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Kengo Kuma: Substance [Kõva köide]

  • Formaat: Hardback, 272 pages, kõrgus x laius x paksus: 300x223x28 mm, kaal: 1820 g, 12 Illustrations, black and white; 250 Illustrations, color
  • Sari: Kengo Kuma
  • Ilmumisaeg: 01-Mar-2026
  • Kirjastus: Images Publishing Group Pty Ltd
  • ISBN-10: 1864709928
  • ISBN-13: 9781864709926
Kengo Kuma: Substance
  • Formaat: Hardback, 272 pages, kõrgus x laius x paksus: 300x223x28 mm, kaal: 1820 g, 12 Illustrations, black and white; 250 Illustrations, color
  • Sari: Kengo Kuma
  • Ilmumisaeg: 01-Mar-2026
  • Kirjastus: Images Publishing Group Pty Ltd
  • ISBN-10: 1864709928
  • ISBN-13: 9781864709926
Kengo Kuma: Substance presents more than 30 projects by acclaimed Japanese architect Kengo Kuma and explores his work through the inherent qualities of six materials—wood, fabric, metal, bamboo, stone, and paper.

Kengo Kuma is an acclaimed Japanese architect whose work masterfully engages architectural experimentation, traditional Japanese design, and 21st-century technology. This results in highly advanced yet beautifully simple, gentle, human-scaled buildings.

Kengo Kuma: Substance, the follow up to Topography (2021), explores the work of Kengo Kuma and Associates through six materials: wood, fabric, metal, bamboo, stone, and paper. The beautifully illustrated volume presents more than 30 projects, from captivating wood pavilions, ethereal textile installations, and sculptural woven structures to abstract stone fountains, aluminum chain screens, and monumental wood-and-steel bridges.

The featured projects are from around the world and range in typology and scale. Highlights include the Taoist temple in Shinpu; Kusugibashi bridge in Yamaguchi; Ephemeral Tent in Shanghai; Namako pavilion for Design Canberra Festival; a bamboo tea house in China; and the Wakuni Shoten tobacco store in Tokyo; among many others. Each project is illustrated with exquisite imagery that showcases how Kuma’s architectural designs are conceived and crafted to reveal the inherent qualities of the materials.

As Kuma continues to forge a new design language, he offers readers insight into how he has engaged with different materials to further progress his ideas and advance the world of architecture and design.
7 Introduction
The substance of humanity
WOOD
12 Domino 3.0
18 The Cloud
22 Yure
28 CiDoRi
34 Neowa Dome
40 Komorebi
48 Botanical Pavilion
54 Kodama
62 Casa Wabi COOP
70 CLT Park Harumi
78 Wooden Haze
82 Uro-co
88 Sana Mane Sazae Sauna
98 NakaHashi
108 Kusugibashi
BAMBOO
118 Nangchang-NANGCHANG
122 Sensing Spaces
128 Bamboo PASSAGE
134 Bamboo FLOW
METAL
142 One Health Carbon Gate
148 Owan
152 Casa Batlló Stairs
164 EPHEMERAL TENT
174 KUGI-KUMO
180 Mushizuka
186 Wakuni Shoten
PAPER
194 Paper Snake
200 Irori & PAPER COCOON
TEXTILE
210 Ceramic Yin Yang
216 Casa Umbrella
226 Namako
236 KXK (Krug x Kuma = )
240 Kithul-Ami
STONE
248 Stone Forest
254 Cave of Light and Shadow
appendix Appendix
262 index of projects
263 Biography
264 Awards and Recognition
266 Exhibitions
269 Monographs and Publications
Kengo Kuma decided at a young age to pursue architecture, having been inspired by Kenzo Tanges Yoyogi National Gymnasium, built for the 1964 Tokyo Olympics. He studied architecture at the University of Tokyo and received his masters degree in 1979. In 1990, he established Kengo Kuma & Associates (KKAA). Headquartered in Tokyo, the firm also has offices in Paris, Beijing, Shanghai, and Seoul, and Kengo Kuma & Associates projects are currently underway in more than fifty countries. Kengo is currently a university professor and professor emeritus at the University of Tokyo, and a member of the Japan Art Academy after teaching at Keio University and the University of Tokyo.