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Introduction to Digital Music with Python Programming: Learning Music with Code [Pehme köide]

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  • Formaat: Paperback / softback, 262 pages, kõrgus x laius: 229x152 mm, kaal: 860 g, 170 Tables, black and white; 76 Line drawings, black and white; 60 Halftones, black and white; 136 Illustrations, black and white
  • Ilmumisaeg: 23-Feb-2022
  • Kirjastus: CRC Press
  • ISBN-10: 0367470829
  • ISBN-13: 9780367470821
Teised raamatud teemal:
Introduction to Digital Music with Python Programming: Learning Music with CodeSuurem pilt
  • Formaat: Paperback / softback, 262 pages, kõrgus x laius: 229x152 mm, kaal: 860 g, 170 Tables, black and white; 76 Line drawings, black and white; 60 Halftones, black and white; 136 Illustrations, black and white
  • Ilmumisaeg: 23-Feb-2022
  • Kirjastus: CRC Press
  • ISBN-10: 0367470829
  • ISBN-13: 9780367470821
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780367470821.html
Märksõnad:
"Introduction to Digital Music with Python provides a foundation in music and code for the beginner and shows how coding empowers new forms of creative expression while simplifying and automating many of the tedious aspects of production and composition.With the help of online, interactive examples on Digital Audio Workstation (DAW) platforms called TunePad and EarSketch, this book covers the fundamentals of rhythm, chord structure and melodic composition alongside the basics of digital production. Eachnew concept is anchored in a real-world musical example that will have you making beats in a matter of minutes. Including core programming concepts such as loops, variables, lists and functions, Introduction to Digital Music with Python is designed for beginners of all backgrounds, requiring no previous experience with music or code, including undergraduates and aspiring professionals"--

Introduction to Digital Music with Python provides a foundation in music and code for the beginner and shows how coding empowers new forms of creative expression while simplifying and automating many of the tedious aspects of production and composition.

List of Figures

Foreword

Acknowledgements

Chapter 1: Why Music and Coding?

Interlude 1: Basic Pop Beat

Chapter 2:

 Rhythm and Tempo

Interlude 2: Custom Trap Beat

Chapter 3:

Pitch, Harmony, and Dissonance

Interlude 3: Melodies and Lists

Chapter 4:

 Chords

Interlude 4: Playing Chords

Chapter 5:

Scales, Keys, and Melody

Interlude 5: Lean on Me

Chapter 6:

Diatonic Chords and Progressions

Interlude 6: Random Chord progressions

Chapter 7:

 Frequency, Fourier, and Filters

Interlude 7: Creative Effects

Chapter 8:

 Note-Based Production Effects

Interlude 8: Drum Fills

Chapter 9:

Song Composition and EarSketch

Interlude 9: Snare Drum Riser

Chapter 10:

Modular Synthesis

Interlude 10: Drum Machine

Chapter 11:

History of Music and Computing

Appendix A:

Python Reference

Appendix B:

TunePad Reference

Appendix C:

Music Reference

Glossary

Index

Michael S. Horn is Associate Professor of Computer Science and Learning Sciences at Northwestern University in Evanston, Illinois, where he directs the Tangible Interaction Design and Learning (TIDAL) Lab.

Melanie West is a PhD student in Learning Sciences at Northwestern University and co-founder of Tiz Media Foundation, a nonprofit dedicated to empowering underrepresented youth through science, technology, engineering, and mathematics (STEM) programs.

Cameron Roberts is a software developer and musician living in Chicago. He holds degrees from Northwestern University in Music Performance and Computer Science.