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Jazz from Detroit [Pehme köide]

  • Formaat: Paperback / softback, 358 pages, kõrgus x laius: 229x152 mm, 35 halftones
  • Ilmumisaeg: 11-Feb-2026
  • Kirjastus: The University of Michigan Press
  • ISBN-10: 0472054260
  • ISBN-13: 9780472054268
Teised raamatud teemal:
  • Formaat: Paperback / softback, 358 pages, kõrgus x laius: 229x152 mm, 35 halftones
  • Ilmumisaeg: 11-Feb-2026
  • Kirjastus: The University of Michigan Press
  • ISBN-10: 0472054260
  • ISBN-13: 9780472054268
Teised raamatud teemal:
Jazz from Detroit explores the citys pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroits distinctive history.

Strykers story starts in the 1940s and 50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musiciansHank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the citys fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and 70s, such as the Strata Corporation and Tribe. In more recent decades, the citys culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroits jazz tradition provides a powerful symbol of the citys lasting cultural influence.

Strykers 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Stryker has fully updated the paperback since the publication of the hardcover. This award-winning book will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit.

Arvustused

"Mark Stryker covered jazz and its people for the Detroit Free Press for decades. He uses his reporter's eye and critic's ear to chronicle the musicians from the city who made their mark on the world." * NPR's Fresh Air * "Though Detroit is known for its legendary Motown music, former Detroit Free Press journalist Strykers exceptional book shows in swinging detail why the city was also a major focal point for jazz. . . . This astute music history will be a boon for jazz fans." * Publisher's Weekly * "This is a really interesting book. Once you read it, youre guaranteed to wind up chasing down dozens of records ... Ive always known I should learn more about his deep catalog, I just never have until now. Its a perfect summer project." * Phil Freeman, Stereogum * "Ask the question, where does jazz happen, and the likely answer will be New York (or New Orleans, for the historically minded). No one is going to mention Detroit, not even dedicated jazz fans. But take out a piece of paper and write down the names of great and notable jazz musicians, and time and again their personal and/or musical home town will turn out to be the Motor City. Skip the paper and pen and glance through the table of contents of Mark Strykers new book ... Detroit jazz has a fine tribute in this book." * George Grella, Brooklyn Rail * "Building on his many years of covering the jazz scene in Detroit, Stryker (long-time journalist for the Detroit Free Press) has produced an important book about many of the luminaries of Motown. ... Highly recommended." * K. R. Dietrich, CHOICE * " This is one of the best jazz books on such a focused topic in quite a while." -- Robert Iannapollo * ARSC Journal * "Jazz from Detroit is full of anecdotes and witty stories that will put a smile on the reader's face. As a journalist with a vast experience covering jazz, Stryker uses his knowledge and relationships with esteemed musicians to inform his discussions. . . . Jazz from Detroit will be entertaining to jazz aficionados and might encourage a younger generation of scholars and journalists to engage more thoroughly with living, modern-day musicians." -- Alexander Gagatsis * Jazz and Culture * Comprehensive, musically literate, striking in its depth, and essential. * Jazzwise * Jazz from Detroit flows with memorable in-person color, deep research, and musical descriptions that feel at once technically adept and elegant. * Tidal * Winner: Association for Recorded Sound Collections (ARSC) 2020 Awards for Excellence Best Historical Research in Recorded Jazz: Certificate of Merit * ARSC Award for Excellence Best Historical Research in Recorded Jazz * Winner: Jazz Journalists Association 2020 Jazz Award for Book of the Year About Jazz * JJA Jazz Award for Book of the Year About Jazz *

Table of Contents
A Note on Sources and Recordings
Introduction

Part 1: Setting the Stage
Chapter 1: Jazz in Detroit, 1900-1950

Part 2: The Golden Age, 1940-60
Opening Chorus
Chapter 2: Gerald Wilson Head and Heart
Chapter 3: Yusef Lateef Gentle Giant
Chapter 4; Milt Jackson Bags Groove
Chapter 5: Sheila Jordan Sheilas Blues
Chapter 6: Barry Harris Professor of Bebop
Chapter 7: Tommy Flanagan A Legendary Touch
Chapter 8: Kenny Burrell Community Builder
Chapter 9: Donald Byrd Renaissance Man
Chapter 10: Roland Hanna Magician
Chapter 11: Curtis Fuller Trombone on Top
Chapter 12: Louis Hayes The (Cymbal) Beat Goes On
Chapter 13: Ron Carter The Right Note at the Right Time
Chapter 14: Joe Henderson The Phantom
Chapter 15: Charles McPherson Reminiscing by Ear

Part 3: The Jones Brothers
Opening Chorus
Chapter 16: Hank Jones One Extra Ace
Chapter 17: Thad Jones Jonesisms
Chapter 18: Elvin Jones Philosopher-King

Part 4: Taking Control Self-determination in the 1960s and 70s
Opening Chorus
Chapter 19: Detroit Artists Workshop, Detroit Creative Musicians Association
and Focus Novii
Chapter 20: Contemporary Jazz Quintet and Strata Corporation
Chapter 21: Tribe
Coda

Part 5: Marcus Belgrave and His Children
Chapter 22: Marcus Belgrave The Nurturer
Chapter 23: Geri Allen Back to the Future
Chapter 24: Kenny Garrett Sound and Spirit
Chapter 25: Regina Carter Searching for Roots
Chapter 26: Gerald Cleaver The Big Picture
Chapter 27: Robert Hurst Platonic Ideal
Chapter 28; Rodney Whitaker Family Man
Chapter 29: James Carter Volcano
Chapter 30: Karriem Riggins Duel Identity

Part 6: Tradition and Transition in the 21st Century
Opening Chorus
Chapter 31: Present and Future Ralphe Armstrong, Marion Hayden, Michael
Malis, Marcus Elliot
Coda

Appendix A: Jazz Musicians from Detroit
Appendix B: List of Quoted Interviews

Acknowledgments
Index
Mark Stryker is an award-winning author, arts journalist, and critic based in Detroit and a member of the Michigan Journalism Hall of Fame. He is also writer and co-producer of the documentary film The Best of the Best: Jazz from Detroit (2024).