His style is lucid, his language accessible, his structure compact and controlled, and he provides meticulous photographs, illustrations and maps throughout to aid and engage the reader . . . Stavros uncovers much about the citys intricate layout, its Byzantine postal addresses, its architecture and the shrines and temples that encroach on it. Essential and enjoyable reading for anyone interested in this ancient city. The Japan Times; Kyoto: An Urban History of Japans Premodern Capital treats its subject in such a way that Kyoto comes alive as an organic entity that conditions politics, social relations, and cultural formations. The books merits are many: beautifully written, well researched, and conceptually sophisticated, it provides a strong foundation for understanding how Kyoto has arrived at its present state. Its demonstration of the complex continuities and discontinuities that characterize urbanism and city-form in the premodern versus modern periods in Japan establishes its relevance for scholars and students of both premodern and modern Japanese studies. I would be delighted to assign this book in seminar and lecture courses to undergraduates and graduates. Yukio Lippit, Harvard University; The city of Kyoto comes alive in Stavros comprehensive study, the enduring main character of an enthralling and thoroughly researched story. The author uses material culture, archaeology, and documentary evidence to great effect, but it is above all the books many maps, diagrams, and photographs that make the city more than just a backdrop to the narrative. The long endurance of Kyoto is acknowledged but complicated by the theme of constant change: the capitals markets grew in some periods and shrank in others, while neighborhoods opened wide in peacetime and then closed up tight in response to the tides of war. Stavros proves that the citys identity is hybrid and always in flux, seen in the repeated efforts of elites to appropriate Kyotos imperial past and its associated geography in the creation of new structures of culture and power. Morgan Pitelka, University of North Carolina