Muutke küpsiste eelistusi

Introduction to Multimodal Analysis 2nd edition [Pehme köide]

(Södertörn University, Sweden), (Orebro University, Orebro)
  • Formaat: Paperback / softback, 256 pages, kõrgus x laius x paksus: 232x156x20 mm, kaal: 400 g
  • Ilmumisaeg: 09-Jan-2020
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1350069132
  • ISBN-13: 9781350069138
Teised raamatud teemal:
  • Pehme köide
  • Hind: 40,24 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Tavahind: 47,34 €
  • Säästad 15%
  • Raamatu kohalejõudmiseks kirjastusest kulub orienteeruvalt 2-4 nädalat
  • Kogus:
  • Lisa ostukorvi
  • Tasuta tarne
  • Tellimisaeg 2-4 nädalat
  • Lisa soovinimekirja
  • Formaat: Paperback / softback, 256 pages, kõrgus x laius x paksus: 232x156x20 mm, kaal: 400 g
  • Ilmumisaeg: 09-Jan-2020
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1350069132
  • ISBN-13: 9781350069138
Teised raamatud teemal:

Introduction to Multimodal Analysis is a unique and accessible textbook that critically explains this ground-breaking approach to visual analysis.

Now thoroughly revised and updated, the second edition reflects the most recent developments in theory and shifts in communication, outlining the tools for analysis and providing a clear model that students can follow. Chapters on colour, typography, framing and composition contain fresh, contemporary examples, ranging from product packaging and website layouts to film adverts and public spaces, showing how design elements make up a visual language that is used to communicate with the viewer. The book also includes two new chapters on texture and diagrams, as well as a helpful image index so students can clearly understand how images and multimodal texts can be analysed from different perspectives.

Featuring chapter summaries, student activities and a Companion Website hosting all images in full colour, this new edition remains an essential guide for students studying multimodality within visual communication in linguistics, media and cultural studies, critical discourse analysis or journalism studies.

Arvustused

[ This] second edition evolves as a successful upgrade to the list of currently available introductory books on multimodal analysis that offer toolkits with readymade distinctions to be applied to analytical objects ... A light, practical introduction that together with a profound theoretical enlargement on the basis of other works comprises a first springboard to delve into the deeper context of multimodality. * Journal of Pragmatics * This second edition of Introduction to Multimodal Analysis constitutes once again a persuasive invitation to scrutinize the way things look as powerful expressions and instruments of culture. Authors Machin and Ledin provide scholars from a variety of backgrounds with a thoroughly updated tool to systematically and critically interrogate the numerous choices and decisions that go into designing the visual and multimodal aspects of artefacts in society. * Luc Pauwels, Professor of Visual Research Methods, University of Antwerp, Belgium * With a fully updated table of contents, the second edition of Introduction of Multimodal Analysis offers a contemporary perspective on the multiple ways in which communication works in everyday life. Drawing from classic and cutting-edge scholarship on multimodality, the book is an accessible and rigorous guide to analyzing colour, typography, images, texture, composition, and diagrams. A must-have for students and researchers of culture, media, communication, and design. * Giorgia Aiello, Associate Professor of Media and Communication, University of Leeds, United Kingdom * Retaining its strength as a comprehensive and accessible toolkit for multimodal analysis, this new edition of Machins highly successful book engages with the latest developments in the field, updates the examples, and adds an excellent introduction to the theoretical foundations and the critical importance of multimodal analysis. * Theo van Leeuwen, Professor of Language and Communication, The University of Southern Denmark, Denmark * Undoubtedly, the authors have improved the approachability of the book for the audience and have expanded the contemporary examples and the tools that can be used to comprehend the mechanism of multimodality ... Overall, it provides an interconnected, clear, and very well-structured elaboration. * LINGUIST List *

Muu info

An accessible and foundational textbook for the study of multimodality in the modern world, now thoroughly revised and updated in a second edition.
List of Images
viii
Preface to the Second Edition xi
Introduction 1(12)
What is the specific approach taken in this book?
5(2)
The social uses of design features
7(3)
Outline of the chapters
10(3)
1 What is multimodal analysis?
13(24)
The idea of choice in communication
13(2)
Semiotic choice
15(1)
Materials and affordances
16(2)
Discourse
18(2)
Discourses and social practices
20(1)
The shift to multimodal communication
21(1)
Technologization
21(1)
Integrated design
22(2)
A new commodified communication setting moral standards
24(7)
Coding of semiotic resources
31(2)
Identifying codes
33(4)
2 Pictures and images
37(24)
A semiotic approach: Denotation and connotation
38(4)
Carriers of connotation
42(6)
Representing participants
48(7)
Actions in images
55(6)
3 Modality: Experiencing the world through images
61(26)
The origins of modality as a linguistic concept
63(3)
Modality markers and scales
66(8)
Kinds of visual modality
74(6)
Perspective in images
80(1)
Engagement and frontal perspective
81(1)
Non-frontal perspective
82(1)
Angles
83(1)
Distance
84(3)
4 The meaning of colour in visual design
87(24)
Patterns in colour as a semiotic resource
88(1)
Colour as a semiotic system
89(7)
The value of colours
96(2)
Semiotics of colour
98(1)
The dimensions of colour
98(13)
5 The meaning of typography
111(28)
Typeface and design
114(3)
Typography as a semiotic system
117(7)
Inventory of typographic meaning potential
124(15)
6 Textures and materiality
139(28)
Texture as a semiotic system
140(9)
The dimensions of texture
149(8)
Materials
157(10)
7 Composition and page layout
167(26)
Some basic principles of salience
170(8)
Framing
178(8)
Images and composition: Coordination and hierarchies
186(7)
8 Diagrams and flow charts
193(26)
Classification
197(8)
Composition and orientation
205(3)
Composition and grouping
208(2)
Causality
210(2)
Temporality
212(7)
Bibliography 219(6)
Image Index 225(10)
Index 235
Per Ledin is Professor in Swedish at Södertörn University, Sweden.

David Machin is Professor in the Department of Media and Communication Studies, Örebro University, Sweden.