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It Doesn't Suck: Showgirls: pop classics #1 No Edition [Pehme köide]

  • Formaat: Paperback / softback, 140 pages, kõrgus x laius: 178x121 mm
  • Ilmumisaeg: 01-May-2018
  • Kirjastus: ECW Press,Canada
  • ISBN-10: 1770414401
  • ISBN-13: 9781770414402
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  • Formaat: Paperback / softback, 140 pages, kõrgus x laius: 178x121 mm
  • Ilmumisaeg: 01-May-2018
  • Kirjastus: ECW Press,Canada
  • ISBN-10: 1770414401
  • ISBN-13: 9781770414402
Teised raamatud teemal:
Now updated with an interview with auteur director, Paul Verhoeven, Nayman’s brilliant analysis of Showgirls was dubbed by Las Vegas Weekly to be “entertaining, like sitting down with a friend who has just realized that you need to watch The Wizard of Oz while listening to Pink Floyd.”

A new edition of the first book in the acclaimed Pop Classics series

The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for. In an accessible and entertaining voice, the book encourages a shift in critical perspective on Paul Verhoeven’s Showgirls, analyzing the film, its reception, and rehabilitation. This in-depth study of a much-reviled movie is a must-read for lovers and haters of the 1995 Razzie winner for Worst Picture.

This expanded edition includes an exclusive interview between the author and Showgirls director Paul Verhoeven, as well as a new preface.

Preface to the Second Edition ix
"Masterpiece"
1(6)
Through the Looking Glass
7(11)
Getting Away with Murder
18(8)
The Verhoeven Touch
26(6)
"You Got a Name?"
32(7)
"Ain't Anybody Ever Been Nice to You?"
39(11)
"She Can Dance, Can't She?"
50(13)
"Show Me Your Tits"
63(10)
"If Somebody Gets in Your Way, Step on 'Em"
73(10)
"We Just Want to Party, Baby"
83(11)
"Goodbye, Darlin'"
94(7)
"They Don't Want to Fuck a Penny"
101(11)
"It Doesn't Suck"
112(9)
An Interview with Paul Verhoeven
121(20)
Notes 141(4)
Acknowledgments 145