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La Voz Latina: Contemporary Plays and Performance Pieces by Latinas New edition [Pehme köide]

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  • Formaat: Paperback / softback, 376 pages, kõrgus x laius x paksus: 235x156x30 mm, kaal: 626 g, 11 black & white photographs
  • Ilmumisaeg: 30-Mar-2021
  • Kirjastus: University of Illinois Press
  • ISBN-10: 0252085981
  • ISBN-13: 9780252085987
Teised raamatud teemal:
  • Formaat: Paperback / softback, 376 pages, kõrgus x laius x paksus: 235x156x30 mm, kaal: 626 g, 11 black & white photographs
  • Ilmumisaeg: 30-Mar-2021
  • Kirjastus: University of Illinois Press
  • ISBN-10: 0252085981
  • ISBN-13: 9780252085987
Teised raamatud teemal:
A timely collection of Latina performance pieces

Surveying the Latina theatre movement in the United States since the 1980s, La Voz Latina brings together contemporary plays and performance pieces by innovative Latina playwrights. This rich collection of varying styles, forms, themes, and genres includes work by Yareli Arizmendi, Josefina Báez, The Colorado Sisters, Migdalia Cruz, Evelina Fernández, Cherríe Moraga, Carmen Pelaez, Carmen Rivera, Celia H. Rodríguez, Diane Rodriguez, and Milcha Sanchez-Scott, as well as commentary by Kathy Perkins and Caridad Svich on the present state of Latinas in theatre roles.
 
La Voz Latina expands the field of Latina theatre while situating it in the larger spectrum of American stage and performance studies. In highlighting the ethnic and cultural roots of the performance artists, Elizabeth C. Ramírez and Catherine Casiano provide historical context as well as a short biography, production history, and artistic statement from each playwright.

Arvustused

"La Voz Latina makes visible and accessible a panoply of performance texts that show the remarkable range and ability of Latina playwrights. It demonstrates the vibrant diversity, transnational influences, and high volume of activity in Latina theatre in both the past and present."--Theatre Journal "A fine representation of the some of the most vital and important Latina playwrights writing and performing today. Publishing many plays for the first time, this significant collection will be of interest to students and scholars of theatre, Latina studies, and American studies."--Jorge Huerta, author of Chicano Drama: Performance, Society, and Myth "Apart from the performance pieces themselves, the artists' comments about the circumstances under which the works were created makes the collection a very valuable tool for documenting Latina cultural production since the 1980s."--Tamara L. Underiner, author of Contemporary Theatre in Mayan Mexico: Death-Defying Acts

Acknowledgments   ix
Introduction: Latinas Take the Stage   1
1. CREATING A PERFORMANCE VOICE: THEMES OF FAMILY, RELIGION, AND COMMUNITY  
25
1. Milcha Sanchez-Scott's Roosters   31
2. Cherrie Moraga's Waiting for Da God   68

II. CHICANAS AND CHICANO TEATRO: STAGING IDENTITY   87
3. Diane Rodriguez's The Path to Divadom, Or How to Make Fat-free Tamales in
G Minor   93
4. Yareli Arizmendi's Who Buys Your Shoes?   103

III. LA INDIGENA/THE INDIGENOUS: STAGING MYTH   119
5. Celia Herrera Rodriguez's Cositas Quebradas: Performance Codex   125
6. The Colorado Sisters' Chicomoztoc: Mimixcoa-Cloud Serpent   140

IV. "RACE MATTERS"   165
7. Josefina Baez's Dominicanish   171
8. Evelina Fernandez's Luminarias   188

V. WHERE IS HOME AND HOW DO WE GET THERE?   237
9. Carmen Pelaez's El Postre de Estrada Palma and My Cuba   239
10. Carmen Rivera's La Gringa   254
11. Migdalia Cruz's Another Part of the House   305

VI. COMMENTARY ON LATINA THEATRE IN THE UNITED STATES   357
12. Contributions by Women of Color - Kathy Perkins   359
13. No Passport: Dreaming the Americas - Caridad Svich   362
Elizabeth C. RamÍrez works professionally as a dramaturg and currently teaches at Our Lady of the Lake University, and is the author of Chicanas/Latinas on the American Stage: A History of Performance. Catherine Casiano is Assistant Dean of Admissions at St. Marys University School of Law.