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Landscapes of Communism: A History Through Buildings [Kõva köide]

  • Formaat: Hardback, 624 pages, kõrgus x laius x paksus: 240x162x41 mm, kaal: 1043 g
  • Ilmumisaeg: 04-Jun-2015
  • Kirjastus: Allen Lane
  • ISBN-10: 1846147689
  • ISBN-13: 9781846147685
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  • Formaat: Hardback, 624 pages, kõrgus x laius x paksus: 240x162x41 mm, kaal: 1043 g
  • Ilmumisaeg: 04-Jun-2015
  • Kirjastus: Allen Lane
  • ISBN-10: 1846147689
  • ISBN-13: 9781846147685
Teised raamatud teemal:
Offers a very different narrative of Eastern Europe to the familiar image of Stalinism and the Stasi, cold-war espionage, forbidding architecture, the sex industry, stag parties and immigration. This book shows, the region's architecture tells the story of two of the twentieth century's most wide-ranging political experiments.

In Landscapes of Communism, Owen Hatherley embarks on an evocative historical journey through Eastern Europe In Landscapes of Communism, acclaimed cultural commentator Owen Hatherley offers a very different narrative of Eastern Europe to the familiar image of Stalinism and the Stasi, cold-war espionage, forbidding architecture ('Soviet' and 'Eastern Bloc' are commonly used as pejoratives for anything large and made of concrete), the sex industry, stag parties and immigration. As Hatherley shows, the region's architecture tells the story of two of the twentieth century's most wide-ranging political experiments: full-scale socialism post-1945 and, after 1989, neo-liberal capitalism. Hatherley travels through the region's immense boulevards, monumental, windswept squares and crumbling apartment blocks, exploring the original ideals behind their creation and asking what we can learn from them today. From Warsaw to Berlin, Kiev to Moscow, this is a passionate journey in search of the true meaning of cities and the ways in which they reflect our values and shape our lives. Owen Hatherley is the author of the acclaimed Militant Modernism, a defence of the modernist movement, and A Guide to the New Ruins of Great Britain ('A book of finespun rage . . . a book that had to be written. Wittily, bitterly, pithily, mostly accurately, Hatherley tells it how it is' - Rowan Moore, Observer; 'Fear and loathing in lost Albion riffed by a quainter version of Hunter S. Thompson' - Jay Merrick, Independent). He writes regularly on the political aesthetics of architecture, urbanism and popular culture for a variety of publications, including Building Design, Frieze, The Guardian and The New Statesman. 'In the craven world of architectural criticism Hatherley is that rarest of things: a brave, incisive, elegant and erudite writer, whose books dissect the contemporary built environment to reveal the political fantasies and social realities it embodies.' Will Self

Arvustused

An extraordinary tour... Hatherley describes the concrete awnings, arcades, peculiar angles, sudden curves, the collage of towers. -- Jay Merrick * Independent * Impressive... intimate, witty and insightful. -- Ian Critchley * Sunday Times * Communism, for all its myriad faults, created another vision of what cities could be, in which public space was dedicated to something other than consumption and in which workers were housed decently and cheaply by the state. We have much to learn from its ambition, as well as its ultimate failure... Owen Hatherley is searching for an elusive alternative [ and] is absolutely right that to dismiss this alternative architecture would be a huge mistake. -- Edwin Heathcote * Financial Times * A revelatory voyage into fantastical domains made more so by the fact that they were often enormous forms of propaganda... The outlines of these places might be familiar - vast factory-built housing estates, TV towers, the grandiose palaces and boulevards built by Stalin and Ceausescu, the brave constructivist experiments of the early years of the Russian revolution - but Hatherley fills in these vague forms, and reveals their complexities... It is an epic work. -- Rowan Moore * Observer * In the craven world of architectural criticism Hatherley is that rarest of things: a brave, incisive, elegant and erudite writer, whose books dissect the contemporary built environment to reveal the political fantasies and social realities it embodies. -- Will Self I was at first intrigued, and then fascinated, and then captivated by this book. Owen Hatherley's eye is so acute, his architectural expertise so lightly deployed, his sympathies so wide and generous, that reading it is like a tour of a whole world of unsuspected curiosities and richnesses conducted by a guide whose wit is as refreshing as his knowledge is profound. This is far more than a book about buildings: it's a vivid account of the twentieth century's experiment with socialism as it affected the urban landscape, and among other things a celebration of the way human invention, ingenuity and craftsmanship can flourish in the unlikeliest of places. I loved it, and I'll go back to it again and again. -- Philip Pullman Can one talk yet of vintage Hatherley? Yes, one can. Here are all the properties that have made him one of the most distinctive writers in England - not just 'architectural writers', but writers full stop: acuity, contrariness, observational rigour, frankness and beautifully wrought prose. This is a tempered love letter to eastern Europe and a fullblown love letter to an eastern European woman. I can't think of anything remotely akin -- Jonathan Meades

Introduction: Socialism Isn't 1(36)
1 Magistrale
37(54)
2 Microrayon
91(57)
3 Social Condenser
148(53)
4 High Building
201(49)
5 Metro
250(60)
6 Reconstruction
310(55)
7 Improvisation
365(52)
8 Memorial
417(93)
Conclusion: Socialism Is 510(23)
Acknowledgements 533(2)
A Note on Names 535(2)
Notes and References 537(28)
Index of Places 565(19)
General Index 584
Owen Hatherley writes regularly on aesthetics and politics for the Architectural Review, The Calvert Journal, Dezeen, the Guardian, Jacobin and the London Review of Books. He is the author of several books, most recently Landscapes of Communism, The Ministry of Nostalgia and The Chaplin Machine.