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Introduction to Film Genres [Pehme köide]

, (Hobart and William Smith Colleges), (Virginia Tech University), (University of Illinois, Emeritus), (Vassar College)
  • Formaat: Paperback / softback, 624 pages, kõrgus x laius x paksus: 231x155x28 mm, kaal: 968 g
  • Ilmumisaeg: 23-Dec-2013
  • Kirjastus: WW Norton & Co
  • ISBN-10: 039393019X
  • ISBN-13: 9780393930191
Teised raamatud teemal:
  • Formaat: Paperback / softback, 624 pages, kõrgus x laius x paksus: 231x155x28 mm, kaal: 968 g
  • Ilmumisaeg: 23-Dec-2013
  • Kirjastus: WW Norton & Co
  • ISBN-10: 039393019X
  • ISBN-13: 9780393930191
Teised raamatud teemal:
The authors (of Hobart and William Smith Colleges, U. of Illinois at Urbana-Champaign, Vassar College, and Virginia Polytechnic Institute and State U.) collectively provide an overview of "thirteen individual genres that have historically dominated Hollywood movies." Although separately authored, each chapter follows a similar structure that reviews the history of the genre's evolution; discusses recurrent genre typologies, themes, and theories; examines the genre's relevant iconography; conducts an in-depth reading of exemplary representatives of the genre (sometimes just a single example); and presents questions for classroom discussion. The genres discussed are: slapstick comedy, melodrama, romantic comedy, the fantasy film, the musical, the western, the combat movie, science fiction, the horror film, the gangster movie, the social-problem film, film noir, and the thriller. Annotation ©2014 Book News, Inc., Portland, OR (booknews.com)

A brisk, accessible, and informative introduction to film genres.

An Introduction to Film Genres, written by leading film scholars specifically for undergraduates who are new to the study of film, provides an introduction that helps students see thirteen film genres in a new light---to help them identify the themes, iconography, and distinctive stylistic traits of each genre.
Preface vii
Acknowledgments xi
Introduction 1(31)
Slapstick Comedy
32(48)
Melodrama
80(40)
Romantic Comedy
120(40)
The Fantasy Film
160(40)
The Musical
200(42)
The Western
242(36)
The Combat Movie
278(46)
Science Fiction
324(44)
The Horror Film
368(38)
The Gangster Movie
406(40)
The Social-Problem Film
446(38)
Film Noir 484(36)
The Thriller 520(41)
Photo Credits 561(6)
Index 567
Lester Friedman (Ph.D., Syracuse University) is Professor of Media and Society at Hobart and William Smith Colleges. He is the author of Citizen Spielberg (University of Illinois Press), Fires Were Started (Wallflower Press), American Cinema of the 1970s (Rutgers University Press), and Cultural Sutures: Medicine and Media (Duke University Press), among other publications. David Desser (Ph.D., University of Southern California) is Professor Emeritus of Cinema Studies at the University of Illinois. He is the author of The Samurai Films of Akira Kurosawa (UMI Research Press) and Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema (Indiana University Press); the co-author (with Lester Friedman) of American Jewish Filmmakers (U of Illinois Press); and the editor of Ozus Tokyo Story (Cambridge University Press). Sarah Kozloff (Ph.D., Stanford University) is Professor of Film at Vassar College. She is the author of Invisible Storytellers: Voice-Over Narration in American Fiction Film (University of California Press), Overhearing Film Dialogue (University of California Press), and The Best Years of Our Lives (part of the British Film Institutes BFI Classics series). Martha Nochimson (Ph.D., CUNY) is an independent scholar and writer. She is the author of No End to Her: Soap Opera and the Female Subject (University of California Press), The Passion of David Lynch: Wild at Heart in Hollywood (University of Texas Press), Screen Couple Chemistry: The Power of 2 (University of Texas Press), Dying to Belong: Gangster Movies in Hollywood and Hong Kong (Wiley-Blackwell), World on Film: An Introduction (Wiley-Blackwell), and David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire (University of Texas Press). Stephen Prince (Ph.D., University of Pennsylvania) was Professor of Cinema at Virginia Tech University. He is the author of fifteen books, including The Warriors Camera: The Cinema of Akira Kurosawa (Princeton University Press), A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980-1989 (University of California Press), Screening Violence (Rutgers University Press), The Horror Film (Rutgers University Press), Screen Decades: 1980s (Rutgers University Press), Firestorm: American Film in the Age of Terrorism (Columbia University Press), and Movies and Meaning: An Introduction to Film (Pearson).