist, Traditional Artist
28(6)
Chapter 6 Alice Muskett: Multi-talented and Generous
34(3)
Chapter 7 Ethel Carrick: A Team Player
37(10)
Chapter 8 Ada May Plante: An Undervalued Talent
47(7)
Chapter 9 Margaret Preston: A Driven Woman
54(8)
Chapter 10 Kathleen O'Connor: A Solo Act
62(8)
Chapter 11 Anne Alison Greene: A Passion for Art and Teaching
70(5)
Chapter 12 Bessie Davidson: UneAustralienne Franfaise
75(8)
Chapter 13 Jessie Traill: A Comprehensive Vision
83(5)
Chapter 14 Gladys Reynell: Freedom and Dedication
88(6)
Chapter 15 Vida Lahey: A Pioneering Professional
94(8)
Chapter 16 Mary Cockburn Mercer: La Vie Bohhme
102(7)
Chapter 17 Janet Cumbrae Stewart: Trailblazer
109(7)
Chapter 18 Hilda Rix Nicholas: An Open-minded Traditionalist
116(10)
Chapter 19 Anne Dangar: Communard and Theorist
126(7)
Chapter 20 Evelyn Chapman: A Pioneer War Artist
133(6)
Chapter 21 Grace Crowley: A Major Australian Modernist
139(11)
Chapter 22 Dorrit Black: An Influential Convert to Modernism
150(8)
Chapter 23 Stella Bowen: Trie Symbiosis of Art and Life
158(7)
Chapter 24 Madge Freeman: A Steady Achiever
165(6)
Chapter 25 Constance Stokes: A Determined Career
171(10)
Chapter 26 Moya Dyring: Artist, and Artist's Friend
181(10)
Chapter 27 Betty Quelhurst: A Dedicated Artist and Teacher
191(5)
Chapter 28 Margaret Olley: A Lover of Life and Art
196(7)
Afterword 203(5)
Appendix: Featured Australian Women Artists in Australian Art Schools, 1880s to 1940s 208(2)
Notes 210(11)
Bibliography 221(10)
About the Authors 231