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Japanese Morphography: Deconstructing hentai kanbun [Kõva köide]

How is it possible to write down the Japanese language exclusively in Chinese characters? And how are we then able to determine the language behind the veil of the Chinese script as Japanese? The history of writing in Japan presents us with a fascinating variety of writing styles ranging from phonography to morphography and all shades in between.

In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as hentai kanbun or variant Chinese are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.
Preface vii
Acknowledgments ix
List of Figures and Tables
xi
Conventions xiv
1 Transcription and Phonology xiv
2 Morphology and Syntax xv
3 Grapholinguistics xvi
4 Dates xvii
5 Primary Sources and Abbreviations xvii
1 Grapholinguistic Preliminaries
1(31)
1 Taxonomy of Writing Systems
1(10)
2 Form and Function of Graphs
11(4)
3 Stylistic Diversity in the Japanese Writing System(s): A Diachronic Perspective
15(15)
4 Summary
30(2)
2 Previous Scholarship and Terminological Diversity
32(17)
3 Structure of "hentaikanbun"
49(174)
1 Textual Basis
50(11)
2 Characteristics of Texts Classified as "hentai kanbun"
61(53)
2.1 Morphography, the Methodology of Reconstruction, and Its Limits
61(15)
2.2 Sinography and the Interplay of Form and Function
76(2)
2.3 Non-Sequential Writing
78(16)
2.4 Underspelling
94(14)
2.5 Overspelling
108(6)
3 Identification of Texts as Japanese Writings
114(96)
3.1 Syntactic Differences
115(1)
3.1.1 Preponed Accusatives and Datives
116(3)
3.1.2 Postponed Nominatives
119(4)
3.1.3 Trivalent Verbs
123(4)
3.1.4 Passive and Causative
127(16)
3.1.5 Discontinuous Writing
143(5)
3.2 Semantic Differences
148(1)
3.2.1 Words Not Used in Chinese
148(3)
3.2.1.1 Honorcfics
151(5)
3.2.1.2 Abstract Nouns
156(2)
3.2.2 Bound Morphemes without Chinese Equivalent
158(36)
3.2.3 Absence of Certain Chinese Elements
194(4)
3.2.4 Unread Characters
198(7)
3.3 Graphobgical Differences
205(5)
4 Stylistic Classification
210(10)
5 Motivations behind Primarily Morphographic Writing
220(3)
4 Conclusions and Prospects
223(6)
Appendix: Phonograms Used in manabon 229(11)
References 240(17)
Index of Terms 257(3)
Index of Works 260
Gordian Schreiber is a postdoctoral researcher at Ruhr University Bochum in Germany. He has published articles on the history of writing in Japan and writing system typology. The present book is based on his dissertation on Japanese morphography.