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Kingly Crafts: The Archaeology of Craft Production in Late Shang China [Kõva köide]

  • Formaat: Hardback, 280 pages, kõrgus x laius: 235x156 mm, 100 b&w illustrations
  • Sari: Tang Center Series in Early China
  • Ilmumisaeg: 20-Dec-2022
  • Kirjastus: Columbia University Press
  • ISBN-10: 0231192045
  • ISBN-13: 9780231192040
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  • Formaat: Hardback, 280 pages, kõrgus x laius: 235x156 mm, 100 b&w illustrations
  • Sari: Tang Center Series in Early China
  • Ilmumisaeg: 20-Dec-2022
  • Kirjastus: Columbia University Press
  • ISBN-10: 0231192045
  • ISBN-13: 9780231192040
Teised raamatud teemal:
Through a systematic analysis of the archaeological materials available in both mainland China and Taiwan, Kingly Crafts provides a detailed picture of craft production in Anyang and paves the way for a new understanding of how the Shang capital functioned as a metropolis.

The site of Anyang, the last capital of the Shang dynasty, dated to around 1200 to 1000 BCE, is one of the most important sources of knowledge about craft production in Bronze Age China. Excavations of the settlement demonstrate both the advanced level of Shang craft workers and the scale and capacity of the craft industries of the time. However, over the past ninety years, materials unearthed in Anyang by different expeditions have been stored separately in mainland China and Taiwan and rarely considered as a single group, making a thorough study of this important aspect of life in Shang China all but impossible.

Through a systematic analysis of the archaeological materials available in both mainland China and Taiwan, Kingly Crafts provides a detailed picture of craft production in Anyang and paves the way for a new understanding of how the Shang capital functioned as a metropolis. Kingly Crafts focuses on the craft-producing activities represented archaeologically in Anyang, including bronze casting, bone working, shell and marble inlay working, lithic working, and pottery production, and reviews the material remains, the technology, aspects of operational sequence, and the production organization of the craft industries. While the level of Shang craftsmanship can be observed from an examination of the finished products, Yung-ti Li demonstrates that it is necessary to study workshop remains and their archaeological context to reconstruct the social and political contexts of craft production. By synthesizing and contextualizing the available examples of these remains excavated in Anyang, Kingly Crafts reveals the relationships between the craft industries and the political authority of the late Shang period.

Arvustused

I believe this work to be of great significance to the field. Nothing like it has been published on early China in English, and it establishes the groundwork for future synthetic studies of Shang craft working and economy. Kingly Crafts will be used as an authoritative work for many years to come. -- Roderick B. Campbell, author of Violence, Kinship, and the Early Chinese State: The Shang and Their World Yung-ti Li sifts through a centurys worth of archaeological data to reconstruct the most up-to-date blueprint for the Shang dynastys last capital as a complex and likely planned urban environmentone that integrates layers of elite and nonelite craft production precincts. His vision is fresh and clear-eyed on what the material cultural record can or cannot really tell usunafraid to question a few of the favored historical-cultural myths. -- Constance A. Cook, author of Ancestors, Kings, and the Dao This is a much-anticipated synthetic study of craftworking at Anyang focusing on the kingly crafts, especially bronze, bone, ivory, shell, and marble. With masterly command of available archaeological data accumulated from ninety years of field investigation and in graceful prose, Li skillfully brings to life the large-scale craft workshop tradition that served the high elite. -- Katheryn Linduff, University of Pittsburgh Anyang has been excavated every year for nearly a century, and yet the last book-length study in a European language is forty-five years old. Lis book brings the study of the last capital of the Shang dynasty, the most important location for understanding Chinese civilization at the end of the second millennium BCE, into the twenty-first century. The political and ritual center is shown to be a unique urban nexus of an elite population. Using bronze vessels and inscribed bones, as well as jade, turquoise, lacquer, shells, and wild and exotic animals, Li reconstructs the inner workings of Shang society as only a scholar who is also an excavator can. -- Nancy Shatzman Steinhardt, author of The Borders of Chinese Architecture Kingly Crafts is a rich and comprehensive study of craft and art works excavated at Anyang, the last royal center of the Shang Dynasty. Most noteworthy about the book is the variety of crafts it considers. A substantial work. -- Ying Wang, University of Wisconsin, Milwaukee The writing style is accessible, and the illustrations and data charts are of good quality and well-presented. I would highly recommend this book both to scholars and students of Shang/Chinese archaeology and those interested in exploring comparative studies of craft production in early civilisations. * Antiquity *

List of Illustrations
ix
Acknowledgments xiii
Chapter One Identifying and Defining the Issues: Craft Production, Elite Culture, and Urban Centers in Bronze Age China
1(20)
Chapter Two Craft Production at the Last Shang Capital
21(20)
Chapter Three A Craft of Clay and Metal: Section-mold Casting Technology and the Anyang Bronze Industry
41(45)
Chapter Four Bone Technology, Production Contexts, and the Bone Workshops
86(43)
Chapter Five Locating the Royal Workshop and Other Crafts
129(35)
Chapter Six Long Live the King: Anyang and Its Legacy
164(33)
Notes 197(14)
Bibliography 211(40)
Index 251
Yung-ti Li is associate professor in East Asian languages and civilizations at the University of Chicago.