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Killers, Clients and Kindred Spirits: The Taboo Cinema of Shohei Imamura [Kõva köide]

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  • Formaat: Hardback, 256 pages, kõrgus x laius: 234x156 mm, 45 B/W illustrations
  • Sari: Edinburgh Studies in East Asian Film
  • Ilmumisaeg: 31-May-2019
  • Kirjastus: Edinburgh University Press
  • ISBN-10: 1474411819
  • ISBN-13: 9781474411813
Teised raamatud teemal:
  • Formaat: Hardback, 256 pages, kõrgus x laius: 234x156 mm, 45 B/W illustrations
  • Sari: Edinburgh Studies in East Asian Film
  • Ilmumisaeg: 31-May-2019
  • Kirjastus: Edinburgh University Press
  • ISBN-10: 1474411819
  • ISBN-13: 9781474411813
Teised raamatud teemal:
The Two cines con nino' is the first genre study of Spanish-language child-starred cinemas. It illuminates continuities in the political use of the child protagonist in over fifty years of Spanish cinema and how the child-starred genres use the concept of childhood to retrospectively define the nation and its future.

The only Japanese director to have won the Palme d'Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan's leading and most controversial film directors. This book is one of the first to study all of Imamura's major films alongside his television and theatrical documentaries, focusing on his major themes and concerns. By giving shape to Imamura's career, the book positions him as a stylistic innovator as well as an ethnographic investigator into Japanese culture and tradition; the preeminent examiner of the hidden, barely repressed underpinnings of Japanese society.
List of Figures
vii
Notes on the Contributors ix
1 Introduction
1(20)
Lindsay Coleman
David Desser
2 The Making of an Auteur: The Early Films (1958--1959)
21(20)
Jennifer Coates
PART I KILLERS
3 Confronting America: Pigs and Battleships and the Politics of US Bases in Postwar Japan
41(15)
Hiroshi Kitamura
4 Insect Men and Women: Gender, Conflict and Problematic Modernity in Intentions of Murder
56(19)
Adam Bingham
5 Hidden in Plain Sight: The False Leads and True Mysteries of Vengeance Is Mine
75(17)
John Berra
6 The Eel: Trauma Cinema
92(23)
David Desser
PART II CLIENTS
7 The Insect Woman, or: The Female Art of Failure
115(24)
Michael Raine
8 The Obscene in the Everyday: The Pornographers
139(20)
Lindsay Coleman
9 Shohei Imamura's Profound Desire for Japan's Cultural Roots: Critical Approaches to Profound Desires of the Gods
159(18)
Mats Karlsson
10 "Products of Japan": Karayuh-san, The Making of a Prostitute
177(15)
Joan Mellen
11 The Female Body as Transgressor of National Boundaries: The History of Postwar Japan as Told by a Bar Hostess
192(21)
Bianca Briciu
PART III KINDRED SPIRITS
12 Better Off Being Bacteria: Adaptation and Allegory in Dr. Akagi
213(15)
Lauri Kitsnik
13 Time Out of Joint: Shohei Imamura and the Search for an "Other" Japan
228(18)
Bill Mihalopoulos
14 Promotional Discourses and the Meanings of The Ballad of Narayama
246(21)
Rayna Denison
15 Boundary Play: Truth, Fiction, and Performance in A Man Vanishes
267(20)
Diane Wei Lewis
16 Why Not? Imamura, Nietzsche, and the Untimely
287(21)
David Deamer
17 Kuroi Ame: An Anthropology of Suffering
308(18)
Dolores P. Martinez
18 The Symbolic Function of Water
326(17)
Timothy Iles
Index 343