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Inventions of the Imagination: Romanticism and Beyond [Kõva köide]

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  • Formaat: Hardback, 208 pages, kõrgus x laius: 229x152 mm, kaal: 454 g
  • Sari: Inventions of the Imagination
  • Ilmumisaeg: 20-Jun-2011
  • Kirjastus: University of Washington Press
  • ISBN-10: 0295990988
  • ISBN-13: 9780295990989
Teised raamatud teemal:
  • Formaat: Hardback, 208 pages, kõrgus x laius: 229x152 mm, kaal: 454 g
  • Sari: Inventions of the Imagination
  • Ilmumisaeg: 20-Jun-2011
  • Kirjastus: University of Washington Press
  • ISBN-10: 0295990988
  • ISBN-13: 9780295990989
Teised raamatud teemal:
The dialectic between reason and imagination forms a key element in Romantic and post-Romantic philosophy, science, literature, and art. Inventions of the Imagination, Romanticism and Beyond explores the diverse theories and assessments of this dialectic in a collection of essays by philosophers and literary and cultural critics.

By the end of the eighteenth century, an insistence on reason as the predominant human faculty had run its course, and the imagination began to emerge as another force whose contributions to human intellectual existence and productivity had to be newly calculated and constantly recalibrated. The attempt to establish a universal form of reason alongside a plurality of imaginative capacities describes the ideological program of modernism from the end of the eighteenth century to the present day. Are these two drives actually compatible with one another? Can a universal and monolithic form of reason tolerate the play, flexibility, and unpredictability of imaginative creativity? This collection chronicles some of the vicissitudes in the conceptualization and evaluation of the imagination across time and in a variety of intellectual disciplines, including philosophy, aesthetic theory, and literary studies.

These essays analyze the work of a range of predominately German and British philosophers and poets, including Kant, Hegel, Schiller, Blake, Keats, and Goethe. Together they create a rich and nuanced dialogue on the roles literature, fictions, and works of art in general-understood as products of the imagination-play for and in philosophical systems.

Richard T. Gray is the Byron W. and Alice L. Lockwood professor of Germanics at the University of Washington. Nicholas Halmi is University Lecturer in English Literature of the Romantic Period at the University College, Oxford. Gary J. Handwerk is professor of English and comparative literature at the University of Washington. Michael A. Rosenthal is associate professor of philosophy at the University of Washington. Klaus Vieweg is professor of philosophy at Friedrich Shiller University.

Arvustused

"The essays in this volume are clearly written and stimulating, jargon-free despite the sometimes complex material, and the volume has made the transition from a collection of conference papers to a set of polished essays in an exemplary way."

- John Guthrie (Modern Language Review) "This is a stimulating collection of papers, foregrounding the role of the imagination at a time when its lack can be almost palpably felt across the educational curriculum and in the political arena."

- Paul Bishop (Journal of European Studies) "The collection as a whole provides ample material for thinking about the epistemic role of the imagination. . . . [ I]t makes an important contribution not only to the history of philosophy and the study of romanticism, but also to contemporary questions in hermeneutics, theories of knowledge and aesthetics."

- Dalia Nassar (Notre Dame Philosophical Reviews)

Muu info

Explores the diverse theories and assessments of the dialectic between reason and imagination in a collection of essays by philosophers and literary and cultural critics
Introduction 3(14)
Richard T. Gray
1 Imagination on the Move
17(9)
Wolfgang Welsch
2 The Poetics of Nature: Literature and Constructive Imagination in the History of Geology
26(10)
Georg Braungart
3 Between Imagination and Reason: Kant and Spinoza on Fictions
36(18)
Beth Lord
4 Herder on Interpretation and Imagination
54(14)
Michael N. Forster
5 William Blake: Imagination, Vision, Inspiration, Intellect
68(9)
Hazard Adams
6 Imaginative Power as Prerequisite for an Aesthetics of Freedom in Friedrich Schiller's Works
77(10)
Wilhelm Voßkamp
7 The Gentle Force over Pictures: Hegel's Philosophical Conception of the Imagination
87(15)
Klaus Vieweg
8 The Status of Literature in Hegel's Phenomenology of spirit: on the Lives of Concepts
102(19)
Robert B. Pippin
9 Difficult Freedom: Hegel's Symbolic art and Schelling's Historiography in the Ages of the World (1815)
121(20)
Tilottama Rajan
10 From Art to History: Schelling's Modern Mythology and the Coming Community
141(18)
Richard Block
11 "To Impose is not to Discover": A Romantic-Modernist Continuity in Contradiction
159(23)
Christoph Bode
Biographies of Editors and Contributors 182(5)
Index 187
Richard T. Gray is the Byron W. and Alice L. Lockwood professor of Germanics at the University of Washington. Nicholas Halmi is University Lecturer in English Literature of the Romantic Period at the University College, Oxford. Gary J. Handwerk is professor of English and comparative literature at the University of Washington. Michael A. Rosenthal is associate professor of philosophy at the University of Washington. Klaus Vieweg is professor of philosophy at Friedrich Shiller University.